
The Seine in Art
The Seine River appears in 108 works, bearing witness to the social and historical landscape of Paris and its surroundings.
Explore curated art themes, each containing a collection of related artworks
The Seine River appears in 108 works, bearing witness to the social and historical landscape of Paris and its surroundings.
The sky, depicted in 381 works, serves as both a record of natural phenomena and a crucial element of cultural symbolism.
Snow, depicted in 108 works, illustrates the connection between natural climate, seasonal changes, and social life.
Soldiers, depicted in 145 works, reflect the historical context of war, power, and social order.
Streets, depicted in 102 works, document the historical landscape of urban structure, transportation, and social interaction.
Trees, depicted in 744 works, showcase the multiple meanings of natural landscapes, agricultural environments, and cultural symbols.
Women, depicted in 447 works, address family, religion, and social roles, serving as a valuable image resource for the study of gender and historical culture.
The 346 works in Germany cover war, industry, and urban life, reflecting the complex historical and social landscapes of Central Europe.
The 1,265 works related to Amsterdam, from the canals of the Golden Age to modern cityscapes, showcase the city's place in trade, politics, and cultural history. These images provide firsthand material for studying urban evolution and civic life.
The 200 works from Antwerp reflect the role of this important port city in European commercial networks and the historical trajectory of the intertwined religious and artistic traditions.
The 538 works from Beijing capture images of the imperial city, temples, and urban life, providing rich material for understanding the historical space and social structure of China's political center.
The 118 works from Haarlem embody the Dutch School's focus on urban and rural landscapes, reflecting the social life and cultural identity of the urban middle class in the 17th century.
The 149 works from Hangzhou showcase the Jiangnan landscape, literati spaces, and everyday scenes, carrying valuable visual information on regional culture and social life.
London's 303 works, ranging from courtly ceremonies to industrial cityscapes, document the political, economic, and social transformations of the imperial capital.
Paris' 953 works present multidimensional images of urban revolution, architectural transformation, and cultural life, serving as essential resources for understanding modern European urban history.
Rio de Janeiro's 129 works reflect colonial heritage, harbor views, and social life, serving as a crucial visual resource for studying Brazilian history.
Rome's 174 works encompass ancient monuments, religious ceremonies, and everyday scenes, bearing witness to the city's historical evolution from a classical heritage site to a modern capital.
São Paulo's 112 works showcase the context of rapid urbanization and social diversity, reflecting the transformations of modern Brazilian history.
The Hague's 170 works document government institutions, palaces, and urban life, providing visual evidence for understanding the historical image of the Dutch political center.
Venice's 434 works depict canals, squares, and religious celebrations, showcasing the maritime republic's unique position in political and cultural history.
The 119 works in Warsaw reflect Poland's urban landscape and social life throughout its turbulent history, providing visual evidence for the study of Central and Eastern European history.
The 341 works in Belgium encompass religious altars, genre paintings, and urban landscapes, bearing witness to the region's position at the intersection of European culture and politics.
The 333 works in Brazil reflect colonial history, natural landscapes, and diverse societies, providing important visual resources for the study of Latin American history.
The 810 works in China encompass landscapes, palaces, and folk scenes, carrying visual information about social order, cultural heritage, and historical change.
The 129 works in Denmark document the kingdom's court life and natural landscapes, serving as important visual documents of Nordic history.
The 1,664 works in France span multiple centuries, from courts and revolutions to modern cities, providing a rich source of visual material for the study of French social and cultural change.
Italy's 855 works document religious sites, urban landscapes, and daily life, perpetuating classical heritage while bearing witness to the process of modernization.
The Netherlands' 2,008 works, ranging from commercial scenes of the Golden Age to depictions of modern society, are important historical sources for the study of civic culture and urban development.
Poland's 183 works reflect the country's historical situation amidst division and independence, providing visual evidence for understanding social change in Central Europe.
Russia's 126 works showcase religious traditions, imperial expansion, and social life, serving as a visual archive for studying Eastern European and Eurasian history.
Spain's 110 works encompass religious scenes and urban landscapes, bearing witness to the imperial era and social transformation.
The United Kingdom's 402 works document imperial expansion, industrial society, and cultural life, providing visual support for the study of modernization.
The United States' 291 works reflect independence, urban development, and social diversity, serving as a crucial visual resource for understanding modern American history.
The 188 works from Wales showcase local landscapes, social life, and industrialization, providing valuable resources for studying British regional history.
Ship depictions appear in 237 works, depicting scenes of maritime trade, transportation, and warfare, providing visual evidence for the connection between navigation and society.
Bridges, depicted in 132 works, reflect the historical context of urban construction, transportation, and regional connections.
Broadleaved trees, appearing in 138 works, embody the relationship between the natural environment and human activities, providing clues for understanding landscape history.
Clouds, depicted in 219 works, serve as both natural records and relate to climate and symbolic meanings.
Dogs, appearing in 102 works, depict hunting, companionship, and symbolic meanings, providing important clues to social life and cultural customs.
Horses, depicted in 324 works, connect to warfare, agriculture, and transportation, reflecting human society's dependence on and symbolic relationship with animals.
Houses appear in 491 works, showcasing historical images of architectural forms, living habits, and social structures.
Landscapes appear in 432 works, documenting geographical environments, agricultural practices, and the relationship between people and land, providing clues for studying historical environments.
Lucretia appears in 137 works, reflecting the social and political implications of classical legends across different historical periods.
Male figures appear in 465 works, addressing labor, politics, and social identity, providing visual material for studying gender and social structures.
Mountains appear in 130 works, reflecting the interaction between natural landscapes and human activities and carrying symbolic meaning.
Portraits appear in 102 works, capturing visual information about personal identity, social status, and cultural values.
Rivers appear in 113 works, addressing historical records of transportation, urban development, and the natural environment.
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