Depictions of Women

The Temptation by Lothar von Seebach depicts a dramatic scene from the biblical story of Adam and Eve. The painting features a woman in a lush garden, surrounded by a tree bearing an apple, with a serpent coiled around her arm. The composition is rich in symbolism, highlighting themes of temptation and the fall of man.

painting by A. Altamura

painting by Fernand Maillaud

This painting depicts the coronation of Marie de' Medici, a significant event in French history, where she is crowned as queen by Louis XIII of France. The scene is richly detailed, showcasing the elaborate regalia, ceremonial attire, and the grandeur of the occasion. It is a historical painting by Alexandre-Marie Colin, inspired by the work of Peter Paul Rubens.

This painting depicts the story of Lucretia, a Roman noblewoman known for her virtue and tragic end. Created by Lucas Cranach the Elder in 1534, it is housed in the Bilbao Fine Arts Museum. The artwork captures the moment of Lucretia's suicide after being raped by the king's son, symbolizing themes of honor and moral integrity.

A Family in the Stone Age depicts a prehistoric scene featuring a family engaged in a hunt. The painting, created in 1892 by Emmanuel Benner, showcases a man and woman with an infant, a bear, and a stone axe, set against a backdrop of a fireplace and tree. It is an example of historical painting, capturing the essence of early human life and survival.

This painting depicts King Seleucus I Nicator relinquishing his wife, Stratonice of Syria, and his crown to his son Antiochus I Soter, symbolizing the transfer of power and legacy. Created by Adriaen van der Werff in 1720, it is a historical painting that captures a significant moment in Hellenistic history.

This historical painting by Charles-Émile Mathis depicts the aftermath of the Franco-Prussian War in Strasbourg, showing the city's ruins and a woman holding a sword, symbolizing resilience and resistance.

painting by Anders Zorn

painting by Axel Stephansen (Oslo Museum, OB.01314)

painting by Axel Stephansen

painting by Axel Stephansen

painting by Axel Stephansen (Oslo Museum, OB.01321)

Lucretia is an oil-on-canvas painting by Paolo Veronese from c.1580-1583. This Venetian painting depicts Lucretia in the act of piercing her chest with a dagger after having been raped by the king’s son of Sextus Tarquinius. It is held in the collection of Kunsthistorisches Museum, Vienna, Austria.

The Rape of the Sabine Women is a historical painting by Peter Paul Rubens, depicting the legendary event in which the Romans abducted women from the Sabine tribe to replenish their population. The composition is dynamic, showcasing the struggle and tension of the scene with a rich use of color and movement. Rubens' mastery of Baroque style is evident in the dramatic lighting and expressive figures.

The Apotheosis of Infanta Isabella is a grand historical painting by Peter Paul Rubens, created in 1634. It depicts the divine elevation of Infanta Isabella, a Spanish princess, to the heavens, symbolizing her eternal glory. The work is celebrated for its dynamic composition, rich symbolism, and vibrant colors, reflecting Rubens' mastery in blending religious and mythological themes with historical events.

The Continence of Scipio depicts the Roman general Scipio Africanus refusing the gifts of the Carthaginian queen, a scene from the Punic Wars. The painting captures the moment of moral integrity and restraint, with Scipio shown in a dignified pose, surrounded by his soldiers and the queen. It is a prime example of Rubens' mastery in historical and mythological subjects, blending dramatic composition with rich detail.

The Victory of Henry IV at Coutras is a historical painting by Peter Paul Rubens, depicting the decisive battle of the French Wars of Religion. The work showcases Rubens' mastery of dynamic composition and dramatic lighting, capturing the moment of Henry IV's victory over the Huguenots at the Battle of Coutras in 1628. It is housed in the Liechtenstein Collection, known for its rich collection of Baroque art.

The Tragedy of Lucretia is a tempera and oil painting on a wood cassone or spalliera panel by the Italian Renaissance master Sandro Botticelli, painted between 1496 and 1504. Known less formally as the Botticelli Lucretia, it is housed in the Isabella Stewart Gardner Museum of Boston, Massachusetts, having been owned by Isabella Stewart Gardner in her lifetime.

Cimon and Pero is a historical painting by Dutch artist Willem Drost, created in 1656. The work depicts the Greek hero Cimon and his nurse Pero, showcasing the artist's skill in capturing human emotion and narrative. The painting is housed in the Rijksmuseum in Amsterdam, though its location is noted as Venice, Italy, which may indicate a historical or thematic connection to the city.

painting by Rudolf von Alt

painting by Rudolf von Alt

The Chivalric Vow of the Ladies and the Peacock is a historical painting by Daniel Maclise, created in 1835. The artwork depicts a scene from medieval literature, illustrating the ceremonial vow of knighthood. It features a peacock, symbolizing nobility and virtue, alongside ladies and knights at a banquet, highlighting themes of chivalry and honor.

This painting by Noël Hallé depicts Cornélie, the mother of the Gracchi brothers, a significant figure in Roman history. The artwork captures her with her children, highlighting themes of family and political legacy.

The Death of Sardanapalus is an 1827 oil painting on canvas by the French artist Eugène Delacroix. It depicts the dramatic scene from the tale of Sardanapalus, a king of Assyria, as described by Greek historian Diodorus Siculus. The painting is characterized by its rich, vivid colors and broad brushstrokes, reflecting the Romantic style. It was inspired by Lord Byron's play Sardanapalus (1821) and influenced Hector Berlioz's cantata Sardanapale (1830) and Franz Liszt's unfinished opera Sardanapalo (1845–1852).

painting by Louis de Caullery

This painting by Dirk van Delen depicts a fantastical architectural scene featuring four elegantly dressed women standing on the steps of a grand ramp. The composition combines intricate details of the architecture with the graceful figures of the women, creating a sense of grandeur and mystery.

This painting depicts a woman and her daughters, likely from the Roman family of Brutus. The scene is set in a domestic environment, capturing the intimate moments of a family. The artwork is notable for its detailed portrayal of the figures and the historical context of the Brutus family, which is significant in Roman history.

This painting depicts Emperor Marcus Aurelius distributing bread to the people, a scene that reflects the Roman tradition of sharing resources with citizens. Created by Joseph-Marie Vien in 1765, it captures the historical and social context of the Roman Empire, showcasing the emperor's role as a benefactor to his subjects.

This historical painting depicts Juana I of Castile, also known as Jeanne la Folle, on her deathbed. The artwork captures the emotional intensity of her final moments, surrounded by family members, including her husband Philip I of Castile. Created by Pierre-Raymond Monvoisin in 1833, the painting is a poignant representation of the Spanish queen's tragic life and legacy.

This historical painting by Charles Spindler depicts a romantic scene between two figures, likely representing the legendary lovers Adalrich and Bereswinda. The artwork captures the emotional depth of their relationship, set against a dramatic landscape that enhances the narrative of their story.

This painting by Eglon van der Neer depicts a scene from ancient mythology, specifically the story of Candaules, the King of Lydia, and his wife Nyssia. The narrative centers on Nyssia discovering Gyges, a courtier, hiding in a bedchamber. The composition captures the moment of revelation, with Nyssia standing in the background while Gyges is partially concealed by drapery. The painting is notable for its detailed depiction of clothing, anatomy, and the intimate setting of the bedroom.

White House at Night is an oil-on-canvas painting created on 16 June 1890 in the small town of Auvers-sur-Oise by Vincent van Gogh, six weeks before his death. It is displayed at the Hermitage Museum, St. Petersburg.

The Deliverance of Arsinoe depicts Arsinoe IV of Egypt fleeing from Alexandria after Julius Caesar arrived in the city in 48 BC and sided with Arsinoe's half-sister Cleopatra. The painting, created between 1555 and 1556, is a historical scene showcasing the dramatic moment of her deliverance. It is currently housed in the Gemäldegalerie Alte Meister in Dresden, Germany.

Christian II signing the Death Warrant of Torben Oxe is an 1875–76 oil on canvas historical painting by Eilif Peterssen. It is considered one of the principal works of Norwegian historical painting, and is part of the collection of the National Museum of Art, Architecture and Design.

The Church at Auvers is an oil painting created by Dutch Post-Impressionist artist Vincent van Gogh in June 1890. It depicts the Church of Notre-Dame-de-l'Assomption in Auvers-sur-Oise, France, with vibrant brushstrokes capturing the landscape and architecture. The painting is now housed in the Musée d'Orsay in Paris, France.

The Cradle of the Confederation is a 1899 painting by Charles Giron depicting the scenic landscape of the Old Swiss Confederacy. The artwork features the Urnersee, Seelisberg, and Rütli, which are significant locations in Swiss history. It showcases the natural beauty of the Swiss countryside with elements like the Mythen mountains, Schwyz, and the olive branch, symbolizing peace and unity. The painting also includes a woman and a trout, adding a touch of life and cultural symbolism to the scene.

En agitator (Henningsen) is a historical painting by Erik Henningsen created in 1899. The artwork depicts a scene involving a horse, police force, flag, and banner, with figures including a child, woman, and man present. It captures a moment of tension or protest, likely reflecting social or political themes of the late 19th century.

This watercolor painting by Hortense Haudebourt-Lescot depicts the poignant moment of Marie of Cleves' death. The scene captures her final moments, surrounded by figures including Catherine de' Medici and Henri, Prince of Condé, reflecting the historical and emotional significance of the event.

Guido Cagnacci's 1659 painting depicts the moment of Cleopatra's suicide, showing her as a tragic figure with a snake bite wound on her neck. The composition focuses on her emotional expression and the dramatic moment of death, with detailed attention to her anatomy and the surrounding objects. The painting is notable for its realistic portrayal of the female form and the use of light to enhance the scene's somber mood.

Morning Ride on the Beach is an 1876 painting by Dutch artist Anton Mauve from the Hague School. It shows a group of riders on the Scheveningen beach, painted in an impressionistic style. The work is now in the collection of the Rijksmuseum in Amsterdam.

This architectural painting by Constantin Hansen depicts the grand portico of Christiansborg Castle in Copenhagen. The artwork captures the intricate details of the castle's entrance, showcasing the neoclassical design and ornate elements characteristic of the 19th century. It is a notable example of architectural painting from the early 1800s.

The Intervention of the Sabine Women is a 1799 painting by the French painter Jacques-Louis David, showing a legendary episode following the abduction of the Sabine women by the founding generation of Rome. The scene depicts the women intervening to prevent a violent conflict between the Romans and the Sabines, symbolizing the peaceful resolution that led to the founding of Rome. The painting is notable for its dramatic composition and historical significance, reflecting the ideals of the French Revolution.

This painting by Michele Marieschi depicts the Campo di Santi Giovanni e Paolo in Venice, showcasing the Scuola di San Marco, a prominent Venetian institution. The scene includes the iconic Statua di Bartolomeo Colleoni, a bronze statue of the Venetian general, and features elements such as gondolas, men, and women, capturing the lively atmosphere of the Venetian landscape.

Paris Street; Rainy Day is a large 1877 oil painting by the French artist Gustave Caillebotte (1848–1894), and is his best known work. It shows a number of individuals walking through the Place de Dublin, then known as the Carrefour de Moscou, at an intersection to the east of the Gare Saint-Lazare in north Paris. Although Caillebotte was a friend and patron of many of the impressionist painters, and this work is part of that school, it differs in its realism and reliance on line rather than broad brush strokes.

Le Déjeuner sur l'herbe – originally titled Le Bain – is a large oil on canvas painting by Édouard Manet created in 1862 and 1863. The painting depicts a nude woman seated on the grass with a clothed man, surrounded by a landscape featuring trees, a watercourse, and a basket of fruit. It is known for its provocative composition and the bold depiction of nudity, which sparked controversy upon its initial exhibition.

The Death of Cleopatra depicts the moment of Cleopatra's suicide as she lies on a bed, surrounded by Egyptian symbols and a mourning figure. The painting captures the tragic end of the Egyptian queen, who chose to die by the bite of an asp rather than be captured by the Romans. Created in 1874 by French artist Jean-André Rixens, it was exhibited at the 1874 Salon and is currently housed in the Musée des Augustins in Toulouse, France.

This historical painting by Jean-Charles Tardieu depicts Napoleon I receiving the Queen of Prussia, Louise of Mecklenburg-Strelitz, at the Treaty of Tilsit in 1807. The scene captures the diplomatic meeting between the French Emperor and the Prussian monarch, highlighting the political significance of the event.

This 19th-century Dutch painting depicts a group of orphans in The Hague, showcasing the lives of children in a historical context. The scene includes a young woman and several children, some standing and others gathered, with elements of a forest and a church in the background.

The Excommunication of Robert the Pious is an 1875 painting by Jean-Paul Laurens, depicting the excommunication of Robert II of France in the year 998. The scene is set within a Romanesque architectural interior, with a bishop and clergy present, emphasizing the solemnity of the event. The painting is held by the Musée d'Orsay in Paris.

This painting by Caspar David Friedrich depicts a solitary woman standing before a breathtaking sunset. The scene is set against a dramatic landscape, with the sun sinking below the horizon, casting a warm golden glow across the sky and the surrounding hills. The composition emphasizes the emotional and spiritual connection between the human figure and the natural world, a common theme in Friedrich's work. The painting is housed in the Museum Folkwang.

This painting by Nicolas Poussin depicts Queen Zenobia of Armenia, a historical figure known for her leadership and defiance. The scene shows her discovered on the banks of the Arax River, a significant location in her story. The artwork captures a moment of reflection and resilience, characteristic of Poussin's historical paintings.

Angelica and the Hermit is a 1626–1628 painting by Peter Paul Rubens. It depicts an episode from canto 8 of Ludovico Ariosto's poem Orlando Furioso. The painting shows Angelica, a character from the poem, sleeping while a hermit tends to her. It is now housed in the Kunsthistorisches Museum in Vienna.

The Death of Cleopatra is a 1648 oil painting on canvas by the Italian artist Guercino. It depicts the moment of Cleopatra's suicide, showing her lying on a bed with a snake bite wound on her neck. The painting is currently housed in the Palazzo Rosso in Genoa, Italy.

This painting by Henryk Siemiradzki depicts a Catholic priest receiving viaticum, a last sacrament, from a woman. The scene is set in a church with a candle burning, surrounded by a mountainous landscape. The composition includes a boy and a woman, suggesting a moment of spiritual significance and quiet reverence.

The Banquet of Cleopatra is a historical painting by Gerard de Lairesse depicting a lavish banquet scene. The artwork showcases Cleopatra, the Egyptian queen, surrounded by her court, capturing the opulence and grandeur of ancient Egyptian culture. The painting is renowned for its detailed portrayal of the royal court and the intricate use of color and composition.

The Banquet of Cleopatra is a historical painting by Gerard Hoet depicting a scene from ancient Egypt. The artwork portrays Cleopatra VII, the last active ruler of the Ptolemaic Kingdom of Egypt, at a banquet with her court. The painting captures the opulence and grandeur of royal gatherings, showcasing Hoet's skill in portraying historical and mythological subjects.

Lucretia is a 1666 history painting by the Dutch Golden Age painter Rembrandt Harmensz van Rijn. It is an oil painting on canvas that depicts a myth about a woman named Lucretia who lived during the ancient Roman eras. She committed suicide to defend her honor after being raped by an Etruscan king's son. For her self-sacrifice she is known as a heroine to the Romans, who celebrated the ideals of virtue and chastity.

The Young Martyr is an oil painting by the French painter Paul Delaroche. It was completed in 1855 and is based on the Romantic style of genre painting. It is held at the Louvre, in Paris. The first version of the painting is from 1853 and is held at the Hermitage Museum, in Saint Petersburg.

This illumination from the Très Riches Heures manuscript depicts a vibrant scene of rural life in June. The illustration showcases a meadow filled with haymaking activities, featuring figures engaged in mowing and gathering hay. It includes elements like a scythe, rake, and pitchfork, along with details such as a stream, willow trees, and a city gate, suggesting a connection to Paris. The artwork captures the essence of a summer day in a rural setting near the capital.

A Roman Slave Market depicts a bustling scene in Ancient Rome, showcasing a slave auction where a merchant is selling slaves. The painting captures the dynamics of public nudity and the social hierarchy of the time, with detailed attention to the human form and classical architecture. Created by Jean-Léon Gérôme in 1884, it is an example of historical painting that highlights the complexities of slavery in ancient Rome.

Moema is an oil painting on canvas created in 1866 by Brazilian artist Victor Meirelles. It depicts the homonym character from the epic poem Caramuru (1781), by Santa Rita Durão. The work does not depict a scene from the poem, but instead Meirelles's personal interpretation of the character's fate, submerging into the water after being rejected by Caramuru.

This painting depicts Julius Caesar presenting the throne of Egypt to Cleopatra, highlighting the historical event of their alliance. The scene is richly detailed with elements of ancient Roman and Egyptian symbolism, including a laurel wreath, sceptre, and throne. The composition showcases Cortona's skill in blending historical narrative with intricate drapery and architectural elements. The work is part of a series commissioned for a Parisian residence, reflecting the cultural exchange of the period.

La Convalescence de Bayard is a historical painting by Pierre Révoil depicting the convalescence of Pierre Terrail, seigneur de Bayard, a 16th-century French knight. The scene shows Bayard resting in a bed, surrounded by elements of his noble status such as a baldachin, halberd, and a bird, while engaged in reading and listening to music. The painting captures a moment of peace and recovery, reflecting the ideals of chivalry and the humanistic themes of the time.

This painting by Samuel van Hoogstraten showcases a detailed perspective view featuring a woman engaged in reading a letter. The artwork is renowned for its intricate use of linear perspective and the inclusion of a richly detailed interior scene. The composition combines elements of architecture and domestic life, reflecting the artist's mastery in creating depth and spatial illusion.

Nymphs Bathing is a 17th-century painting by Johannes van Haensbergen depicting graceful nymphs in a serene natural setting. The scene features a tranquil watercourse surrounded by lush vegetation and ancient ruins, suggesting a rural landscape with a mystical atmosphere. The composition includes elements of classical mythology, with figures engaged in a peaceful bathing ritual amidst a picturesque countryside.

This painting by Jacob Savery depicts a lively fair celebrating St. Sebastian's Day in a Flemish village. The scene includes various activities such as archery, gambling, and a processional parade, with elements like a castle, church, and marketplace showcasing the village's cultural and social life.

This winter landscape painting by Esaias van de Velde depicts a serene countryside scene covered in snow. A farmhouse with a thatched roof stands amidst a frozen landscape, with a frozen river or watercourse visible in the foreground. The scene includes figures of people engaging in winter activities such as ice skating, suggesting a quiet, rural atmosphere typical of Dutch Golden Age art.

This Italian Landscape with Ruins by Jacobus Mancadan depicts a serene countryside scene with ancient ruins, mountains, and a sky filled with clouds. The painting showcases aerial perspective, with a woman and child visible in the foreground, the woman kneeling and carrying a basket on her head. The inclusion of a walking stick and various plants adds to the pastoral atmosphere, while the ruins suggest a historical or mythological narrative.

This painting by Jan Baptist Weenix depicts an Italian landscape featuring a shelter, ancient ruins, and various elements such as a wheelbarrow, sheep, a child, and a woman. The scene captures the serene beauty of the countryside, blending natural scenery with historical remnants.

This Italianate landscape painting by Jan Asselijn depicts a serene coastal scene with a rocky shore and cliffs overlooking the sea. The composition features a château in the distance, with a boat in the foreground and a dog resting near a standing man and woman. The sky is filled with soft clouds, adding to the tranquil atmosphere of the scene.

This Italianate Landscape with Resting Peasants by Johannes Lingelbach depicts a serene countryside scene where peasants are shown in various states of relaxation. The painting features a group of people, including men, women, children, and elderly individuals, seated or standing amidst a lush landscape. Elements such as trees, a basket, and a walking stick add to the pastoral atmosphere, while the presence of a horse suggests a rural setting. The composition captures a moment of quiet repose, characteristic of Lingelbach's style.

Landscape with Shepherds is a 1626 painting by Moses van Uyttenbroeck depicting a serene rural scene. The artwork features a lush landscape with a river, trees, and mountains, while shepherds and their livestock graze in the fields. The composition includes elements of nature and human activity, with figures engaged in music and dance, creating a harmonious blend of pastoral life and natural beauty.

This painting by Moses van Uyttenbroeck depicts a wooded pool surrounded by trees and rocks, featuring the mythological figures of Salmacis and Hermaphroditus. The scene includes elements of nature such as reeds, clouds, and a sky, with a focus on the interaction between the two figures and the lush landscape.

Wooded Landscape with Cottages is a 1665 painting by Meindert Hobbema depicting a serene rural scene. The composition features a winding path leading through a forested landscape towards a cluster of thatched cottages, with a stream and a waterhole visible in the foreground. The painting showcases Hobbema's mastery of light and perspective, with a clear sky filled with clouds and a sense of tranquility conveyed through the inclusion of grazing poultry and a man on horseback.

Lady Godiva is an 1897 oil-on-canvas painting by English artist John Collier, who worked in the style of the Pre-Raphaelite Brotherhood. The portrayal of Lady Godiva and her well-known but apocryphal ride through Coventry, England, is held in Coventry's Herbert Art Gallery and Museum.

This painting depicts a landscape featuring Roman ruins and the biblical scene of Rebecca meeting Eliezer. The artwork combines elements of nature and historical narrative, showcasing the artist's skill in blending realistic scenery with symbolic elements.

The painting depicts a serene landscape featuring an avenue of birch trees, with a canal running through the scene. A man on horseback and a woman riding sidesaddle are visible in the foreground, accompanied by a hound. The artwork showcases Jan Hackaert's skill in capturing the natural beauty of the Dutch countryside during the 17th century.

Muleteers at an Inn is a 1659 painting by Dutch artist Karel Dujardin. The work depicts a group of travelers, including men and women, resting at an inn, with a pack mule carrying goods. The scene captures the quiet moment of respite amidst a journey, showcasing Dujardin's skill in portraying everyday life and landscapes.

This anonymous painting depicts the tragic story of Lucretia, a Roman noblewoman who was raped by Sextus Tarquinius, leading to her suicide and the fall of the Roman monarchy. The scene captures the moment of her defiance and the aftermath of her decision, with a focus on the emotional intensity and historical significance of the event. It is housed in the Rijksmuseum in Amsterdam, Netherlands.

This historical painting depicts the moment when Gaius Proculeius intervenes to stop Cleopatra from committing suicide. The scene captures the dramatic tension of the moment, with Cleopatra kneeling and holding a dagger, while Proculeius stands protectively in front of her. The composition includes elements of ancient Roman clothing and settings, such as togas, drapery, and architectural details like columns and walls.

Landscape with Bathsheba is a 16th-century painting by Lambert Sustris, depicting a serene rural scene with a central figure of Bathsheba. The artwork showcases a tranquil landscape featuring a river, trees, and a distant mountain range, with Bathsheba portrayed in a modest yet elegant manner. The painting is notable for its detailed portrayal of nature and the inclusion of a domestic worker, reflecting the social and natural elements of the period.

This painting depicts the dramatic scene of Mark Antony, the Roman general, mortally wounded and in the presence of Cleopatra, the Egyptian queen. The artwork captures the emotional intensity of their final moments, with Cleopatra shown in a moment of vulnerability and sorrow. Created by Louis Moritz in 1825, it is a historical painting that portrays a pivotal moment in ancient history.

This painting by Jean-Étienne Liotard depicts a serene rural scene featuring a shepherdess surrounded by cattle and sheep. The landscape includes a clear sky with clouds, a lush pasture, and a peaceful atmosphere typical of 18th-century pastoral art.

This anonymous Flemish painting depicts the dramatic scene of the rape of Lucretia, a pivotal moment in Roman history. The artwork, housed in the Rijksmuseum, captures the intense emotions and historical significance of the event, with detailed portrayals of the figures involved.

This painting by Barent Fabritius depicts Willem van der Helm, a municipal architect of Leiden, alongside his wife Belytgen Cornelisdr van de Schelt and their son Leendert. The scene captures a domestic setting, featuring a table with a carpet, suggesting a family gathering. The inclusion of the Gravensteen, a historic building in Leiden, adds context to the setting.

This anonymous 17th-century painting depicts a scene of urban life, likely set in a city square. It features a man engaged in quackery, possibly a charlatan or fortune teller, surrounded by various characters including a horse, dog, child, and woman. The artwork captures the lively atmosphere of a bustling city environment, with elements of equestrianism and everyday interactions.

The hurdy-gurdy player is a 17th-century painting by David Vinckboons depicting a village scene with a man playing the hurdy-gurdy, surrounded by a woman, child, and various elements such as an inn, ladder, pig, and animal slaughter. The painting captures the lively atmosphere of a rural setting, showcasing the cultural and social aspects of the time.

This watercolor depicts a charming rural scene featuring a man and a woman engaged in a conversation while riding horses along a country road. The painting showcases a peaceful landscape with grassy fields, a clear sky, and a dog accompanying them. Anton Mauve's work captures the essence of equestrianism and the serene atmosphere of a rural setting.

This painting depicts a graduation ceremony at Leiden University around 1650, showcasing the academic tradition of the time. It features a group of students and faculty, with a focus on the conferring of a degree. The scene captures the formality and significance of the event, highlighting the university's role in higher education during the 17th century.

The Dying Cleopatra is a historical painting by Jan van Scorel, depicting the final moments of the Egyptian queen as she prepares to take her own life with a snakebite. The artwork captures her emotional state and the dramatic scene of her demise, showcasing the artist's skill in portraying complex human emotions and historical narratives.

The Suicide of Lucretia is a historical painting depicting the tragic story of Lucretia, a Roman noblewoman who took her own life to preserve her honor after being raped by the king's son. The painting captures the moment of her suicide, showing her seated on a fauteuil with a poignard in hand, her body covered in blood, and her dress torn. The artwork is attributed to the Master with the Parrot, a painter associated with the Northern Renaissance style.

This watercolor by Anton Mauve depicts a serene rural scene featuring a small house, trees, and a woman in a field. The painting showcases a peaceful landscape with a clear sky and grassy terrain, capturing the tranquil beauty of a countryside setting.

Venus and Adonis is a painting by Bartholomeus Spranger from 1587. It depicts the mythological scene of Venus, the Roman goddess of love and beauty, and Adonis, a handsome youth. The artwork showcases a romantic and tender moment between the two figures, with Venus gracefully seated and Adonis standing nearby, both engaged in a loving embrace. The painting is notable for its detailed portrayal of the figures and the lush, natural landscape surrounding them.

This Italianate Landscape with Pines by Hendrik Voogd depicts a serene countryside scene. The painting showcases rolling hills, pine trees, and a river surrounded by snow-capped mountains. A path leads through the landscape, with a sky filled with clouds and a distant building visible. The artwork captures the tranquil beauty of an Italian setting, characteristic of the 18th-century landscape genre.

This landscape painting by Paul Joseph Constantin Gabriël depicts a serene natural scene featuring two prominent trees, a watercourse, and a path leading towards the shore. The composition includes grassy areas, a woman walking along the path, and elements of daylight filtering through the trees, creating a sense of depth and atmosphere. The use of shadow and contre-jour lighting enhances the mood, while the sky adds to the tranquil ambiance of the scene.

This painting by Hendrik Voogd depicts a serene Italian landscape featuring umbrella pines, a clear sky with clouds, and a gentle hillside. The scene includes a man and a woman, suggesting a peaceful outdoor setting, with elements like grass, trees, and a small building adding to the tranquil atmosphere.

This painting depicts the moment of Cleopatra's suicide, as she holds a venomous asp to her neck. The scene captures her final act of defiance, with dramatic use of light and shadow to emphasize the tragedy. The subject's expression and posture convey both pain and resolve, while the surrounding elements, such as the crown and earring, hint at her royal status. The artwork is notable for its detailed portrayal of the historical event and the emotional intensity of the moment.

The Death of Cleopatra is a historical painting by Johann Liss depicting the final moments of the Egyptian queen as she succumbs to a snakebite. The artwork captures the dramatic scene of Cleopatra's suicide, with her seated posture and the presence of an aspic viper symbolizing her tragic end. The painting is notable for its detailed portrayal of Cleopatra's attire and the emotional intensity of the moment.

This painting depicts Cleopatra VII of Egypt, renowned for her role in ancient history, as she prepares to commit suicide by the bite of an asp. The scene captures a moment of dramatic tension and historical significance, with Cleopatra portrayed in a reclining position, her body partially draped in fabric. The artwork, created by the Baroque painter Guido Reni in the 1630s, is housed in the Royal Collection at Windsor Castle, reflecting the grandeur of the British monarchy's art holdings.

Alessandro Turchi's painting depicts the dramatic moment of Cleopatra's suicide, showing her lying on a bed with a snake bite wound, surrounded by Roman soldiers and attendants. The composition captures the anguish and tragedy of her final moments, with detailed attention to the historical setting and the emotional expressions of the figures involved.

Jean-Baptiste Regnault's painting depicts the moment of Cleopatra's death by snakebite, a dramatic scene from ancient history. The artwork captures her final moments with a focus on her physical presence and the tragic circumstances of her suicide. Cleopatra is shown reclining on a fauteuil, her body draped in luxurious fabrics, with a crown and headscarf indicating her royal status. The painting emphasizes the historical event through detailed clothing, accessories, and the symbolic asp, highlighting the emotional and cultural significance of her demise.

The Death of Cleopatra is a historical painting by Hans Makart depicting the final moments of the Egyptian queen as she succumbs to a snakebite. The artwork captures Cleopatra's dramatic expression and the emotional intensity of her demise, with richly detailed drapery and intricate jewelry emphasizing the opulence of her final act. The painting is renowned for its vivid colors and dramatic composition, reflecting the grandeur of ancient Egyptian culture.

God Speed is a painting by British artist Edmund Leighton, depicting an armored knight departing to war and leaving his beloved. The painting was exhibited at the Royal Academy of Arts in 1900. God Speed was the first of several paintings by Leighton during the 1900s on the subject of chivalry, including The Accolade (1901) and The Dedication (1908).

This painting by Eugène Boudin depicts a group of people enjoying a sunny day at the beach. The scene includes a variety of figures such as women, men, and children, some of whom are engaged in activities like bathing and conversation. The background features the English Channel and a sailing ship, with a parasol and beach umbrella adding to the leisurely atmosphere. The painting captures the essence of a seaside holiday in Trouville-sur-Mer.

Hollow in the Snow is a landscape painting by Armand Guillaumin depicting a serene winter scene. The artwork showcases a path leading through a snowy forest, with a woman walking along it, surrounded by trees and a blanket of snow. The painting captures the quiet beauty of a winter landscape, emphasizing the contrast between the natural elements and the human presence.

In 'En Barque', Pierre Bonnard depicts a serene scene of a boat on water, with a child and a woman seated together. The painting features a duck and a dog, surrounded by a broad-leaved tree and elements of recreational fishing. The composition captures the peaceful atmosphere of a quiet day, characteristic of Bonnard's Impressionist style.

This painting by Camille Pissarro depicts a serene meadow under afternoon sunlight, with a broad-leaved tree and a house in the background. The scene includes a woman and elements of spring, capturing the tranquil landscape around Éragny.

Claude Monet's "Heavy Sea in Étretat" captures the dramatic power of the English Channel at Étretat, a small coastal village in Normandy, France. The painting depicts turbulent waves crashing against rugged cliffs, with swirling clouds and a stormy sky adding to the sense of movement and energy. Monet's impressionistic style emphasizes the play of light and color, creating a vivid portrayal of nature's raw force.

This painting by Camille Pissarro depicts a kitchen garden at L'Hermitage, showcasing the artist's Impressionist style with vibrant brushstrokes capturing the essence of a rural landscape. The scene includes a house, trees, and a garden, reflecting the natural beauty of the Pontoise area in France.

Public Gardens is a 1894 painting by Édouard Vuillard depicting a serene garden scene. The artwork captures a group of children playing games, women conversing, and a variety of natural elements such as broad-leaved trees, a meadow, and a beach umbrella. Set in Paris, the painting showcases Vuillard's mastery in capturing the intimacy and charm of everyday life in a public garden setting.

This painting by Camille Pissarro depicts a wheelbarrow in an orchard setting, capturing the serene rural landscape of Le Valhermeil near Auvers-sur-Oise. The scene is characterized by soft brushstrokes and a focus on natural elements, typical of Pissarro's Impressionist style.

This painting by Jean-Baptiste Camille Corot depicts a serene landscape featuring a glade with a woman, set in the village of Ville-d'Avray. The scene captures the tranquil beauty of the French countryside, with soft lighting and natural elements highlighting the peaceful atmosphere.

This painting by Camille Pissarro depicts a serene rural scene near Pontoise, France. The composition features a quiet road flanked by trees and a small house, with a horse-drawn wagon and pedestrians on the sidewalk. The landscape captures the peaceful atmosphere of a French village in the 19th century.

This painting by Eugène Boudin depicts a serene coastal scene at Deauville, featuring a woman and a dog on a jetty overlooking the English Channel. The artwork captures the calm of the sea with a sailing ship in the distance, surrounded by a clear sky and the vibrant colors of the coastal landscape.

Youth and Love is a 1877 painting by William-Adolphe Bouguereau depicting a young woman and a cherub. The artwork showcases the artist's mastery of classical themes and intricate detail, with the young woman holding a flower and the cherub presenting a flower to her. The scene is set in a lush, natural environment with elements like a watercourse and trees, reflecting Bouguereau's focus on idealized beauty and romantic themes.

This painting by Édouard Vuillard depicts a peaceful promenade along the harbor, featuring a woman and a child strolling near a sailboat. The scene includes a railway platform and a landscape of Le Pouliguen, a coastal town in France, capturing the serene atmosphere of the early 20th century.

This painting by Camille Pissarro depicts a serene scene along the Seine River at Port-Marly, featuring a wash-house (lavoir) and surrounding landscape elements such as trees, houses, and a boat (péniche). The work captures the tranquil atmosphere of the rural French countryside, characteristic of Pissarro's Impressionist style.

This painting by Stanislas-Henri Rouart depicts a serene terrace overlooking the Seine River in Melun. The scene captures the tranquil beauty of the riverbanks, with lush greenery and the gentle flow of water. The inclusion of a beach umbrella and broad-leaved trees adds a touch of leisure and natural charm to the landscape.

This painting by Louis Welden Hawkins captures the Eiffel Tower as seen from the Trocadero in Paris. The scene includes a fiacre, the Pont d'Iéna bridge, the Seine River, and the École Militaire buildings, offering a detailed view of Parisian architecture and urban life.

The Golden Age: The Night is a landscape painting by Léon Frédéric, depicting a serene nocturnal scene. The artwork features a mountainous landscape under the cover of darkness, with elements such as a watercourse, sheep, and a woman in the foreground. The painting captures the tranquility of the night with subtle details that evoke a sense of calm and mystery.

The Golden Age: The Morning is a landscape painting by Léon Frédéric created in 1901. The artwork depicts a serene morning scene featuring a woman, trees, and livestock, capturing the tranquil beauty of nature. The inclusion of nudity suggests a focus on the human form within the natural setting, while the overall composition reflects the artist's interest in pastoral and rural themes.

Édouard Vuillard's painting depicts a serene forest path with a woman sitting on a bench, accompanied by a dog. The scene features a bouquet of flowers, broad-leaved trees, and a sense of quiet intimacy. The artwork captures the natural beauty of a secluded woodland area, blending elements of nature and human presence.

L'Averse is a painting by Paul Sérusier depicting a rainy scene in Brittany. The work captures the atmospheric mood of a street scene with a woman holding an umbrella, set against a square in the coastal town of Huelgoat. The painting is notable for its expressive use of color and light, characteristic of the Pont-Aven School.

The Last Day of Corinth is a historical painting by Tony Robert-Fleury depicting the aftermath of the destruction of the ancient city of Corinth. The scene captures the chaos and sorrow of the event, with figures in various states of distress and mourning. The painting includes elements such as temples, statues, and a sky filled with smoke, emphasizing the devastation of the city. It is a powerful representation of ancient Corinth's tragic end.

This serene landscape painting by Jean-Baptiste Camille Corot depicts a young woman tending to her cows at dawn. The scene captures the quiet beauty of a rural morning, with soft light filtering through the trees and a peaceful atmosphere that reflects Corot's mastery of light and nature.

This painting by Jean-Baptiste Camille Corot depicts a serene landscape featuring a bridge over a river, with lush greenery and a clear sky. Created in 1871, it showcases Corot's mastery in capturing the natural beauty of rural France.

Le Printemps is a landscape painting by Charles-François Daubigny depicting a serene spring scene. The artwork showcases a path winding through a lush forest, with a woman walking along it, surrounded by blooming trees and vibrant greenery. The painting captures the essence of renewal and natural beauty, characteristic of Daubigny's style.

This painting by Jean-Baptiste Camille Corot depicts a serene landscape featuring a wooden hay wagon resting on a bank beside a river. The scene includes a willow tree, aquatic plants, and a woman, creating a peaceful rural atmosphere. The artwork showcases Corot's mastery in capturing the natural beauty of the countryside.

Les Alyscamps is a landscape painting by Paul Gauguin created in 1888. The work depicts a serene autumn scene in Arles, France, featuring a path lined with trees, a watercourse, and a church. Gauguin's distinctive style captures the tranquil atmosphere of the Alyscamps, an ancient Roman necropolis turned public park.

The Gallic Women: Episode from the Roman Invasion is a painting by Auguste-Barthélemy Glaize, from 1851. It is a very large oil on canvas work, with a height of 424 cm and a width of 651 cm. It was exhibited at the 1852 Salon and purchased by the French state in 1853.

Washerwomen at Pont-Aven is a 1886 painting by Paul Gauguin depicting a group of women washing clothes along the banks of a river. The scene captures the rural landscape of Pont-Aven, France, with trees and a house in the background, showcasing Gauguin's distinctive style of vibrant colors and simplified forms.

This painting by Ker-Xavier Roussel depicts the different stages of life, symbolized through a tree and a woman. The artwork captures the essence of growth, maturity, and old age, with the tree representing the passage of time and the woman embodying the human journey through life's seasons.

painting by Édouard Vuillard

The Fire in the Tuileries is a historical painting by Georges Clairin depicting the burning of the Tuileries Palace during the Paris Commune uprising in 1871. The chaotic scene captures the aftermath of the conflagration, with smoke rising from the ruins and a group of civilians amidst the destruction. The painting includes elements such as the Seine River, the Pont Neuf bridge, and various symbols of the civil conflict like rifles and bayonets.

Winslow Homer's 'Summer Night' depicts a serene summer evening at the seaside. The painting captures the tranquil atmosphere of a coastal landscape under the soft glow of moonlight, with a woman standing by the water's edge. The artwork is celebrated for its evocative use of light and color, characteristic of Homer's mastery in capturing the essence of nature.

This painting by Camille Pissarro depicts a serene rural landscape featuring a village, hills, meadows, and a tree-lined sky. The scene includes elements such as cows, a woman, and broad-leaved trees, capturing the tranquil beauty of the countryside around Auvers-sur-Oise in 1880.

This painting by Paul Gauguin depicts a serene landscape in Brittany, featuring a watercourse, trees, and a small house. The scene includes a woman, suggesting a quiet rural setting. The artwork captures the natural beauty of the region, characteristic of Gauguin's style during his time in Pont-Aven.

This painting by Adolphe Monticelli depicts a serene scene of a promenade in a park. The artwork captures the peaceful atmosphere of a green space, with figures walking amidst trees and open fields. The composition showcases Monticelli's signature style, blending vibrant colors and expressive brushwork to convey the tranquility of the landscape.

This painting by Adolphe Monticelli depicts a serene landscape with a group of figures in a park setting. The scene includes a woman and a putto, suggesting a peaceful gathering in a natural environment.

This painting by Maxime Maufra depicts the Downward Street in Locronan, showcasing a charming village scene with houses, a church, trees, and a sky filled with clouds. The artwork captures the serene atmosphere of the French countryside, highlighting the architectural details and natural elements of the village.

This painting by Camille Pissarro captures the serene beauty of an autumn morning in Éragny. The scene features a garden with a house, orchard, and a woman, all bathed in the warm glow of the morning sun. The work exemplifies Pissarro's Impressionist style, with soft brushstrokes and vibrant colors that evoke the tranquility of rural life.

Corot's "Souvenir des Landes" is a serene landscape painting that captures the tranquil beauty of the Landes region in France. The artwork features a pine tree, suggesting a coastal or forested area, and includes elements that evoke a sense of nostalgia and natural harmony.

This painting by Paul César Helleu depicts three women in a serene garden setting within the Park of Versailles. The scene captures the beauty of nature with elements such as a garden pond, trees, and sculptures, creating a peaceful and elegant atmosphere. The composition highlights the interaction between the women and their surroundings, showcasing Helleu's skill in blending natural and human elements.

Fog, Voisins is a 1874 painting by Alfred Sisley depicting a serene landscape scene. The artwork captures the soft, misty atmosphere of a rural French setting, with trees and a garden visible through the fog. The painting showcases Sisley's skill in capturing the subtle interplay of light and atmosphere in a landscape.

This painting by Warnaar Horstink depicts the Amsterdamse Vaart, a canal in Haarlem, with a horse-drawn barge path. The scene includes elements such as a man, woman, dog, cattle, and a windmill, capturing the serene landscape and daily life along the waterway.

This 19th-century landscape painting by Warnaar Horstink depicts the second gatehouse of Elswout park in Overveen. The scene captures the architectural details of the structure against a scenic backdrop, showcasing the artist's skill in rendering natural and built environments.

De schutterskoning is a historical painting by Jean Auguste Henri Leys depicting a scene from Dutch history. The artwork showcases a group of figures, including men and women, gathered around a table adorned with tableware. Notable elements include a walking stick, drum, garland, and writing materials, suggesting a ceremonial or celebratory occasion. The painting also features a tree, a hat, and a feather, adding to the rich detail of the historical setting.

This painting by Camille Pissarro depicts a village street scene in Louveciennes, capturing the charm of a small French town. The artwork showcases Pissarro's skill in capturing light and atmosphere, with a focus on the architectural details and daily life of the village. It is housed in the Manchester Art Gallery.

Lady Godiva is an 1890 history painting by the French artist Jules Joseph Lefebvre. It depicts the eleventh century Anglo-Saxon noblewoman Lady Godiva riding naked through the streets of Coventry in the English Midlands. Godiva is portrayed riding side saddle through deserted streets, the inhabitants having gone indoors to respect her modesty. The model for the work was likely Sarah Brown who appeared in other paintings by the artist.

This painting depicts Lady Godiva, a legendary figure from Coventry, England, riding a horse sidesaddle in a scene of public nudity. The artwork captures her striking blond hair and waist-length locks, emphasizing her boldness and the historical context of her story. Created by Adam van Noort in 1586, it is an example of historical painting that blends myth and reality.

This painting by Edmund Leighton depicts Lady Godiva, a historical figure known for her ride through Coventry. The scene shows her in a modest dress, with a red headscarf, as she walks alongside her husband, Leofric, Earl of Mercia. The background features Romanesque architecture, including a tympanum and window, suggesting the setting is a medieval church or town. The painting captures the historical and cultural significance of the Lady Godiva legend.

This painting depicts Cleopatra, the last active ruler of the Ptolemaic Kingdom of Egypt, in a moment of despair following her suicide. The scene captures her agony as she is bitten by an asp, with her body draped in luxurious fabrics. The composition includes a table, basket, and fig, symbolizing the historical context of her death. The artwork showcases Antoine Rivalz's attention to detail in rendering the emotional and physical aspects of the subject.

The Death of Rāvaṇa is a historical painting by Fernand Cormon created in 1875. It depicts the moment of Ravana's death, a significant event in the Hindu epic Ramayana, where the demon king is slain by Lord Rama. The artwork captures the dramatic and emotional intensity of this scene, with detailed portrayals of the characters and the chaotic battlefield setting.

Lady Godiva is an 1850 history painting by the British artist Marshall Claxton. It depicts the eleventh century Anglo-Saxon noblewoman Lady Godiva, shortly before her naked horseback ride through the streets of Coventry. It shows Godiva about to mount her horse to in protest against her husband's policies.

The Evening Star is a landscape painting by Camille Corot created in 1864. The artwork depicts a serene rural scene with a lake, trees, and a star in the evening sky, capturing the tranquil beauty of nature. The composition features a shepherd and his flock, adding a human element to the natural setting.

This serene landscape painting by Jan Tilens captures a rural scene featuring a winding path through a wooded area. The composition includes a house in the distance, a man and woman walking with a walking stick, and a variety of natural elements such as trees, hills, and a sky filled with clouds. The artwork showcases the beauty of the countryside with attention to detail in the flora and fauna.

Lawrence Alma-Tadema's painting depicts the meeting of Mark Antony and Cleopatra, two prominent figures from ancient history. The scene is set in a grand, opulent environment with rich details that reflect the cultural and historical context of their time. The artwork captures the dramatic and romantic tension between the two characters, with Cleopatra portrayed in a regal and seductive manner, while Antony is depicted in military attire. The painting is notable for its intricate details and the use of symbolism, such as the diadem and other royal regalia, which emphasize the power and status of the characters.

The Death of Priam is an 1861 oil on canvas by Jules Lefebvre. He entered it for the Prix de Rome, which it won. It depicts Neoptolemus' murder of Priam as described in Virgil's Aeneid and is now in the collections of the Beaux-Arts de Paris, in Paris, with the catalogue number PRP 111.

Chalk Cliffs on Rügen is an oil painting of circa 1818 by German Romantic artist Caspar David Friedrich. The work depicts the dramatic chalk cliffs of Rügen, a Baltic Sea island, with a solitary figure in the foreground, emphasizing the sublime power of nature. The composition includes a tree, a man, and a woman, with elements like a top hat and a sailboat adding to the scene's atmospheric depth.

This painting by Cornelis Beelt depicts the Grote Markt in Haarlem during a festive celebration, likely commemorating the announcement of the Treaty of Munster in 1648. The scene captures a lively gathering with people, animals, and a prominent city hall, set against a vibrant sunset.

This 1667 painting by Jacob Esselens depicts the Amstel inlet known as 'De Omval' near Amsterdam. The scene captures the tranquil waters and surrounding landscape, featuring elements like a longboat, windmill, and trekschuit, along with figures of men and women engaged in daily activities.

Leaving Home is a 1907 painting by William Gilbert Gaul depicting a poignant scene of a family preparing to leave their home. The composition includes a variety of objects such as a rocking chair, carpet, and fireplace, suggesting a domestic setting. The presence of soldiers, rifles, and uniforms hints at a military context, possibly related to the American Civil War. The painting captures both the emotional weight of departure and the everyday items that symbolize home.

Giampietrino's "Death of Cleopatra" depicts the moment of Cleopatra's suicide by an asp bite. The painting showcases Renaissance artistic techniques with detailed rendering of the subject's anatomy and intricate clothing. It is housed at the Louvre Museum in Paris, France.

This painting by Giovanni Antonio Canal, also known as Canaletto, depicts a panoramic view of Venice's Fondamenta Nuove, showcasing the islands of San Cristoforo, San Michele, and Murano. The scene captures the bustling Venetian Lagoon with intricate details of the architecture and the surrounding waters.

Arab City is a 1905 painting by Wassily Kandinsky. The work features a vibrant composition of geometric shapes and bold colors, depicting a cityscape with minarets, towers, and domes. Elements such as broad-leaved trees, walls, and a garden are included, creating a dynamic interplay between urban structures and natural forms. The painting reflects Kandinsky's early explorations into abstract art and his fascination with architectural forms.

Roman Charity is a 17th-century painting by Charles Mellin depicting the story of Roman Charity, also known as Phryne. The artwork shows a woman nursing her father, who is imprisoned, symbolizing filial piety and devotion. It is part of the Louvre Museum's collection.

The Flight of St Winwaloe and King Gradlon is a historical painting by Évariste-Vital Luminais, depicting a dramatic scene from Breton mythology. The artwork captures the moment of the legendary flight of King Gradlon and Saint Winwaloe, with elements of the sea, wind, and a horse prominently featured. It showcases Luminais' skill in portraying mythological narratives with vivid detail and dynamic composition.

The Embarkation of the Duchess of Angoulême at Pauillac is an 1818 history painting by the French artist Antoine-Jean Gros. Gros had made his reputation depicting scenes of Napoleon Bonaparte and the French Empire. By contrast, this work was created under the Restoration era and celebrated an iconic royalist moment of recent history. The painting depicts the Duchess of Angoulême boarding a barque at Pauillac, a town on the Gironde estuary. It features a crowd of onlookers, including notable figures such as Marie Thérèse of France and Mathieu de Montmorency, and includes elements like a feather and a bank.

Phrosine and Mélidore is a historical painting by Édouard Joseph Dantan, created in 1878. The artwork is based on the mythological tale of Mélidore and Phrosine, depicting a scene from their story. It features elements of nudity, a corpse, and clothing, suggesting a narrative with themes of love, sacrifice, or tragedy. The painting is an afterwork of Pierre-Paul Prud'hon's original composition.

Robert Delaunay's 1912 painting 'The City of Paris' captures the dynamic energy of the French capital through vibrant, overlapping forms and bold colors. The work is part of the Orphism movement, characterized by its emphasis on rhythm and movement, and is currently housed in the Musée National d'Art Moderne in Paris, France.

Le Lion de Florence is a historical painting by Nicolas-André Monsiau created in 1801. The artwork depicts a young lion standing amidst a landscape featuring a bell tower, suggesting a scene from Florence, Italy. The composition includes a toddler and a woman, highlighting themes of maternal bond and fear, with the lion symbolizing strength and the surrounding elements evoking a sense of historical and cultural context.

This painting depicts Cornelia, the mother of the Gracchi brothers, presenting her children, Gaius and Tiberius Gracchus, and declaring, "Here are my treasures." The scene captures a moment of familial pride and historical significance, highlighting the importance of the Gracchi brothers in Roman history. The artwork by Joseph-Benoît Suvée is a historical painting that emphasizes the moral and political values associated with the family.

This painting depicts a lady seated at a table in the Exposition Universelle of 1889, holding an umbrella and a newspaper. The scene includes the Eiffel Tower in the background, capturing the grandeur of the Paris World's Fair. The artwork showcases the bustling atmosphere of the exposition, with elements like a chair and table suggesting a public space. Created by Luis Jiménez Aranda, it offers a glimpse into the cultural and social dynamics of the event.

La Ville de Paris is a 1911 painting by Robert Delaunay that captures the dynamic energy of Paris through vibrant colors and geometric forms. The artwork features iconic landmarks such as the Eiffel Tower and a bridge, reflecting the modernist style of Orphism. Delaunay's use of overlapping shapes and bright hues creates a sense of movement and urban vitality.

Charles I Receiving a Rose, originally exhibited under the title Subject taken from the life of Charles I, is an oil on canvas history painting by the French artist Eugène Lami, from 1829. The painting depicts King Charles I of England receiving a rose from a young girl as he is about to be taken prisoner to Carisbrooke Castle, where he will be condemned and executed. This scene captures a poignant moment from the English Civil War era, highlighting themes of sacrifice and martyrdom.

This painting depicts the Saint-Bartholomew's Day massacre, a pivotal event in French history where thousands of Huguenots were killed. It specifically portrays Marguerite de Valois, also known as Queen Margaret of Valois, protecting her husband, the future King Henri IV, during the violence. The scene captures the chaos and emotional turmoil of the massacre, highlighting the complex relationships and political tensions of the time.

This painting by Gustave Moreau depicts Darius III of Persia fleeing after the Battle of Gaugamela (also known as the Battle of Arbela). The scene captures Darius in a moment of exhaustion, pausing to drink from a pond, surrounded by the remnants of his defeated army. The work is a historical painting that reflects the dramatic and emotional intensity of the moment.

Lucretia and Tarquin is a historical painting by Gustave Moreau, depicting the legendary Roman story of Lucretia, who was raped by Sextus Tarquinius, leading to the fall of the Roman monarchy. The painting captures the intense emotional and dramatic moment of the crime, with Lucretia's anguish and Tarquin's violent act central to the scene. Moreau's work is known for its rich symbolism and detailed composition, reflecting the themes of power, betrayal, and moral conflict.

Gustave Moreau's "Triumph of Alexander the Great" depicts the legendary victory of Alexander the Great over the Indian king Poros. The painting showcases a grand Roman triumph scene with Alexander seated on a chariot, surrounded by soldiers and captives, while a towering victory column symbolizes his conquests. The composition includes elements of Hindu and Buddhist iconography, reflecting the cultural exchanges of Alexander's campaign.

This painting by François-Auguste Biard depicts a tenor's triumph in a musical morning scene. The composition showcases a lively musical performance with elements of sheet music and piano, capturing the essence of a vibrant musical atmosphere.

Canaletto's "Piazza San Marco" is a detailed 18th-century Venetian landscape painting depicting the grand Piazza San Marco in Venice. The composition showcases the iconic St. Mark's Basilica, the Campanile, and the surrounding architecture, capturing the bustling urban scene with remarkable precision and atmospheric perspective.

This painting depicts a panoramic view of Venice, focusing on the area around the Fondamenta Nuove, with a clear view of the island of Murano. The scene includes notable landmarks such as San Cristoforo della Pace and San Michele, showcasing the city's intricate canal system and architectural details. Created by the renowned Venetian artist Canaletto in 1725, it is part of the Royal Collection.

The Continence of Scipio is a historical painting by Niccolò dell'Abbate from around 1555. It depicts the legendary moment when Scipio Africanus, the Roman general, refused to take a concubine from Carthage, demonstrating his virtue and commitment to Rome. The artwork showcases the classical themes of moral integrity and the complexities of ancient Roman society.

Estudo para Partida da Monção or Departure for Monsoon is an oil painting on a canvas that was completed in 1897 by Brazilian painter José Ferraz de Almeida Júnior, a representation of Brazilian naturalism and realism. The painting depicts a scene of a departure, likely of a group of people, possibly Bandeirantes, setting off on an expedition. It includes elements such as a river, boat, and figures of men, women, children, and an infant, suggesting a family or group leaving on a journey. The inclusion of a priest indicates a religious or ceremonial aspect to the departure.

The Death of Cleopatra is a historical painting by Felice Ficherelli, depicting the final moments of the Egyptian queen as she succumbs to the bite of an asp. The scene captures her agony and the tragic circumstances of her suicide, with detailed attention to her clothing, accessories, and expressive features. The painting showcases Ficherelli's skill in conveying emotional intensity and historical narrative through vivid detail and composition.

The Death of Cleopatra is a historical painting by Reginald Arthur, depicting the final moments of the Egyptian queen as she succumbs to the bite of an asp. The scene captures her agony and vulnerability, with detailed attention to her attire, including a headscarf and diadem, and the surrounding bedroom setting. The painting includes symbolic elements like the Uraeus, emphasizing her royal status, and features intricate drapery and a nightstand, adding to the narrative of her tragic end.

The Death of Cleopatra is a historical painting by Hungarian artist Gyula Benczúr, created in 1911. The work depicts the final moments of the Egyptian queen as she succumbs to the bite of an asp, surrounded by symbolic elements such as the Uraeus serpent and a bouquet of roses. The composition emphasizes emotional intensity through detailed rendering of Cleopatra's expression, drapery, and the dramatic interplay of light and shadow.

Guido Reni's painting depicts the moment of Cleopatra's suicide, showing her in a dramatic pose as she is bitten by an asp. The artwork captures her anguish and the tragic end of the Egyptian queen, with detailed attention to her clothing, facial expressions, and the surrounding drapery. The painting is notable for its rich colors and intricate detailing, reflecting the Baroque style of the 17th century.

This painting depicts Cleopatra VII, the last active ruler of the Ptolemaic Kingdom of Egypt, moments before her suicide by asp bite. The composition focuses on her dramatic expression and the physical effects of the venom, with detailed rendering of her body, including the navel, waist, and female breast. Cleopatra is shown seated on a bed, draped in luxurious fabrics, with a curtain behind her, emphasizing the intimacy and tragedy of the scene.

This painting depicts Cleopatra, the last active ruler of the Ptolemaic Kingdom of Egypt, in a moment of dramatic despair. Guido Cagnacci captures her final moments as she prepares to take her own life by allowing an asp to bite her. The composition emphasizes her emotional turmoil and the tragic circumstances of her death, with detailed attention to her anatomy and the symbolic elements surrounding her.

Artemisia Gentileschi's 1611-1612 painting depicts the moment of Cleopatra's suicide by snakebite. The composition shows Cleopatra lying on a bed, her body draped in luxurious fabrics, with a serpent coiled around her neck. The painting captures the dramatic intensity of her final moments, emphasizing both the tragedy and the regal dignity of the Egyptian queen.

The Abduction of the Sabine Women is a painting by Nicolas Poussin depicting the mythological scene where the Roman men abduct women from the Sabine tribe to secure their alliance. The composition is characterized by its dramatic use of light and shadow, and the figures are arranged with a sense of movement and tension. Created between 1634 and 1635, this work is considered one of Poussin's most significant historical paintings.

This 1810 oil painting by Louis-Léopold Boilly depicts a crowd of spectators at the Salon of 1808 at the Louvre in Paris examining Jacques-Louis David's 'The Coronation of Napoleon'. The scene shows viewers using catalogues to identify the various participants in the historical event, which portrays Napoleon's coronation and his first wife Josephine. Today, the painting is housed in the Metropolitan Museum of Art in New York, acquired in 2012.

This historical painting by Jean-François Montessuy depicts Pope Gregory XVI visiting the Church of San Benedetto at Subiaco. The scene captures the pope in a formal setting within the church, surrounded by clergy and devotees, highlighting the religious and historical significance of the visit.

This painting depicts King Louis-Philippe I of France visiting the Luxembourg Museum. It showcases the royal figure interacting with the museum's art collection, highlighting the cultural significance of the institution during the 19th century.

The Last Kiss of Romeo and Juliet is an 1823 oil painting by the Italian romantic artist Francesco Hayez. It was inspired as much by the 1523 novella by Luigi Da Porto as English writer William Shakespeare's 1597 play Romeo and Juliet, and was a popular success. The work was commissioned by Giovanni Battista Sommariva. It was displayed at the annual exhibition of the Pinacoteca di Brera in Milan. Today it is in the collection of the Villa Carlotta on Lake Como. Hayez also produced an 1830 painting The Marriage of Romeo and Juliet taken from Da Porto's novella.

This painting by Gaston Bussière depicts Joan of Arc, also known as Jeanne d'Arc, in a moment of spiritual transcendence. The artwork captures her as the 'Fated One,' emphasizing her divine mission and destiny. She is portrayed with a serene expression, surrounded by symbolic elements such as a tree and an angel, which highlight her connection to the divine and her role as a martyr. The composition blends historical accuracy with mystical imagery, reflecting the religious and cultural context of her time.

Ovid Among the Scythians is a historical painting by Eugène Delacroix, created in 1862. The artwork depicts a dramatic scene from the ancient Roman poet Ovid's exile, set among the Scythians, a nomadic people of Central Asia. The composition features a group of figures, including Ovid himself, surrounded by various animals such as horses, dogs, and a woman, capturing the tension and cultural clash of the moment.

This painting depicts a historical scene at Mount Vernon, the home of George Washington after the American Revolutionary War. It shows Washington and the Marquis de Lafayette, a French military officer who supported the American cause, standing together. The scene includes other notable figures such as Martha Washington, Eleanor Calvert, and George Washington Parke Custis, highlighting the social and political significance of the gathering.

The Rape of Lucretia is a historical painting by the Master of Marradi, depicting the legendary moment when Lucretia, a Roman noblewoman, is raped by Sextus Tarquinius, the son of the tyrant King Tarquinius Superbus. The scene captures the intense emotional turmoil and dramatic tension of the event, with Lucretia's anguish and the surrounding figures reacting to the violation. This work is a prime example of the Master of Marradi's style, characterized by its detailed composition and emotional depth.

The Funeral of Lucretia is a historical painting by the Master of Marradi, depicting the funeral ceremony of Lucretia, a figure from Roman history. The artwork captures the solemnity and emotional weight of the event, with detailed portrayals of mourners and ceremonial elements.

A View towards the Swedish Coast from the Ramparts of Kronborg Castle is an 1829 landscape painting by the Danish artist Christoffer Wilhelm Eckersberg. It depicts a view from the castle at Kronborg on the island of Zealand across the Sound towards the Swedish coast in Scania. A key strategic stronghold in the Baltic Region, its importance is emphasised by the soldiers on duty and the prominent Danish flag. Two maids are also in the foreground, drying laundry. In the background a number of ships are visible in the Sound.

This painting by Christoffer Wilhelm Eckersberg depicts a panoramic view of the Tiber River near the Ponte Rotto, a historic bridge in Rome. The scene captures the architectural details of the bridge and the surrounding area, showcasing Eckersberg's skill in architectural painting.