Art in London

Bringing up the Guns is a 1917 painting by Harold Septimus Power depicting a scene from World War I. The artwork captures the deployment of artillery, specifically QF 18-pounder guns, as part of the horse artillery units. It is associated with the First Battle of Passchendaele, highlighting the challenging conditions faced by soldiers during this conflict.

The Battle of Trafalgar is a historical painting by François Musin depicting the decisive naval battle of 1805 between the British Royal Navy and the combined French and Spanish fleets. The artwork captures the intense action of the battle, showcasing the strategic maneuvers and dramatic moments of the conflict.

This painting by Marie-Philippe Coupin de la Couperie depicts Queen Eleanor of Aquitaine and her daughter Rosamund Clifford. The scene likely portrays a historical moment involving the complex relationship between the two women, with hints of intrigue and drama reflected in their expressions and the surrounding elements. The artwork is an example of historical painting, capturing a significant moment from medieval English history.

Suicide of Lucretia is a historical painting by Johann Zoffany, depicting the tragic suicide of Lucretia, a Roman noblewoman. The artwork captures the intense emotional turmoil and dramatic moment of her demise, reflecting the themes of honor, shame, and moral conflict. Created in 1759, it is an example of 18th-century European historical painting.

Ophelia is an 1851–52 painting by British artist Sir John Everett Millais in the collection of Tate Britain, London. It depicts Ophelia, a character from William Shakespeare's play Hamlet, singing before she drowns in a river.

The painting depicts William Brydon, an assistant surgeon in the Bengal Army, arriving at the gates of Jalalabad in January 1842. It portrays the desolate aftermath of the 1842 retreat from Kabul, with the walls of Jalalabad looming over a barren plain and riders from the garrison galloping to reach Brydon, who brings the first news of the fate of the "Army of Afghanistan." The work captures the grim reality of military defeat and the resilience of individuals amidst chaos.

This painting depicts a scene from the 16th century, illustrating Frans Floris I's journey to a Saint Luke's Day feast. The artwork captures the historical and cultural context of the time, showcasing the customs and social gatherings associated with this religious celebration.

This painting depicts Fernando Álvarez de Toledo, 3rd Duke of Alba, wearing his iconic body armor, showcasing his imposing presence as a military leader. The scene is set in the Netherlands, highlighting the historical context of his role during the 16th century. The artwork captures the grandeur and authority of the Duke, reflecting the style of the 19th-century painter Louis Gallait.

This painting depicts Emperor Charles V of the Holy Roman Empire at the Monastery of San Jerónimo de Yuste, where he spent his final years in retirement. The work captures the historical moment of the emperor's presence at the site, reflecting his legacy and the significance of the monastery in Spanish history.

This large canvas painting depicts the historic Battle of Gravelines, a significant naval engagement during the Spanish Armada's invasion of England in 1588. It also features Queen Elizabeth I at Tilbury, where she famously addressed her troops, emphasizing her resolve to defend the realm. The work, once attributed to the renowned miniature painter Nicholas Hilliard, is now considered a pastiche, likely created by an anonymous history painter. The composition combines dramatic scenes of battle with the symbolic presence of the queen, capturing the tension and heroism of the era.

This painting depicts Admiral Sir John Duckworth's historic naval maneuver of forcing a passage through the Dardanelles in 1807. The scene captures the intense action of a naval battle, showcasing the strategic importance of the strait during the Napoleonic Wars. The artwork by Philip James de Loutherbourg vividly portrays the chaos and determination of the British fleet as they navigate the narrow waters.

This painting by Thomas Davidson depicts the burial at sea of Admiral Francis Drake, a renowned English naval figure. The scene captures the solemnity of the event, with Drake's ship in the background and figures gathered around the body, reflecting the historical significance of the occasion.

This painting depicts the moment when Marc Antony reads the will of Caesar, a pivotal scene from the Roman Republic's history. The artwork captures the emotional intensity of the moment, with Marc Antony's expression conveying a mix of shock and determination. William Hilton's work is a historical painting that brings to life the dramatic events following Caesar's assassination.

This painting depicts Artemisia II of Caria, a historical figure known for her role in the Mausoleum of Maussollos. Created by Erasmus Quellinus II in 1652, it is a historical painting that showcases the grandeur of ancient Carian history. The artwork is currently housed at the Hunterian Museum and Art Gallery in London.

Boadicea Haranguing the Britons is a 1793 history painting by the British artist John Opie. It depicts the Boudica the queen of the Ancient British Iceni tribe who led an ultimately unsuccessful uprising against the Roman Empire during the first century. She is portrayed in a white robe and red cloak, a bright figure in a dark composition. Her two daughters shelter behind her for protection as she rallies her supporters. Her poised aristocratic manner contrasts to the depiction of her as a battlefield warrior in Henry Courtney Selous's 1840 painting of the same title.

This painting depicts the British battleship HMS Iron Duke, flagship of Admiral Jellicoe, during the Battle of Jutland in World War I. It showcases the ship amidst the 2nd Battle Squadron, capturing the intense naval engagement that took place in the North Sea.

This painting by Peter Paul Rubens depicts the historic reconciliation between King Henry III of France and Henry of Navarre, who later became Henry IV. The scene captures the moment of their meeting, highlighting the political and religious tensions of the time. Rubens' dynamic composition and rich details convey the significance of this event in French history.

A View of Walton Bridge is a 1754 landscape painting by the Italian artist Canaletto depicting the construction of a new bridge at Walton, Surrey on the Thames southwest of London, now known as Old Walton Bridge. The painting captures the scene of the bridge's construction, showcasing the architectural and engineering efforts of the time.

This painting by Antonio Canaletto depicts a detailed view of London, showcasing the city's architecture and atmosphere during the early 18th century. It is an example of the artist's renowned veduta style, capturing the grandeur of the cityscape with precision and artistic flair.

The Chivalric Vow of the Ladies and the Peacock is a historical painting by Daniel Maclise, created in 1835. The artwork depicts a scene from medieval literature, illustrating the ceremonial vow of knighthood. It features a peacock, symbolizing nobility and virtue, alongside ladies and knights at a banquet, highlighting themes of chivalry and honor.

This painting depicts Hammersmith Bridge in London, capturing the architectural details of the bridge and its surroundings. Created by Daniel Turner in 1828, it is an example of architectural painting that highlights the engineering and design of the structure.

The Execution of Charles I of England is a historical painting by Gonzales Coques depicting the execution of King Charles I of England. Created in 1650, the artwork captures the dramatic moment of the king's execution during the English Civil War, highlighting the political and historical significance of the event.

This painting depicts Pope Urban VI, a 14th-century pope known for his controversial papacy. Created by John Collier in 1896, it is a historical painting that captures the figure of the pope in a dramatic and symbolic manner.

Death of Miss Gardiner is a historical painting by Maria Cosway, depicting the moment of death of a young woman, likely inspired by the real-life death of Miss Gardiner, a British aristocrat. The painting captures the emotional intensity of the scene with a focus on the subject's expression and the surrounding atmosphere, reflecting the neoclassical style popular during the late 18th century.

This painting depicts a dramatic battle scene, showcasing Philips Wouwerman's skill in capturing the chaos and intensity of combat. The artwork is part of the Royal Albert Hall's collection, highlighting its historical and artistic significance.

This painting by Canaletto, created in 1770, depicts a detailed view of Whitehall and the New Horse Guards in London. It showcases the architectural grandeur of the area during the 18th century, capturing the bustling urban landscape of the time. The work is part of the Government Art Collection, highlighting its historical and cultural significance.

Jacques-Émile Blanche's 1923 painting captures the grandeur of the Crystal Palace, a iconic structure from the Great Exhibition of 1851. The artwork showcases the architectural details of the vast iron and glass building, highlighting its neogothic design and intricate iron framework.

This painting by Canaletto, created in the 18th century, depicts the Monument in Gracechurch Street, London. It is an example of his renowned vedute, capturing the grandeur of London's architecture and urban landscape. The work is housed in the Guildhall Art Gallery, showcasing Canaletto's skill in rendering detailed cityscapes.

A Dream of the Past: Sir Isumbras at the Ford (1857) is a painting by John Everett Millais depicting a medieval knight helping two young peasant children over a swollen river. The children are carrying heavy burdens of wood for winter fuel. Though the title refers to the medieval poem Sir Isumbras, the painting does not illustrate a scene from the original text. However Millais's friend, the writer Tom Taylor, wrote verse in a pastiche of the original poem, describing the event depicted. This was included in the original exhibition catalogue when it appeared at the Royal Academy Exhibition of 1857 at the National Gallery.

This painting by J. M. W. Turner depicts a serene landscape featuring a river and a bay in the distance. The scene captures the tranquil beauty of nature with soft light and atmospheric effects characteristic of Turner's style.

Mr and Mrs Andrews is an oil on canvas portrait of about 1750 by Thomas Gainsborough, now in the National Gallery, London. Today it is one of his most famous works, but it remained in the family of the sitters until 1960 and was very little known before it appeared in an exhibition in Ipswich in 1927, after which it was regularly requested for other exhibitions in Britain and abroad, and praised by critics for its charm and freshness. By the post-war years its iconic status was established, and it was one of four paintings chosen to represent British art in an exhibition in Paris celebrating the Coronation of Queen Elizabeth II in 1953. Soon the painting began to receive hostile scrutiny as a paradigm of the paternalist and capitalist society of 18th-century England, but it remains a firm popular favourite.

The Destruction of Pompeii and Herculaneum is a large 1822 painting by English artist John Martin depicting the eruption of Mount Vesuvius in 79 AD. It follows the pattern set by his previous successful painting, Belshazzar's Feast, which was another depiction of a dramatic scene from history delivered from an esoteric point of view. The work appeared to be lost from the Tate Gallery storerooms soon after it was damaged by the 1928 Thames flood. However, it was rediscovered in 1973 and subsequently restored in 2011.

Statesmen of World War I is an oil on canvas painting by Sir James Guthrie, completed in 1930, shortly before Guthrie's death. It was commissioned by South African financier Sir Abraham Bailey, 1st Baronet to commemorate the politicians and statesmen of Britain and its Dominions who held office during the First World War. It was donated to the National Portrait Gallery in 1930, shortly after it was completed.

Calling the Roll After An Engagement, Crimea, better known as The Roll Call, is an 1874 oil-on-canvas painting by Elizabeth Thompson, Lady Butler. It became one of the most celebrated British paintings of the 19th century.

The Signing of Peace in the Hall of Mirrors, Versailles, 28 June 1919 is an oil-on-canvas painting by Irish artist William Orpen, completed in 1919. It was one of the paintings commissioned from Orpen to commemorate the Peace Conference at Versailles in 1919. The work is held by the Imperial War Museum in London.

God Speed is a painting by British artist Edmund Leighton, depicting an armored knight departing to war and leaving his beloved. The painting was exhibited at the Royal Academy of Arts in 1900. God Speed was the first of several paintings by Leighton during the 1900s on the subject of chivalry, including The Accolade (1901) and The Dedication (1908).

Camille Pissarro's "Kew Greens" depicts a serene landscape of Kew Gardens in London. The painting captures the lush greenery and tranquil atmosphere of the gardens, showcasing Pissarro's skill in capturing natural light and foliage.

This 1904 painting by Claude Monet captures the Houses of Parliament in London during a moment of sunlight breaking through fog. The artwork, housed at the Musée d'Orsay, is a notable example of Monet's Impressionist style, focusing on the interplay of light and atmosphere.

This painting by André Derain captures the iconic Pont de Charing Cross in London, showcasing the city's architectural and urban landscape. The artwork blends modernist techniques with vibrant colors, highlighting the bridge's role as a key structure over the River Thames.

Variations in Violet and Green is a 1871 painting by James Abbott McNeill Whistler. The artwork is a seascape that showcases Whistler's mastery of color and composition, featuring a tranquil sea with soft, blended hues of violet and green. It is part of the Royal Scottish Academy's collection.

Lawrence Alma-Tadema's painting depicts the meeting of Mark Antony and Cleopatra, two prominent figures from ancient history. The scene is set in a grand, opulent environment with rich details that reflect the cultural and historical context of their time. The artwork captures the dramatic and romantic tension between the two characters, with Cleopatra portrayed in a regal and seductive manner, while Antony is depicted in military attire. The painting is notable for its intricate details and the use of symbolism, such as the diadem and other royal regalia, which emphasize the power and status of the characters.

This painting depicts a historical scene from the Napoleonic Wars, specifically the crossing of the River Berizina by Russian forces in 1812. It showcases the dramatic and challenging nature of the event, with soldiers and horses struggling against the icy waters. The artwork captures the tension and perseverance of the soldiers during this pivotal moment in military history.

This painting by Richard Paton depicts the historic Battle of Dogger Bank, which took place on August 5, 1781. The scene captures the naval engagement between British and French forces during the American Revolutionary War, showcasing the dramatic chaos and strategic maneuvers of the battle.

This painting depicts Captain Arthur Blake, a British military officer, in a formal portrait by Joshua Reynolds. The subject is dressed in his uniform, featuring a helmet, sash, and shoulder belt, suggesting his rank and status. The background includes a tree, possibly symbolizing strength or a specific location associated with Blake. Created in 1769, the work is an example of Reynolds' portraiture style, capturing both the individual's dignity and the military context.

This painting by Joseph Mallord William Turner depicts an expansive landscape featuring a river or estuary surrounded by rolling hills and a distant mountain. The scene is rendered in Turner's characteristic style, with dramatic use of light and atmospheric effects to create a sense of movement and depth.

This painting by J. M. W. Turner depicts a dramatic landscape featuring a ruined castle perched on a cliff. The composition is characterized by Turner's signature use of light and atmospheric effects, creating a sense of both awe and melancholy. The scene appears to be set in a stormy coastal area, with turbulent skies and crashing waves adding to the emotional intensity of the work.

This historical painting by Benjamin West depicts the moment when Leonidas II, King of Sparta, orders Cleombrotus II into banishment. The scene is set against the backdrop of ancient Sparta, capturing the tension and gravity of the royal decree. The artwork is notable for its detailed portrayal of the Spartan court and the emotional expressions of the figures involved.

The Death of Chatterton is an oil painting on canvas by the English Pre-Raphaelite painter Henry Wallis (1830–1916). It depicts the death of the 18th-century poet Thomas Chatterton, who died by suicide after poisoning himself. The painting is currently housed at Tate Britain in London. Two smaller versions of the work are held by the Birmingham Museum and Art Gallery and the Yale Center for British Art.

This painting by Canaletto depicts the River Thames in London, showcasing St. Paul's Cathedral during the Lord Mayor's Day celebration. It is part of the Lobkowicz Palace collection and offers a detailed view of the city's iconic landmarks.

This panoramic view by Canaletto depicts the Chelsea College, the Rotonda, Ranelagh House, and the River Thames in London. The painting captures the grandeur of these landmarks against the backdrop of the Thames, showcasing the architectural beauty of 18th-century London.

This painting by Antonio Giovanni Canal, also known as Canaletto, depicts the interior of the Rotunda at Ranelagh Gardens in London. Created in 1754, it showcases the grandeur of the neoclassical architecture of the time, offering a detailed view of the social and cultural life of 18th-century London.

Greenwich Hospital from the North Bank of the Thames is a c.1750 landscape painting by the Italian artist Canaletto. It depicts a view of Greenwich Hospital seen from across the River Thames from the a viewpoint on the Isle of Dogs. The Inigo Jones-designed Queen's House is in the centre of the painting with the Royal Observatory also visible on the hill in Greenwich Park. It may have been produced for the art collector and British consul in Venice Joseph Smith for his residence on the Grand Canal. Canaletto also produced two other views of Greenwich Hospital. Today the painting is in the collection of the National Maritime Museum in Greenwich.

The Thames at Westminster is a 1746 painting by Canaletto depicting the River Thames in London, showcasing the iconic Westminster Bridge and the Parliament of the United Kingdom. This detailed landscape painting captures the grandeur of the Thames waterfront, with the city's historic landmarks reflected in the water.

Northumberland House is a 1752 landscape painting by the Italian artist Canaletto. Painted during his nine-year stay in Britain he depicts Northumberland House on the Strand by Charing Cross in London close to the location of the later Trafalgar Square. Canaletto was commissioned by the Westminster property's owner Sir Hugh Smithson, then 2nd Earl of Northumberland. Smithson was his most important patron during his time in England. The work shows Northumberland House at the middle of the eighteenth century. On the right of the painting is Hubert Le Sueur's Equestrian statue of Charles I

London Seen Through an Arch of Westminster Bridge is an 1747 riverscape painting by the Italian artist Canaletto. The artwork captures the view of London from the arch of Westminster Bridge, showcasing the River Thames and the city's skyline. Canaletto's detailed perspective and vibrant depiction reflect the grandeur of 18th-century London.

This panoramic view by Canaletto depicts the Old Horse Guards and Banqueting Hall in London, captured from the vantage point of St James's Park. The painting showcases the grand architecture of the 18th-century buildings, offering a detailed glimpse into the urban landscape of London during the 1740s.

This panoramic view by Canaletto depicts the River Thames and the City of London from the vantage point of Richmond House. The painting showcases iconic landmarks such as St Paul's Cathedral, capturing the grandeur of 18th-century London.

This panoramic view by Canaletto captures the grandeur of Whitehall in London, showcasing the Privy Garden and the Holbein Gate. The painting offers a detailed depiction of the royal architecture and urban landscape of 18th-century London.

This panoramic view of Windsor Castle, painted by the Venetian artist Canaletto in 1747, captures the grandeur of the royal residence. The painting showcases the castle's iconic architecture against a clear sky, with detailed depictions of the surrounding landscape and the River Thames in the distance. As a notable example of 18th-century Venetian landscape painting, it reflects Canaletto's mastery in capturing urban and architectural scenes with remarkable precision.

This panoramic view by Canaletto depicts the River Thames in London, showcasing the cityscape from Somerset House Terrace. The painting captures the grandeur of the Thames, with notable landmarks such as St Paul's Cathedral visible in the distance. It offers a detailed and atmospheric representation of 18th-century London, highlighting the architectural and urban features of the time.

This panoramic view by Canaletto depicts the River Thames in London, showcasing the grandeur of the city from the terrace of Somerset House. The painting captures the iconic landmarks leading towards Westminster, including the Houses of Parliament and the surrounding architecture, offering a detailed glimpse into 18th-century London's urban landscape.

Old Horse Guards is a 1749 landscape painting by the Italian artist Canaletto. It depicts the view from St James's Park of the Horse Guards building in London. Built during the reign of Charles II it served as the headquarters of the British Army. At the time he painted it the existing building was due to be pulled down and replaced by the larger building designed by William Kent that still stands today. The painting offers a wider view of Whitehall in the mid-eighteenth century. On the right of the picture is the rear of Downing Street. It is also known by the longer title The Old Horse Guards from St James's Park.

This painting depicts the South Façade of Warwick Castle, showcasing the grandeur of the castle's architecture. Created by Giovanni Antonio Canal, also known as Canaletto, it captures the intricate details of the castle's exterior, reflecting the Baroque style of the 18th century. The work is part of the Thyssen-Bornemisza Museum collection.

Westminster Abbey with a Procession of the Knights of the Bath is a painting created in 1749 by the Italian artist Canaletto depicting the Knights of the Bath at Westminster Abbey. In 2020 the painting went on public display at the Abbey the first time since its 1792 commission as part of an exhibition at the Abbey's Queen's Diamond Jubilee Galleries. The painting typically hangs in the residence of the Dean of Westminster Abbey.

This painting by Canaletto depicts Old Walton Bridge, showcasing the architectural details of the bridge and the surrounding landscape. The scene includes a tree and a boat, capturing the serene atmosphere of the River Thames in London.

St. Paul's Cathedral is a 1754 oil painting by the Italian artist Canaletto. Painted towards the end of his stay in England, the Venetian artist produced a veduta featuring St. Paul's Cathedral in the City of London. While St Paul's had featured in the distance of many of his paintings of the River Thames, this was the only close-up view of the cathedral he produced. It is shown from the north-west with the marble Statue of Queen Anne visible on the right. The rays of the setting sun illuminate the scene.

This panoramic view by Canaletto depicts the River Thames from the terrace of Somerset House, offering a detailed glimpse of London's skyline with St. Paul's Cathedral prominently featured. The painting captures the bustling cityscape and architectural grandeur of 18th-century London, showcasing Canaletto's mastery in landscape and urban scene painting.

This panoramic view by Canaletto captures the River Thames from the terrace of Somerset House, offering a detailed depiction of London's skyline and the bustling activity around Westminster Bridge. The painting showcases the architectural grandeur of the city, with boats navigating the river and trees lining the banks, all rendered in Canaletto's characteristic meticulous style.

This painting by Canaletto depicts Westminster Bridge in London, showcasing the Lord Mayor's Procession along the River Thames. It captures the grandeur of the scene with detailed views of the river, the bridge, and the procession of figures, reflecting the bustling urban life of 18th-century London.

Venice, from the Porch of Madonna della Salute is a 19th century oil painting by J. M. W. Turner. Done in oil on canvas, the painting depicts an imagined image of Venice, as the view shown is not realistic. The painting was inspired by one of Turner's three visits to Venice, and showcases Turner's skill as a maritime artist. The painting was displayed at the Royal Academy Exhibition of 1835 at Somerset House in London. The work is in the collection of the Metropolitan Museum of Art in New York City.

The Menin Road is a large oil painting by Paul Nash completed in 1919 that depicts a First World War battlefield. Nash was commissioned by the British War Memorials Committee to paint a battlefield scene for the proposed national Hall of Remembrance. The painting is considered one of the most iconic images of the First World War and is held by the Imperial War Museum.

This painting depicts the intense moment during the Battle of Waterloo when the British infantry squares faced the charge of the French Cuirassiers. Created by Henri Félix Emmanuel Philippoteaux in 1874, the work captures the chaos and bravery of the soldiers on the battlefield. The painting measures 99 × 155 centimetres and is housed at the Victoria and Albert Museum in London.

This watercolor by J. M. W. Turner depicts a serene landscape featuring a valley surrounded by hills and forests. The scene includes towering trees and a dramatic sky filled with clouds, capturing the atmospheric effects characteristic of Turner's style. Created in 1816, it is housed at the British Museum.

This watercolor by J. M. W. Turner depicts Arundel Castle surrounded by a dramatic sky filled with clouds and a vibrant rainbow. The scene also includes a windmill and a barque ship, with reflections in a body of water adding to the atmospheric effect. Created in 1824, the painting showcases Turner's mastery of light and weather in the landscape.

This watercolor by Joseph Mallord William Turner depicts the HMS Temeraire, a warship that played a significant role in the Napoleonic Wars. The painting shows the ship being towed away to be broken up, with a dramatic sky and sunset in the background. It is housed in the British Museum and is considered one of Turner's most famous works.

This painting by Camille Pissarro depicts The Crystal Palace in London, showcasing the architectural grandeur of the structure. The artwork captures the essence of the exhibition hall, highlighting its glass and iron construction against the backdrop of the city.

This painting depicts the moment when Diogenes of Sinope, the famous Cynic philosopher, discards his cup as a symbol of his rejection of material possessions and societal norms. Created by John Martin in 1833, it captures the essence of asceticism and philosophical defiance through dramatic composition and vivid imagery.

This watercolor painting by John Martin depicts a dramatic scene from Lord Byron's poem 'Manfred', featuring a mysterious alpine witch amidst a stormy mountain landscape. The composition combines elements of Romanticism with vivid natural scenery, showcasing Martin's skill in capturing atmospheric effects and dramatic lighting.

The Coronation of Queen Victoria is a historical painting by John Martin, depicting the moment of Queen Victoria's coronation. The artwork captures the grandeur and ceremonial aspects of the event, showcasing the royal regalia and the solemn atmosphere of the occasion.

This painting depicts Cleopatra, the last active ruler of the Ptolemaic Kingdom of Egypt. It showcases Alma-Tadema's mastery in historical painting, capturing the grandeur and elegance of ancient Egypt through detailed costumes and settings.

This painting depicts the ancient Greek sculptor Phidias presenting the frieze of the Parthenon to his friends. Created in 1868 by Lawrence Alma-Tadema, it showcases the historical and cultural significance of the Parthenon's artwork.

The Remorse of the Emperor Nero after the Murder of his Mother depicts Emperor Nero's anguish following the assassination of his mother, Agrippina the Younger. The painting, created by John William Waterhouse in 1878, portrays a dramatic scene of emotional turmoil and historical reflection. It is part of a private collection following its sale at Sotheby's on 19 June 1984.

This painting by Emile Claus captures a serene scene along the River Thames in London. The artwork showcases a peaceful morning with reflections on the water, featuring a boat and a house in the distance. The soft lighting and calm atmosphere evoke a sense of tranquility and quiet observation of the urban landscape.

This illustration by Eleanor Fortescue-Brickdale, created in 1919, is part of the Golden book of famous women. It depicts Fair Rosamond, a historical figure known for her association with King Henry II of England. The artwork captures the essence of a garden setting, reflecting the themes of beauty and historical narrative present in the book.

This illustration by Eleanor Fortescue-Brickdale, featured in the Golden Book of Famous Women (1919), depicts Queen Katharine, likely referring to Catherine Howard, one of the six wives of Henry VIII. The artwork captures her historical significance and is part of a series highlighting notable women throughout history.

This illustration by Eleanor Fortescue-Brickdale, created in 1919, depicts St. Clare of Assisi, a prominent figure in Christian history. The artwork is part of the Golden Book of Famous Women, a collection highlighting notable women throughout history. The piece captures the essence of St. Clare's spiritual significance and her role in the founding of the Order of Poor Clares. The image showcases Fortescue-Brickdale's skill in blending historical accuracy with artistic expression.

This illustration from 1919 depicts the characters Rosalind and Celia from Shakespeare's 'As You Like It'. Created by Eleanor Fortescue-Brickdale, it is part of the Golden Book of Famous Women, a collection highlighting notable women throughout history. The artwork captures the essence of their friendship and the themes of identity and disguise central to the play.

This illustration from Eleanor Fortescue-Brickdale's 1919 work, the Golden Book of Famous Women, depicts Catherine Douglas, a notable historical figure. The piece is part of a series celebrating remarkable women throughout history, showcasing Fortescue-Brickdale's skill in capturing both the dignity and individuality of her subjects through detailed, elegant illustrations.

This illustration by Eleanor Fortescue-Brickdale depicts Dante Alighieri and Beatrice Portinari, drawn from Dante's poetic work. It is part of the Golden book of famous women, published in 1919. The artwork captures a moment from Dante's famous meeting with Beatrice, showcasing their iconic relationship in a historical context.

This illustration from the Golden book of famous women depicts the mythical characters Nick Bottom and Titania. Created by Eleanor Fortescue-Brickdale in 1919, the artwork captures a moment from Shakespeare's A Midsummer Night's Dream, showcasing the magical and whimsical nature of the story.

This painting depicts a dramatic naval battle between an English ship and the vessels of the Barbary Corsairs. The scene captures the chaos of combat at sea, with cannon fire, smoke, and sailors engaged in fierce action. Willem van de Velde the Younger masterfully portrays the tension and movement of naval warfare.

William Etty's painting depicts Joan of Arc, a French heroine known for her leadership during the Hundred Years' War. The artwork captures her with a mix of determination and spiritual resolve, reflecting the historical significance of her role. Etty's detailed portrayal highlights the cultural and religious context of her time.

This painting by Hans Holbein the Younger depicts Henry VIII of England surrounded by members of the Worshipful Company of Barbers, including Thomas Vicary and John Chambre. It showcases the royal court's interaction with the barber-surgeons, highlighting their role in the 16th-century English medical and social landscape.

The Hay Wain – originally titled Landscape: Noon – is a painting by John Constable, completed in 1821, which depicts a rural scene on the River Stour between the English counties of Suffolk and Essex. It hangs in the National Gallery in London and is regarded as "Constable's most famous image" and one of the greatest and most popular English paintings. It is considered as one of the quintessential paintings from the Romantic movement of arts and literature.

This painting depicts the moment of Lucretia's suicide, a pivotal event in Roman history. The subject, Lucretia, is portrayed in a dramatic pose, symbolizing her virtue and the tragic consequences of her actions. The work is known for its detailed realism and emotional intensity, characteristic of Godfrey Kneller's style.

This painting by Claude de Jongh depicts the Thames River at Westminster Stairs, showcasing the bustling waterfront scene with boats and the iconic architecture of the area. The artwork captures the essence of the river's movement and the surrounding urban landscape, reflecting the city's historical and cultural significance.

This painting by Claude de Jongh depicts a panoramic view of London Bridge, showcasing the bustling activity of the river Thames. The scene includes various boats and the iconic structure of the bridge, capturing the essence of 17th-century London.

The Death of Lucretia is a historical painting by Gavin Hamilton, depicting the tragic suicide of Lucretia, a Roman noblewoman, as recounted in Roman history. The artwork captures the moment of her demise, emphasizing the emotional intensity and moral consequences of her actions. Created in 1765, it is an example of neoclassical art, reflecting the era's fascination with classical antiquity.

Cimon and Pero is a historical painting by Adriaen van der Werff, created in 1708. The artwork depicts the story of Cimon, a Greek statesman, and Pero, his nursemaid, who is breastfeeding him. The scene captures a moment of intimacy and care, typical of van der Werff's detailed and emotionally resonant compositions. The painting is part of the Royal Collection.

The Child Handel is a painting by Margaret Isabel Dicksee depicting a young child playing the piano, likely inspired by the story of George Frideric Handel. The artwork captures the innocence and talent of the child, with elements such as a lantern and family setting suggesting a domestic scene. Created in 1893, this historical painting reflects the cultural significance of Handel's music during the Victorian era.

A painting by Michele Cascella depicting the cityscape of London, capturing the essence of the urban environment with its iconic landmarks and architectural details.

The Princes in the Tower is a historical painting by John Everett Millais, depicting the mysterious disappearance of the Princes in the Tower, Edward V and his younger brother Richard, Duke of York, during the late 15th century. The artwork is known for its dramatic composition and detailed portrayal of the young princes, reflecting the historical intrigue and speculation surrounding their fate.

Children of King Edward is a historical painting by Józef Simmler, depicting the young Edward V of England and his brother Richard of Shrewsbury, 1st Duke of York, who were the sons of King Edward IV. The painting captures the two boys in a domestic setting, likely in their childhood home, with a bed and a dog in the background, offering a glimpse into the royal family's private life during the late 15th century.

The Justice of Trajan is a historical painting by the Italian artist Veronese. It depicts the legendary scene of Emperor Trajan's judicial proceedings, showcasing the grandeur of Roman law and the emperor's role as a just ruler. The artwork is part of the Italian (Veronese) School and is housed in the National Gallery.

The Continence of Scipio is a historical painting by Giulio Licinio, depicting the Roman general Scipio Africanus refusing to take spoils from the defeated Carthaginian general Hannibal after the Battle of Zama. The painting showcases Licinio's mastery of classical themes and his ability to convey moral and historical narratives through vivid imagery.

This painting depicts Cleopatra, the last active ruler of the Ptolemaic Kingdom of Egypt. Created by Simon de Mailly in 1549, it portrays the iconic Egyptian queen in a dramatic and historical setting, capturing her regal presence and the grandeur of her reign.

This painting by Laurits Tuxen depicts the coronation of King George V, showcasing Edward, Prince of Wales (later King Edward VIII) performing homage. The scene captures the grandeur of the royal ceremony, with notable figures such as Mary of Teck and Horatio Kitchener, 1st Earl Kitchener, present. The artwork is a historical piece from 1910, reflecting the significance of the event in British history.

The Burghers of Calais is a historical painting by Benjamin West, depicting the six citizens of Calais who volunteered to be executed by the English to save their city during the Hundred Years' War. The painting captures a moment of dramatic tension and sacrifice, with the figures shown in a pose of resignation and courage. It is considered one of West's most significant works and is part of the Royal Collection.

This painting depicts Queen Victoria as she leaves Westminster Abbey after her coronation on 28 June 1838. Created by Camille-Joseph-Etienne Roqueplan in 1846, it captures the grandeur of the royal ceremony and the solemnity of the moment. The artwork is part of the Royal Collection, highlighting its historical and cultural significance.

This painting depicts the death of Frederick William, Duke of Brunswick-Wolfenbüttel, during the Battle of Quatre Bras in 1815. It captures a dramatic moment in the Napoleonic Wars, showing the Duke's final moments on the battlefield. The artwork is attributed to Johann Friedrich Matthäi, a German painter known for his historical scenes.

The Marriage of the Prince of Wales is a painting by the British artist William Powell Frith, created in 1863-1865. It depicts the wedding of Albert Edward, Prince of Wales, and Princess Alexandra of Denmark. The artwork is held in the Royal Collection in London and as of July 2024 hangs in the Principal Corridor at Buckingham Palace.

The Defence of Saragossa is an 1828 history painting by the British artist David Wilkie. It depicts a scene from the 1808 Siege of Zaragoza during the Peninsular War. The painting captures the bravery and determination of the defenders as they resist the French invasion, highlighting the intense and emotional moments of the conflict.

The Marriage of George III is a historical painting by Sir Joshua Reynolds depicting the wedding of King George III of Great Britain and Queen Charlotte of Mecklenburg-Strelitz. Created in 1761, the artwork captures the grandeur of the royal ceremony, showcasing the couple in formal attire amidst a lavish setting. The painting is part of the Royal Collection and is celebrated for its detailed portrayal of 18th-century British court life.

The Coronation of King Edward VII is a painting from 1902–07 by the American artist Edwin Austin Abbey. It depicts in oils the coronation of Edward VII at Westminster Abbey on 9 August 1902. Edward was fifty nine when he succeeded his mother Queen Victoria to the throne on 22 January 1901 and went on to reign until 1910.

The Coronation of King George V is a painting from 1911 by the British artist John Henry Frederick Bacon. It depicts in oils the coronation of George V at Westminster Abbey on 22 June 1911. George was forty four when he succeeded his father King Edward VII to the throne on 6 May 1910 and went on to reign until 1936.

This painting depicts the coronation of King George VI at Westminster Abbey on 12 May 1937. It captures the historic event where George VI, who ascended the throne following his brother King Edward VIII's abdication, was crowned. The artwork includes prominent figures such as Queen Elizabeth, the Queen Mother, and other royal family members present during the ceremony.

This painting by John Charlton depicts Queen Victoria arriving at St Paul's Cathedral for the Diamond Jubilee Thanksgiving Service on 22 June 1897. The scene captures the grandeur of the event, showcasing Victoria in a carriage as she makes her way through the streets of London, with Ludgate Hill in the background. The artwork highlights the historical significance of the Diamond Jubilee, a major celebration marking Victoria's 60 years on the throne.

The Christening of the Prince of Wales is an oil on canvas history painting by the British artist Sir George Hayter, from 1843. It was first exhibited at Windsor Castle in 1845. The painting depicts the baptismal ceremony of the future King Edward VII, capturing the grandeur and solemnity of the event with detailed historical accuracy.

This 1839 painting by George Hayter depicts the coronation of Queen Victoria at Westminster Abbey on 28 June 1838. The scene captures the young monarch, aged eighteen, being crowned following her ascension to the throne on 20 June 1837. The artwork includes prominent figures from the royal court and highlights the grandeur of the coronation ceremony.

This painting by Laurits Tuxen depicts the anointing of Queen Alexandra during the coronation of King Edward VII. It captures a significant moment in British royal history, showcasing the ceremonial processional and the involvement of various high-ranking figures, including members of the aristocracy and clergy.

This painting depicts the Battle of Nördlingen, a significant conflict during the Thirty Years' War in 1634. The scene captures the chaos and intensity of the battlefield, with soldiers engaged in fierce combat. The artwork showcases the dramatic use of light and shadow to emphasize the turmoil of war.

This painting depicts the historical event where Caligula, the Roman Emperor, deposits the ashes of his mother and brother into the tomb of his ancestors. Created by Eustache Le Sueur in 1647, it is a dramatic portrayal of power and familial betrayal, reflecting the tumultuous political climate of ancient Rome.

This 17th-century Dutch School painting depicts the departure of Charles II of England from Scheveningen. The scene captures the historical moment of a royal figure leaving a coastal town, likely during a period of political or military significance. The artwork is part of the Royal Collection, indicating its historical and cultural importance.

A Building with Figures is a painting by Jacques Rousseau, created in 1690. The artwork depicts a architectural scene with figures interacting within a structured environment, showcasing Rousseau's skill in architectural painting.

The Death of Epaminondas is a historical painting by Benjamin West, depicting the death of the ancient Greek general Epaminondas following the Battle of Mantinea in 362 BCE. The artwork captures the dramatic moment of his demise, emphasizing the emotional and historical significance of the event.

This historical painting depicts the marriage of Frederick, Duke of York and Albany to Frederica, Princess Royal of Prussia. Created in 1791, it is attributed to the artist After Henry Singleton. The artwork captures the ceremonial occasion, showcasing the royal couple in a formal setting.

This painting depicts the story of Lucretia, a Roman noblewoman, and Sextus Tarquinius, her rapist, from the tale of the fall of the Roman Kingdom. It is an afterwork of Titian's original composition, created around 1514. The artwork is part of the Royal Collection in the United Kingdom.

This painting depicts the legendary Roman heroine Lucretia, known for her role in the foundation of the Roman Republic. The artwork, attributed to the Italian School of the 16th century, captures a moment of dramatic tension and moral resolve, reflecting the historical and cultural context of the time.

This painting depicts the story of Lucretia, a Roman noblewoman known for her virtue and tragic end. The scene likely portrays her moment of decision after being raped by the king's son, leading to her suicide to preserve her honor. Attributed to the Italian School, the artwork captures the emotional intensity and historical significance of the event.

This painting by the Style of Samuel Scott depicts St. James's Palace, a historic royal residence in London. The artwork captures the grandeur of the palace's architecture, showcasing its iconic façade and surrounding gardens. Created in 1745, it is part of the Royal Collection, reflecting the artistic style of the 18th century.

This painting depicts a dramatic combat scene between two figures, 'Lekkerbeetje' and de Bréauté, likely representing a historical or mythological event. The artwork is attributed to the style of Sebastiaen Vrancx, a Flemish painter known for his detailed and dynamic compositions. The scene captures intense action and movement, characteristic of Vrancx's work from the early 17th century.

This painting depicts the arrival of William III, Prince of Orange, at Brixham. It captures a historical moment during his journey to take up the throne of England, showcasing the significance of this event in 17th-century history.

A historical painting depicting a silver jubilee service for King George V, likely held in a grand cathedral setting. The artwork captures the solemnity and grandeur of the event, showcasing the royal family and dignitaries in a moment of national celebration.

This historical painting by Johann Heinrich Schönfeld depicts a scene from ancient times, showcasing Sarmatians gathered around the tomb of the Roman poet Ovid. The composition highlights the cultural and historical significance of the tomb, with figures dressed in traditional attire and engaged in ceremonial activities. The artwork captures the grandeur of the setting and the solemnity of the occasion.

This historical painting depicts the death of Count Mansfield, a 16th-century nobleman. Created by Prince Albert, Prince Consort, it showcases his skill in capturing dramatic historical scenes. The artwork is part of the Royal Collection, reflecting the interests of Queen Victoria's consort.

This painting depicts the dramatic moment of Cleopatra's death, as she is said to have died by allowing an asp to bite her. The scene is rendered with rich detail and emotional intensity, capturing the tragic end of the Egyptian queen. The work by Aert Mytens is notable for its historical accuracy and the expressive portrayal of the subject.

This historical painting by Henry Tanworth Wells depicts Queen Victoria receiving the news of her accession to the throne. The scene captures the moment of her coronation, showcasing her regal presence and the solemnity of the occasion. The artwork is part of the Royal Collection, highlighting its significance in British history.

This historical painting by Benjamin West depicts King Edward III of England and his son, the Black Prince, following the Battle of Crécy in 1346. The artwork captures the aftermath of the battle, showcasing the two monarchs in a moment of triumph and reflection. It is part of the Royal Collection and is renowned for its detailed portrayal of medieval military history.

Edward III Crossing the Somme is an oil on canvas history painting by the Anglo-American artist Benjamin West, from 1788. The artwork depicts the historic moment when King Edward III of England crossed the Somme River during the Hundred Years' War, showcasing the dramatic and heroic aspects of the event. The painting is part of the Royal Collection, indicating its significance and historical value.

This painting depicts the suicide of Lucretia, a historical event from Roman mythology. The artwork, attributed to Francesco Vecellio, portrays the moment of her tragic demise, emphasizing the emotional intensity and dramatic composition. Created around 1530, it is part of the Royal Collection, highlighting its significance in art history.

This painting by Laurits Tuxen depicts the coronation of King George V and Queen Mary, showcasing their enthronement in Westminster Abbey. The scene captures the grandeur of the royal ceremony, with the couple surrounded by regal symbols and ceremonial elements.

The Trial of Queen Caroline is an 1823 history painting by the British artist George Hayter. It depicts the events of 1820, in which George IV, who had recently succeeded to the throne, attempted to divorce his long-estranged wife, Caroline of Brunswick. In order to secure his divorce, George had a special bill moved in the House of Lords. The Lords heard evidence of the Queen's adultery, but with public opinion strongly in Caroline's favour, the measure was ultimately withdrawn by the government. Caroline remained married to George until her death the following year.

The Homage-Giving depicts a grand scene at Westminster Abbey on 9th August 1902, capturing the ceremonial homage paid to King Edward VII. The painting features a multitude of high-ranking figures, including nobles, clergy, and dignitaries, reflecting the formal and historical significance of the event. Created by John Henry Frederick Bacon, it is an example of historical painting that highlights the social and political importance of the occasion.

This painting by W.A. Witsen depicts the Embankment in London, showcasing the city's architectural and urban landscape. The artwork captures the essence of early 20th-century London, highlighting the blend of historical and modern elements along the riverfront.

This painting by J.M.W. Turner depicts the historical event of Agrippina Landing with the Ashes of Germanicus. It is a historical painting that captures a dramatic and emotional scene from ancient Roman history.

This painting depicts King Charles I of England and his son, Prince Charles, in the studio of the renowned Baroque painter Anthony van Dyck. The work showcases Millais' attention to detail and his ability to capture the grandeur of the royal family in a historical setting.

This painting depicts Amy Robsart, a historical figure known for her tragic story involving her husband, Robert Dudley, and Queen Elizabeth I. Created by William Frederick Yeames in 1877, it is an example of historical painting that captures the essence of the past through detailed imagery and narrative elements.

Napoleon on Board the Bellerophon is an 1880 history painting by the British artist William Quiller Orchardson. It depicts Napoleon, the defeated Emperor of France, as a prisoner onboard the British warship HMS Bellerophon following his defeat during the Waterloo Campaign in 1815. He stands alone on the deck with a group of his aides watching him from close by. It intends to convey the moment he learned he was being exiled to Saint Helena rather than being permitted to stay in England.

This historical painting by Charles Landseer depicts the pillaging of a Jewish home during the reign of King Richard I. The scene captures the chaos and suffering of the event, with detailed imagery of the destruction and the emotional impact on the inhabitants. The artwork is part of the National Gallery's collection.

Regulus is an oil painting by English artist J. M. W. Turner, initially painted in 1828, and now in Tate Britain, London. It depicts the legend of Roman consul Marcus Atilius Regulus' death, in which he was captured by Carthaginian forces and eventually executed after being blinded by the Sun. The scene is a landscape of either Rome or Carthage, with ships and buildings surrounding the ocean. The painting is dominated by the large white Sun in the centre.

This painting by Stanisława de Karłowska depicts Berkeley Square, a historic and iconic location in London. The artwork captures the grandeur and architectural beauty of the square, showcasing its neoclassical buildings and bustling urban atmosphere.

Victoria Regina is a historical painting by Henry Tanworth Wells, depicting Queen Victoria of the United Kingdom. The artwork captures the regal presence of the monarch, likely during her reign in the 19th century. It is housed in the National Gallery in London, reflecting its significance as a portrait of the British sovereign.

This sketch depicts the 17th-century English monarch Charles II and Lady Bellenden, a historical figure. Created by Charles Robert Leslie in 1837, it is a preparatory study for a larger historical painting.

The South Sea Bubble, a Scene in 'Change Alley in 1720 is an 1847 history painting by the British artist Edward Matthew Ward. It depicts a scene in Exchange Alley in the City of London when the South Sea Bubble was at its height in 1720 shortly before the company's dramatic collapse. It was a centre of financial speculation and Ward depicts it in a Hogarthian manner.

A Dialogue at Waterloo is an 1850 history painting by the British artist Edwin Landseer. It depicts the elderly Duke of Wellington visiting the battlefield of Waterloo in Belgium many decades after he led Allied forces to victory there in 1815. He is shown on horseback in the company of his daughter-in-law Marchioness of Douro. A young woman settling souvenirs of the battle attempts to attract his interest. The artist David Roberts was the model for the Belgian farmer in the background.

This painting by Clarkson Frederick Stanfield depicts the historic Battle of Trafalgar, where Lord Nelson achieved a decisive victory over the French and Spanish fleets on October 21, 1805. As a sketch created in 1833, it captures the dramatic naval engagement with attention to detail, showcasing Stanfield's skill in rendering maritime scenes.

This painting by John Lavery depicts the opening of the Modern Foreign and Sargent Galleries at the Tate Gallery on 26 June 1926. It captures the grand event with attendees, art pieces, and the historic setting of the gallery.

The Pool of London is a 1906 work by French artist André Derain. It is in the collection of Tate Modern. At the suggestion of Ambroise Vollard, Derain travelled to London to paint works that reflected the popularity of Claude Monet's earlier London series. The painting depicts the Pool of London, a stretch of the River Thames, as seen from London Bridge. The painting was one of a number of works featured in the Courtauld Gallery's 2006 exhibition "André Derain: The London Paintings"

The Opening of Waterloo Bridge is an 1832 history painting by the British artist John Constable. It depicts the scene on 18 June 1817 when the newly constructed Waterloo Bridge across the River Thames in London was ceremonially opened by the Prince Regent. To distinguish it from other works of the scene by Constable and others, it is known by the longer alternative title Embarkation of George IV from Whitehall: The Opening of Waterloo Bridge, 1817.

This watercolor by Thomas Gainsborough depicts a serene hilly landscape with figures approaching a bridge. The scene captures the tranquility of nature, with trees and rolling hills creating a peaceful atmosphere. The composition showcases Gainsborough's skill in capturing light and texture, characteristic of his landscape works.

This watercolor by Thomas Gainsborough depicts an open landscape featuring horsemen and a covered cart. The scene captures a serene rural setting with elements such as trees, mountains, and a sense of movement through the presence of the horsemen. The painting showcases Gainsborough's skill in capturing natural scenery with delicate brushwork and attention to detail.

Dido building Carthage, or The Rise of the Carthaginian Empire is an oil on canvas painting by J. M. W. Turner. The painting is one of Turner's most important works, greatly influenced by the luminous classical landscapes of Claude Lorrain. Turner described it as his chef d'oeuvre. First exhibited at the Royal Academy Exhibition of 1815, Turner kept the painting until he left it to the nation in the Turner Bequest. It has been held by the National Gallery in London since 1856.

This painting by J. M. W. Turner depicts the dramatic scene of the burning of the Houses of Lords and Commons in London on October 16, 1834. The artwork captures the intense flames and smoke engulfing the Palace of Westminster, with the River Thames and Westminster Bridge visible in the background. Turner's use of light and color emphasizes the chaos and destruction of the event, reflecting his signature style of atmospheric effects.

Lord Howe's Action, or the Glorious First of June is a 1795 painting by Philip James de Loutherbourg depicting the British naval victory under Lord Howe over a French force led by Louis Thomas Villaret de Joyeuse on the Glorious First of June 1794. The painting captures the intense naval battle during the American Revolutionary War and is now housed in the National Maritime Museum's Queen's House in London.

Bathers at La Grenouillère is a 1869 painting by Claude Monet depicting a group of people bathing in a river setting. The artwork is part of the National Gallery London collection and showcases Monet's Impressionist style with its vibrant colors and loose brushwork.

Snow Storm: Hannibal and his Army Crossing the Alps is an oil on canvas painting by J. M. W. Turner, first exhibited in 1812. Left to the nation in the Turner Bequest, it was acquired by the National Gallery in London in 1856, and is now held by the Tate Gallery.

A Waterfall in a Rocky Landscape is an oil painting on canvas by the Dutch landscape painter Jacob van Ruisdael. It is an example of Dutch Golden Age painting and is now in the collection of the National Gallery.

This painting by Claude Monet, created in 1903, depicts the Waterloo Bridge in London under a dense fog, capturing the ethereal atmosphere and the interplay of light and shadow. It is part of the Hermitage Museum collection, showcasing Monet's mastery in capturing the subtle nuances of weather and urban landscapes.

The Waterloo Bridge series consists of 41 Impressionist oil paintings depicting the Waterloo Bridge in London from 1807–1810. Created by Claude Monet between 1900 and 1904, this series is part of his larger London series, which also includes the Charing Cross Bridge and Houses of Parliament series. The works capture the changing light and atmosphere of the bridge, showcasing Monet's mastery of capturing ephemeral natural effects.

The painting depicts two groups of male and female Spartan youth exercising and challenging each other in some way. It was purchased by the Courtauld fund in 1924 and is now in the permanent collection of the National Gallery in London.

The Rainbow Landscape or Landscape with Rainbow is a c. 1636 landscape painting by Peter Paul Rubens, now in the Wallace Collection in London. It forms a pendant to A View of Het Steen in the Early Morning which is held in the National Gallery in London

A Landscape with a Ruined Castle and a Church is an oil on canvas painting by the Dutch landscape painter Jacob van Ruisdael. It is an example of Dutch Golden Age painting and is now in the collection of the National Gallery. The artwork features a vast landscape with a ruined castle and a village church, showcasing Ruisdael's mastery of atmospheric effects and composition.

Poplars on the Epte is a landscape painting by French Impressionist artist Claude Monet. Created in 1891, this work captures the tranquil beauty of the Epte River valley near his home in Giverny, France. The painting features a serene scene with poplar trees reflected in the water, characteristic of Monet's later works. It is currently housed in the Scottish National Gallery in Edinburgh, Scotland.

Salisbury Cathedral from the Meadows was painted by John Constable in 1831, three years after the death of his wife, Maria. It is currently on display in London, at Tate Britain, in the Clore gallery. He later added nine lines from The Seasons by the eighteenth-century poet James Thomson that reveal the painting's meaning: that the rainbow is a symbol of hope after a storm that follows on the death of the young Amelia in the arms of her lover Celadon. Constable exhibited this painting at the Royal Academy Exhibition of 1831, but continued working on it during 1833 and 1834. The art historians Leslie Parris and Ian Fleming-Williams have described the painting as the climax of his artistic career.

Il Tramonto (The Sunset) is an oil on canvas landscape painting by Giorgione, created c. 1505–1508, now in the National Gallery, London, which bought it in 1961.

A View of Het Steen in the Early Morning, also called Château de Steen with Hunter or simply Het Steen, is a landscape painting by Flemish artist Peter Paul Rubens, dating to around 1636. It measures 131.2 cm by 229.2 cm and is now in the National Gallery in London.

This painting by Canaletto depicts the Old Somerset House as seen from the River Thames. It is a detailed landscape painting that showcases the architectural grandeur of the building against the scenic backdrop of the river.

A View of Greenwich from the River is a 1752 painting by Canaletto depicting the River Thames and the Greenwich area. The work showcases the architectural details of Greenwich Hospital and the surrounding landscape, capturing the essence of 18th-century London. It is currently on display at Tate Britain, having been on long-term loan from a private collection.

This painting by Canaletto depicts the City of Westminster as seen from the River Thames near the York Water Gate. It showcases the grand architecture of the area, including landmarks such as the Parliament of the United Kingdom. The artwork captures the scenic beauty of the riverfront and the historic buildings of London.

The Accolade depicts a medieval scene featuring Henry VI the Good receiving an accolade from a knight. The painting showcases intricate details of chainmail, a crown, and a throne, highlighting the historical and ceremonial aspects of the event. Created by Edmund Blair Leighton in 1901, it is an example of his work in historical genre scenes, reflecting the pre-Raphaelite style.

This panoramic view by Canaletto depicts the Banqueting House and the Holbein Gate in Whitehall, London, featuring the equestrian statue of King Charles I. The painting captures the grandeur of the royal palace complex during the 18th century, showcasing the architectural details and the historical significance of the site.

This painting by Canaletto depicts the construction of Westminster Bridge from the South-East Abutment. It showcases the architectural development of the bridge during the 18th century, offering a glimpse into the engineering and urban transformation of London.

This panoramic view by Giovanni Antonio Canal, known as Canaletto, captures the bustling scene of Westminster Bridge in London during a Lord Mayor's Procession. The painting showcases the grandeur of the Thames River and the historic architecture of the city, with a lively crowd and ceremonial elements adding to the dynamic composition.

This painting by Canaletto depicts the New Horse Guards building in London, offering a detailed view from St James's Park. The scene captures the architectural grandeur of the structure, reflecting the city's urban landscape during the 18th century.

This painting by Canaletto depicts the Whitehall area of London, showcasing the Privy Garden and the Holbein Gate. It offers a detailed view of the architectural features and urban landscape of 18th-century London.

Cornard Wood, near Sudbury, Suffolk is a 1748 landscape painting by Thomas Gainsborough, now in the National Gallery, London, which bought it in 1875. The title has been used since 1828 and derives from a 1790 print of a Gainsborough work, though it is unproven whether the church tower in the background can be identified with that at Great Cornard, Suffolk.

Bombardment of Algiers is one of a number of oil-on-canvas paintings by British artist Thomas Luny depicting the heavy bombardment of the harbour of Algiers by a fleet of Anglo-Dutch ships under the command of Admiral Lord Exmouth, and the ensuing destruction. It is signed and dated to 1820 by Luny, four years after the events depicted. It is held in a private collection.

Visit of George III to Howe's Flagship the Queen Charlotte is an oil on canvas history painting by the English artist Henry Perronet Briggs, from 1828. It depicts the royal visit to the flagship of Admiral Richard Howe, 1st Earl Howe, during the American War of Independence. The painting is held at the National Maritime Museum in London.

This painting depicts the historic Siege of Malta in 1565, focusing on the capture of St Elmo, a key fortress during the conflict. Created by Matteo Perez d'Aleccio, it captures the intense battle scenes and the dramatic moments of the siege. The artwork is part of the Royal Museums Greenwich collection.

This painting depicts the arrival of the Turkish fleet during the Siege of Malta in 1565. It captures a pivotal moment in the conflict between the Knights of St. John and the Ottoman Empire. The scene is rich in detail, showcasing the naval battle and the strategic importance of Malta during this historical event.

This painting by Thomas Elliott depicts a naval battle between the HMS Venus and the French ship Semillante on May 27, 1793. The scene captures the intense action of the sea battle during the French Revolutionary Wars, showcasing the chaos and drama of naval combat.

This painting depicts the execution of Admiral John Byng, who was hanged for failing to prevent a British naval defeat during the Seven Years' War. The scene captures the somber atmosphere of the event, with Byng standing on the gallows as he is executed on 14 March 1757. The artwork is attributed to the British School and dates from the 18th century.

This painting depicts the historic moment when Admiral Horatio Nelson was wounded during the Battle of Tenerife on July 24, 1797. Created by Richard Westall in 1806, it captures the dramatic scene of Nelson's injury, highlighting his bravery and the intense naval conflict.

This painting depicts the historic moment when Admiral Adam Duncan, 1st Viscount Duncan, received the surrender of Jan Willem de Winter during the Battle of Camperdown on 11 October 1797. The scene captures the naval engagement between British and Dutch forces, highlighting the strategic significance of the battle in the context of the French Revolutionary Wars. The artwork by Daniel Orme provides a detailed portrayal of the military events and the key figures involved.

This painting depicts the historic moment when Admiral Horatio Nelson boarded a captured ship on 20 November 1777. Created by Richard Westall in 1806, it captures the dramatic scene of Nelson leading his men during a naval engagement, showcasing the intensity and bravery of the event.

This painting depicts the historic Battle of Lepanto, a decisive naval engagement fought on 7 October 1571 between the Holy League, a coalition of Christian states, and the Ottoman Empire. The scene captures the chaos and intensity of the battle, with ships engaged in fierce combat and soldiers on deck wielding weapons. The artwork provides a vivid portrayal of the naval warfare that marked a turning point in the Mediterranean power dynamics.

This painting depicts the dramatic moment of Admiral Horatio Nelson's death during the Battle of Trafalgar on 21 October 1805. Created by Denis Dighton in 1825, it captures the intense naval engagement and Nelson's iconic fall from his ship's mast, a pivotal event in British naval history.

This painting by Adriaen van Diest depicts the burning of HMS Royal Prince during the Four Days' Battle on 3 June 1666. The scene captures the chaos and destruction of the naval conflict between the English and Dutch fleets.

The Defeat of the Spanish Armada is a 1796 history painting by the French-born British artist Philip James de Loutherbourg. A battle seascape it depicts the defeat of the Spanish Armada at the Battle of Gravelines in 1588, thwarting Philip II's attempt to invade England. The painting captures the dramatic moment of the Armada's defeat, showcasing the chaos and intensity of the naval battle with vivid details of ships, cannon fire, and the turbulent sea.

Coalbrookdale by Night is an oil painting by Philip James de Loutherbourg, from 1801. It depicts the industrial landscape of Coalbrookdale, a town in England known for its ironworks. The painting captures the nocturnal atmosphere of the area, highlighting the glowing furnaces and the industrial activity. It is held at the Science Museum in London.

Consulting the Oracle is an oil on canvas painting by John William Waterhouse. Waterhouse painted it in 1884; according to Anthony Hobson, "The Illustrated London News described it as one of the principal works of the year". Hobson describes the work as having a "keyhole composition" because a partial ring of women focus upon a single other.

This historical painting depicts Caligula, the Roman Emperor who ruled from AD 12 to 41. Created by an artist working after the style of Antonio Tempesta, the artwork captures the dramatic and tumultuous nature of imperial Roman life. The composition likely emphasizes the emperor's authority and the historical context of his reign.

This painting depicts Nero, the Roman Emperor from AD 37 to 68, portrayed in a dramatic scene that reflects his tumultuous reign. Created by Antonio Tempesta, the artwork captures the historical and political significance of Nero's rule, highlighting the complexities of his legacy. The piece is part of the National Trust collection, showcasing the enduring interest in Roman history through art.

This historical painting depicts Claudius, the Roman Emperor who ruled from 10 to 54 AD. Created in 1649, it is an afterwork by Antonio Tempesta, a renowned Italian painter of the Baroque period. The artwork captures the likeness and regalia of the emperor, reflecting the grandeur of Roman imperial power.