Art in Hangzhou

This painting by Lan Ying depicts a serene landscape featuring white clouds and red trees, characteristic of the artist's style. It is an example of traditional Chinese ink and color painting, showcasing the natural beauty of the scenery with meticulous brushwork and vibrant colors.

The Later Ode on Red Cliff is a painting by Ma Hezhi, a renowned Chinese artist of the Southern Song dynasty. It is a colored painting (設色畫) that depicts scenes from the later part of the famous ode on Red Cliff, likely referencing the historical events and literary themes associated with the Red Cliff. The work is part of a series inspired by the classic Chinese poetry, showcasing Ma Hezhi's skill in blending literary and visual art.

Fishermen's Joy is a traditional Chinese painting by Wu Wei, depicting scenes of fishermen enjoying their work. The artwork is categorized as a colored painting (設色畫), showcasing Wu Wei's skill in capturing the lively atmosphere of coastal life. This piece reflects the cultural and artistic traditions of the Ming Dynasty, emphasizing the harmony between humans and nature.

Eight Flowers is a traditional Chinese painting by Qian Xuan, depicting a vibrant arrangement of eight different floral species. The artwork showcases the artist's mastery of color and composition, characteristic of the Yuan Dynasty style. It is considered a significant example of Chinese botanical illustration and is celebrated for its intricate details and naturalistic representation of flowers.

This painting depicts a serene fishing village under light snowfall, showcasing the tranquil beauty of the scene. It is a traditional Chinese artwork created by Wang Shen, known for his detailed brushwork and atmospheric effects. The piece is categorized as a colored painting (設色畫), reflecting the artistic style of the Northern Song Dynasty. The composition captures the quietude of a winter morning, with snow-covered landscapes and distant hills, emphasizing the harmony between nature and human habitation.

This painting depicts Yang Sheng'an, a historical figure known for his literary contributions, enjoying a leisurely excursion while adorned with flowers on his head. Created by Chen Hongshou, a renowned Ming dynasty artist, the work showcases the traditional Chinese style of '設色畫' (colored painting), emphasizing vibrant colors and intricate details. The scene captures a sense of joy and cultural refinement, typical of the period's artistic expressions.

This painting series by Song Xu features a collection of landscape scenes, showcasing traditional Chinese ink and color techniques. The artwork captures the beauty of natural landscapes with meticulous attention to detail and a harmonious balance of elements.

This painting by Ma Yuan depicts a white rose in intricate detail, showcasing his mastery of Chinese ink and color techniques. The artwork is part of the Song Dynasty's rich tradition of floral still-life painting, emphasizing naturalism and delicate brushwork.

This is a detailed description of the painting. It is a traditional Chinese painting created by Tang Yin, known for his intricate brushwork and poetic themes. The artwork depicts a scene of two people in a secluded setting, reflecting the artist's signature style of blending landscape with human figures. The painting is part of a series of works that showcase Tang Yin's mastery in capturing the essence of nature and human emotion.

This scroll depicts a nostalgic scene from the Xingfu'an temple, capturing the artist's memories of past experiences. The painting is characterized by its vibrant colors and intricate brushwork, typical of Wu Li's style. It showcases the serene beauty of the temple grounds and the emotional depth of the artist's recollections.

A series of paintings by Qiu Ying depicting various character stories, showcasing his mastery of traditional Chinese painting techniques and narrative style.

The Miscellaneous Album is a painting series by Chen Hongshou, a renowned Chinese artist of the Ming dynasty. It features a collection of diverse subjects, showcasing his mastery in depicting figures, landscapes, and everyday scenes with intricate details and vibrant colors. The work exemplifies the characteristics of '設色畫' (colored painting), highlighting Chen's skill in using color to enhance the narrative and emotional depth of his compositions.

Islet and Reeds in Snow is a traditional Chinese painting by Liang Shimin. The artwork depicts a serene winter scene with dense snowfall, showcasing the artist's skill in capturing the delicate interplay of light and texture in a snowy landscape.

Stone Cliff at the Pond of Heaven is a renowned Yuan Dynasty painting by Huang Gongwang. The artwork depicts a serene landscape featuring a tranquil pond surrounded by rugged stone cliffs and lush vegetation. With its characteristic use of color and brushwork, the painting captures the harmony between nature and the spiritual essence of the landscape.

Travelers Through Mountain Passes is a painting by Dai Jin, a Chinese artist from the Ming dynasty. The artwork depicts a group of travelers navigating through a rugged mountain pass, showcasing the artist's skill in capturing the dramatic landscape and the sense of journey and exploration. The painting is executed in the traditional Chinese style of '設色畫' (colored painting), emphasizing the natural beauty and the emotional depth of the scene.

This painting depicts peasants returning from work, engaged in dancing and singing, capturing the joy and vitality of rural life. The artwork showcases Ma Yuan's skill in portraying human figures and natural landscapes, with vibrant colors and dynamic compositions.

The Night Excursion of Zhong Kui is a traditional Chinese painting by Dai Jin from the 15th century. It depicts the mythical figure Zhong Kui, a spirit known for capturing malevolent spirits, on a night journey through a mysterious landscape. The artwork showcases the artist's skill in capturing atmospheric effects and the ethereal quality of the night scene.

This painting depicts a serene scene of a boat drifting on the Taihu Lake, with lush green hills and mountains in the background. The artwork showcases Wen Boren's mastery in landscape painting, using delicate brushwork and vibrant colors to capture the natural beauty of the region.

This landscape painting by Li Tang depicts a serene scene of pine trees swaying in the wind amidst a vast expanse of valleys. The composition features rolling mountains, misty clouds, and a winding stream, capturing the tranquil beauty of nature. The intricate brushwork and use of negative space create a sense of depth and movement, characteristic of Li Tang's style.

The Remaining Mountain is a famous Chinese ink painting from the Yuan dynasty, created by Huang Gongwang around 1350. It is part of the 'Fu Chun Shan Ju Tu' series, depicting a serene landscape with mountains, rivers, and trees. The painting is currently housed in the Zhejiang Provincial Museum in Hangzhou, China.

Xiao and Xiang Rivers is a traditional Chinese painting by Dong Yuan, depicting the scenic beauty of the Xiao and Xiang rivers. The artwork showcases the characteristic style of the Northern Song period, with meticulous brushwork and vibrant colors capturing the serene landscapes of southern China.

This painting by Zhao Mengfu depicts a rider on horseback, showcasing the artist's skill in capturing the dynamic movement of both the rider and the horse. The work is an example of traditional Chinese ink and color painting, reflecting the elegance and grace of equestrian themes in Chinese art.

Dwelling in the Fuchun Mountains is one of the few surviving works by Chinese painter Huang Gongwang (1269–1354) and is considered to be among his greatest works. Painted between 1348 and 1350, the painting was burnt into two pieces in 1650. Today, one piece is kept in the Zhejiang Provincial Museum in Hangzhou, while the other piece is kept in the National Palace Museum in Taipei. Put together, the entire painting would measure 691.3 centimetres (272.2 in) in length.