Horses in Art

This historical painting by Jaroslav Věšín depicts the Turkish retreat during the Battle of Lüleburgaz in the First Balkan War. The scene captures soldiers and field artillery in a dramatic moment of military conflict, with elements like drums and horses adding to the historical atmosphere.

The 1888 painting Independence or Death, also known as the Cry of Ipiranga, is an oil on canvas painting by Pedro Américo. It depicts the proclamation of Brazilian independence, capturing the moment of historical significance with a focus on the figure of Pedro I of Brazil. The artwork is renowned for its dramatic portrayal of the event, symbolizing the struggle for national sovereignty.

painting by Christian Krohg

painting by anonymous

This painting depicts the imperial procession heading to Notre-Dame for the coronation ceremony on December 2, 1804. It captures the grandeur of the event, featuring the Mamelukes of the Imperial Guard, a timpanist, and other elements of the parade. The scene includes the crossing of the Pont-Neuf bridge, highlighting the historical significance of the occasion.

This historical painting by Józef Chełmoński depicts a dramatic scene from an insurrection, likely referencing the 1863 January Uprising in Poland. The composition features a central figure on horseback, surrounded by elements suggesting conflict and rebellion, with a haystack in the background adding to the rural setting of the event.

Bringing Home the Body of King Charles XII is a painting by Swedish artist Gustaf Cederström, painted in Paris in 1878, displayed at Gothenburg Museum of Art. The author painted a second version in 1884, which is now on display in the National Museum in Stockholm. The scene depicts the repatriation of the body of Charles XII of Sweden, who was killed in Norway during the Siege of Fredriksten.

This painting by Nicolas-Antoine Taunay depicts King Henri IV of France riding a horse on a balcony, surrounded by a tree and other elements. The artwork is a historical scene capturing a moment from the French monarchy's history.

This painting by François-André Vincent depicts King Henry IV of France meeting Maximilien de Béthune, Duke of Sully, who is wounded. The scene is set in a historical context, featuring elements such as a dog, horse, and tree, which add to the narrative and atmosphere of the moment.

This painting by Pandolfo Reschi depicts a dramatic battle scene, featuring soldiers on horseback engaged in intense combat. The artwork captures the chaos and energy of warfare with detailed imagery of weaponry and movement.

This historical painting by Alexandre Debelle depicts the siege of Grenoble by the Allies in 1815. The artwork captures the intense battle scene with soldiers on horseback engaged in combat, showcasing the chaos and drama of the historical event.

This painting depicts a dramatic battle between Christian and Turkish forces, featuring intense cavalry combat. The scene is filled with action, smoke, and the clash of swords, highlighting the chaos and energy of war. The artwork showcases Philips Wouwerman's skill in capturing movement and the dynamic interplay of light and shadow.

Victory at Narva is a historical painting by Gustaf Cederström depicting the Battle of Narva, a significant event in the Great Northern War. The artwork showcases Carl XII of Sweden leading his troops, with soldiers and horses prominently featured. It captures the dramatic and intense atmosphere of the battle, highlighting the Swedish victory in 1700.

This painting depicts Napoleon Bonaparte leading his troops across the Alps, showcasing his strategic leadership during the French Revolutionary Wars. The artwork captures the dramatic moment of the crossing, emphasizing the historical significance of the event.

This painting by Sauveur Lecomte depicts a historical battle, likely the Battle of the River Saale, which took place in 1690. The artwork captures the intense action of the conflict, featuring soldiers on horseback engaged in combat. The scene is set against a landscape that includes the river and surrounding terrain, emphasizing the strategic importance of the location. The painting is part of the Galerie des Batailles collection at the Château de Chantilly.

This painting by Jean-Adolphe Beaucé depicts the heroic defense of Captain Lelièvre at Mazagran, a significant historical event. It captures the intense moment of a battle, showcasing the bravery of the French soldiers against the Algerian forces during the 19th century. The artwork is notable for its dramatic composition and detailed portrayal of military action.

The painting depicts William Brydon, an assistant surgeon in the Bengal Army, arriving at the gates of Jalalabad in January 1842. It portrays the desolate aftermath of the 1842 retreat from Kabul, with the walls of Jalalabad looming over a barren plain and riders from the garrison galloping to reach Brydon, who brings the first news of the fate of the "Army of Afghanistan." The work captures the grim reality of military defeat and the resilience of individuals amidst chaos.

This painting by Alfred de Dreux depicts the historic Battle of Baugé, a significant event in French history. The artwork captures the intensity of the battle with detailed scenes of soldiers and horses in action, showcasing the artist's skill in portraying historical events.

This large canvas painting depicts the historic Battle of Gravelines, a significant naval engagement during the Spanish Armada's invasion of England in 1588. It also features Queen Elizabeth I at Tilbury, where she famously addressed her troops, emphasizing her resolve to defend the realm. The work, once attributed to the renowned miniature painter Nicholas Hilliard, is now considered a pastiche, likely created by an anonymous history painter. The composition combines dramatic scenes of battle with the symbolic presence of the queen, capturing the tension and heroism of the era.

This historical painting by Sauveur Lecomte depicts the conquest of Ager and the siege of Lleida, showcasing military scenes with soldiers, tents, drums, horses, rifles, and swords. The composition includes elements like a tree, chapel, and ramparts, reflecting the strategic and chaotic nature of the battle.

This painting by Francesco Giuseppe Casanova depicts a cavalry charge, showcasing the dynamic energy of mounted combat. It is housed in the Musée Condé, a renowned art museum in France.

Ordre de charger is a historical painting by Lucien-Pierre Sergent depicting a military scene from 1897. The artwork showcases soldiers on horseback, capturing the essence of cavalry maneuvers during a historical event.

This painting by Ciccio Graziani depicts a dramatic battle scene taking place on a bridge. The artwork captures the chaos of combat with soldiers and horses engaged in fierce action, set against the backdrop of a historic structure. The composition highlights the intensity of the conflict, with detailed attention to the movement of troops and the dynamic interplay of light and shadow.

painting by Axel Stephansen

This painting depicts a dramatic scene of combat, likely featuring cavalry charges and horse-related action. Created by Francesco Giuseppe Casanova in 1750, it showcases the artist's skill in capturing movement and intensity in battle scenes.

painting by Johan Barthold Jongkind

painting by Marcin Zaleski from 1838

This painting by Édouard Detaille depicts a dramatic scene of a charge of hussars during the Napoleonic era. The artwork captures the intense energy and historical significance of the event, showcasing the soldiers on horseback in action.

This historical painting by Józef Chełmoński depicts insurgents in a moment of tension, likely during a rebellion. The scene captures the determination and resolve of the figures, with elements such as horses and houses in the background adding to the historical context.

La rendición de Breda is a painting by the Spanish Golden Age painter Diego Velázquez. He painted it during the years 1634 and 1635, inspired by his visit to Italy with Ambrogio Spinola, the Genoese-born Spanish general who conquered Breda on June 5, 1625. The painting depicts the exchange of the key of Breda from the Dutch to the Spanish.

The Death of Sardanapalus is an 1827 oil painting on canvas by the French artist Eugène Delacroix. It depicts the dramatic scene from the tale of Sardanapalus, a king of Assyria, as described by Greek historian Diodorus Siculus. The painting is characterized by its rich, vivid colors and broad brushstrokes, reflecting the Romantic style. It was inspired by Lord Byron's play Sardanapalus (1821) and influenced Hector Berlioz's cantata Sardanapale (1830) and Franz Liszt's unfinished opera Sardanapalo (1845–1852).

This painting by Peter Snayers depicts the Siege of Kortrijk in 1648, a significant event during the Eighty Years' War. The artwork captures the intense military conflict between Dutch and Spanish forces, showcasing the chaos and determination of the soldiers involved.

This historical painting depicts the moment of crossing the Rubicon River by the detachment of Denis Davydov in 1812. The scene captures the tension and significance of this event, with soldiers and horses depicted in the act of crossing the river. The artwork emphasizes the historical context of the Napoleonic Wars, showcasing the determination and resolve of the military forces involved.

This oil painting depicts a vivid scene of Russian hunting, featuring a man on horseback with a Borzoi dog pursuing a wild boar. The artwork captures the essence of autumn with its rich colors and dynamic composition.

This painting depicts the mythological story of Marcus Curtius, a Roman soldier who sacrifices himself to save his city from a plague. The scene shows Curtius falling from his horse, with the city of Rome in the background. Hans Baldung Grien's work captures the dramatic and emotional intensity of the moment, typical of the Renaissance period.

This historical painting by Louis-Frédéric Schützenberger depicts the meeting between Julius Caesar and Ariovistus in Alsace. The scene captures the tense encounter between the Roman general and the Suebi chieftain, with detailed attention to the historical setting and the figures' expressions. The artwork is notable for its realistic portrayal of ancient military attire and the dramatic composition that emphasizes the significance of the historical event.

The Last Tavern at the City Gates is a 1868 painting by Vasily Perov depicting a scene of a tavern located at the city gates. The painting showcases the rustic charm of the setting with elements such as an inn, horse-drawn vehicles, and sleds, reflecting the everyday life and atmosphere of the time. It is considered a landscape painting, capturing the essence of rural or urban environments through its detailed portrayal of the tavern and surrounding area.

This painting by Henri Rachou depicts a medieval hunting scene, focusing on a falcon hunt. It captures the essence of medieval life through detailed imagery of horses and hunters, showcasing the historical and cultural significance of falconry during that era.

En agitator (Henningsen) is a historical painting by Erik Henningsen created in 1899. The artwork depicts a scene involving a horse, police force, flag, and banner, with figures including a child, woman, and man present. It captures a moment of tension or protest, likely reflecting social or political themes of the late 19th century.

Landscape with the Fall of Icarus is a painting in oil on canvas measuring 73.5 by 112 centimetres. It depicts the mythological story of Icarus's fall from the sky, set against a vast, detailed landscape. The scene includes elements such as a sea, a ship, a plough, and various animals like horses and sheep. The painting is notable for its intricate composition and has been the subject of debate regarding its authorship, with some attributing it to Pieter Bruegel the Elder while others suggest it is a copy by an unknown artist.

A Dream of the Past: Sir Isumbras at the Ford (1857) is a painting by John Everett Millais depicting a medieval knight helping two young peasant children over a swollen river. The children are carrying heavy burdens of wood for winter fuel. Though the title refers to the medieval poem Sir Isumbras, the painting does not illustrate a scene from the original text. However Millais's friend, the writer Tom Taylor, wrote verse in a pastiche of the original poem, describing the event depicted. This was included in the original exhibition catalogue when it appeared at the Royal Academy Exhibition of 1857 at the National Gallery.

Morning Ride on the Beach is an 1876 painting by Dutch artist Anton Mauve from the Hague School. It shows a group of riders on the Scheveningen beach, painted in an impressionistic style. The work is now in the collection of the Rijksmuseum in Amsterdam.

The Intervention of the Sabine Women is a 1799 painting by the French painter Jacques-Louis David, showing a legendary episode following the abduction of the Sabine women by the founding generation of Rome. The scene depicts the women intervening to prevent a violent conflict between the Romans and the Sabines, symbolizing the peaceful resolution that led to the founding of Rome. The painting is notable for its dramatic composition and historical significance, reflecting the ideals of the French Revolution.

This historical painting depicts a cavalry patrol on Ujazdów Avenue in 1905. The scene captures the presence of Cossacks and soldiers, likely during the Revolution in the Kingdom of Poland. The artwork showcases the military atmosphere and the historical context of the time.

This painting depicts the Battle of El Teb, showcasing the Polish cavalry breaking through the British square. Created by Józef Chełmoński in 1884, it captures the intensity and chaos of the conflict during the Sudanese campaign.

This historical painting by Józef Chełmoński depicts Tadeusz Kościuszko, a prominent Polish national hero, riding a horse. The artwork captures Kościuszko in a heroic pose, symbolizing his leadership and resistance against foreign domination. The inclusion of a heraldic flag and scytheman elements highlights his role in Polish history and the cultural significance of his legacy.

Carriages Waiting is a 1890 painting by Willem de Zwart depicting a scene of horse-drawn carriages waiting in a quiet urban setting. The artwork captures the atmosphere of a bustling yet serene cityscape, with trees and other elements adding to the composition's charm.

French Campaign, 1814 is an oil on wood painting by French painter Ernest Meissonier, created between 1860 and 1864. French Campaign, 1814 is one of the best-known artworks of Meissonier, and it is part of his Napoleonic cycle of paintings, with 1807, Friedland and The Morning of Castiglione (unfinished). It represents Napoleon Bonaparte leading his troops during the grim retreat of the French Campaign of 1814. When the painting was sold in 1890, it reached a record price for a painting by a contemporary artist. It is currently housed in the Musée d'Orsay, Paris.