Horses in Art

This historical painting by Jaroslav Věšín depicts the Turkish retreat during the Battle of Lüleburgaz in the First Balkan War. The scene captures soldiers and field artillery in a dramatic moment of military conflict, with elements like drums and horses adding to the historical atmosphere.

The 1888 painting Independence or Death, also known as the Cry of Ipiranga, is an oil on canvas painting by Pedro Américo. It depicts the proclamation of Brazilian independence, capturing the moment of historical significance with a focus on the figure of Pedro I of Brazil. The artwork is renowned for its dramatic portrayal of the event, symbolizing the struggle for national sovereignty.

painting by Christian Krohg

painting by anonymous

This painting depicts the imperial procession heading to Notre-Dame for the coronation ceremony on December 2, 1804. It captures the grandeur of the event, featuring the Mamelukes of the Imperial Guard, a timpanist, and other elements of the parade. The scene includes the crossing of the Pont-Neuf bridge, highlighting the historical significance of the occasion.

This historical painting by Józef Chełmoński depicts a dramatic scene from an insurrection, likely referencing the 1863 January Uprising in Poland. The composition features a central figure on horseback, surrounded by elements suggesting conflict and rebellion, with a haystack in the background adding to the rural setting of the event.

Bringing Home the Body of King Charles XII is a painting by Swedish artist Gustaf Cederström, painted in Paris in 1878, displayed at Gothenburg Museum of Art. The author painted a second version in 1884, which is now on display in the National Museum in Stockholm. The scene depicts the repatriation of the body of Charles XII of Sweden, who was killed in Norway during the Siege of Fredriksten.

This painting by Nicolas-Antoine Taunay depicts King Henri IV of France riding a horse on a balcony, surrounded by a tree and other elements. The artwork is a historical scene capturing a moment from the French monarchy's history.

This painting by François-André Vincent depicts King Henry IV of France meeting Maximilien de Béthune, Duke of Sully, who is wounded. The scene is set in a historical context, featuring elements such as a dog, horse, and tree, which add to the narrative and atmosphere of the moment.

This painting by Pandolfo Reschi depicts a dramatic battle scene, featuring soldiers on horseback engaged in intense combat. The artwork captures the chaos and energy of warfare with detailed imagery of weaponry and movement.

This historical painting by Alexandre Debelle depicts the siege of Grenoble by the Allies in 1815. The artwork captures the intense battle scene with soldiers on horseback engaged in combat, showcasing the chaos and drama of the historical event.

This painting depicts a dramatic battle between Christian and Turkish forces, featuring intense cavalry combat. The scene is filled with action, smoke, and the clash of swords, highlighting the chaos and energy of war. The artwork showcases Philips Wouwerman's skill in capturing movement and the dynamic interplay of light and shadow.

Victory at Narva is a historical painting by Gustaf Cederström depicting the Battle of Narva, a significant event in the Great Northern War. The artwork showcases Carl XII of Sweden leading his troops, with soldiers and horses prominently featured. It captures the dramatic and intense atmosphere of the battle, highlighting the Swedish victory in 1700.

This painting depicts Napoleon Bonaparte leading his troops across the Alps, showcasing his strategic leadership during the French Revolutionary Wars. The artwork captures the dramatic moment of the crossing, emphasizing the historical significance of the event.

This painting by Sauveur Lecomte depicts a historical battle, likely the Battle of the River Saale, which took place in 1690. The artwork captures the intense action of the conflict, featuring soldiers on horseback engaged in combat. The scene is set against a landscape that includes the river and surrounding terrain, emphasizing the strategic importance of the location. The painting is part of the Galerie des Batailles collection at the Château de Chantilly.

This painting by Jean-Adolphe Beaucé depicts the heroic defense of Captain Lelièvre at Mazagran, a significant historical event. It captures the intense moment of a battle, showcasing the bravery of the French soldiers against the Algerian forces during the 19th century. The artwork is notable for its dramatic composition and detailed portrayal of military action.

The painting depicts William Brydon, an assistant surgeon in the Bengal Army, arriving at the gates of Jalalabad in January 1842. It portrays the desolate aftermath of the 1842 retreat from Kabul, with the walls of Jalalabad looming over a barren plain and riders from the garrison galloping to reach Brydon, who brings the first news of the fate of the "Army of Afghanistan." The work captures the grim reality of military defeat and the resilience of individuals amidst chaos.

This painting by Alfred de Dreux depicts the historic Battle of Baugé, a significant event in French history. The artwork captures the intensity of the battle with detailed scenes of soldiers and horses in action, showcasing the artist's skill in portraying historical events.

This large canvas painting depicts the historic Battle of Gravelines, a significant naval engagement during the Spanish Armada's invasion of England in 1588. It also features Queen Elizabeth I at Tilbury, where she famously addressed her troops, emphasizing her resolve to defend the realm. The work, once attributed to the renowned miniature painter Nicholas Hilliard, is now considered a pastiche, likely created by an anonymous history painter. The composition combines dramatic scenes of battle with the symbolic presence of the queen, capturing the tension and heroism of the era.

This historical painting by Sauveur Lecomte depicts the conquest of Ager and the siege of Lleida, showcasing military scenes with soldiers, tents, drums, horses, rifles, and swords. The composition includes elements like a tree, chapel, and ramparts, reflecting the strategic and chaotic nature of the battle.

This painting by Francesco Giuseppe Casanova depicts a cavalry charge, showcasing the dynamic energy of mounted combat. It is housed in the Musée Condé, a renowned art museum in France.

Ordre de charger is a historical painting by Lucien-Pierre Sergent depicting a military scene from 1897. The artwork showcases soldiers on horseback, capturing the essence of cavalry maneuvers during a historical event.

This painting by Ciccio Graziani depicts a dramatic battle scene taking place on a bridge. The artwork captures the chaos of combat with soldiers and horses engaged in fierce action, set against the backdrop of a historic structure. The composition highlights the intensity of the conflict, with detailed attention to the movement of troops and the dynamic interplay of light and shadow.

painting by Axel Stephansen

This painting depicts a dramatic scene of combat, likely featuring cavalry charges and horse-related action. Created by Francesco Giuseppe Casanova in 1750, it showcases the artist's skill in capturing movement and intensity in battle scenes.

painting by Johan Barthold Jongkind

painting by Marcin Zaleski from 1838

This painting by Édouard Detaille depicts a dramatic scene of a charge of hussars during the Napoleonic era. The artwork captures the intense energy and historical significance of the event, showcasing the soldiers on horseback in action.

This historical painting by Józef Chełmoński depicts insurgents in a moment of tension, likely during a rebellion. The scene captures the determination and resolve of the figures, with elements such as horses and houses in the background adding to the historical context.

La rendición de Breda is a painting by the Spanish Golden Age painter Diego Velázquez. He painted it during the years 1634 and 1635, inspired by his visit to Italy with Ambrogio Spinola, the Genoese-born Spanish general who conquered Breda on June 5, 1625. The painting depicts the exchange of the key of Breda from the Dutch to the Spanish.

The Death of Sardanapalus is an 1827 oil painting on canvas by the French artist Eugène Delacroix. It depicts the dramatic scene from the tale of Sardanapalus, a king of Assyria, as described by Greek historian Diodorus Siculus. The painting is characterized by its rich, vivid colors and broad brushstrokes, reflecting the Romantic style. It was inspired by Lord Byron's play Sardanapalus (1821) and influenced Hector Berlioz's cantata Sardanapale (1830) and Franz Liszt's unfinished opera Sardanapalo (1845–1852).

This painting by Peter Snayers depicts the Siege of Kortrijk in 1648, a significant event during the Eighty Years' War. The artwork captures the intense military conflict between Dutch and Spanish forces, showcasing the chaos and determination of the soldiers involved.

This historical painting depicts the moment of crossing the Rubicon River by the detachment of Denis Davydov in 1812. The scene captures the tension and significance of this event, with soldiers and horses depicted in the act of crossing the river. The artwork emphasizes the historical context of the Napoleonic Wars, showcasing the determination and resolve of the military forces involved.

This oil painting depicts a vivid scene of Russian hunting, featuring a man on horseback with a Borzoi dog pursuing a wild boar. The artwork captures the essence of autumn with its rich colors and dynamic composition.

This painting depicts the mythological story of Marcus Curtius, a Roman soldier who sacrifices himself to save his city from a plague. The scene shows Curtius falling from his horse, with the city of Rome in the background. Hans Baldung Grien's work captures the dramatic and emotional intensity of the moment, typical of the Renaissance period.

This historical painting by Louis-Frédéric Schützenberger depicts the meeting between Julius Caesar and Ariovistus in Alsace. The scene captures the tense encounter between the Roman general and the Suebi chieftain, with detailed attention to the historical setting and the figures' expressions. The artwork is notable for its realistic portrayal of ancient military attire and the dramatic composition that emphasizes the significance of the historical event.

The Last Tavern at the City Gates is a 1868 painting by Vasily Perov depicting a scene of a tavern located at the city gates. The painting showcases the rustic charm of the setting with elements such as an inn, horse-drawn vehicles, and sleds, reflecting the everyday life and atmosphere of the time. It is considered a landscape painting, capturing the essence of rural or urban environments through its detailed portrayal of the tavern and surrounding area.

This painting by Henri Rachou depicts a medieval hunting scene, focusing on a falcon hunt. It captures the essence of medieval life through detailed imagery of horses and hunters, showcasing the historical and cultural significance of falconry during that era.

En agitator (Henningsen) is a historical painting by Erik Henningsen created in 1899. The artwork depicts a scene involving a horse, police force, flag, and banner, with figures including a child, woman, and man present. It captures a moment of tension or protest, likely reflecting social or political themes of the late 19th century.

Landscape with the Fall of Icarus is a painting in oil on canvas measuring 73.5 by 112 centimetres. It depicts the mythological story of Icarus's fall from the sky, set against a vast, detailed landscape. The scene includes elements such as a sea, a ship, a plough, and various animals like horses and sheep. The painting is notable for its intricate composition and has been the subject of debate regarding its authorship, with some attributing it to Pieter Bruegel the Elder while others suggest it is a copy by an unknown artist.

A Dream of the Past: Sir Isumbras at the Ford (1857) is a painting by John Everett Millais depicting a medieval knight helping two young peasant children over a swollen river. The children are carrying heavy burdens of wood for winter fuel. Though the title refers to the medieval poem Sir Isumbras, the painting does not illustrate a scene from the original text. However Millais's friend, the writer Tom Taylor, wrote verse in a pastiche of the original poem, describing the event depicted. This was included in the original exhibition catalogue when it appeared at the Royal Academy Exhibition of 1857 at the National Gallery.

Morning Ride on the Beach is an 1876 painting by Dutch artist Anton Mauve from the Hague School. It shows a group of riders on the Scheveningen beach, painted in an impressionistic style. The work is now in the collection of the Rijksmuseum in Amsterdam.

The Intervention of the Sabine Women is a 1799 painting by the French painter Jacques-Louis David, showing a legendary episode following the abduction of the Sabine women by the founding generation of Rome. The scene depicts the women intervening to prevent a violent conflict between the Romans and the Sabines, symbolizing the peaceful resolution that led to the founding of Rome. The painting is notable for its dramatic composition and historical significance, reflecting the ideals of the French Revolution.

This historical painting depicts a cavalry patrol on Ujazdów Avenue in 1905. The scene captures the presence of Cossacks and soldiers, likely during the Revolution in the Kingdom of Poland. The artwork showcases the military atmosphere and the historical context of the time.

This painting depicts the Battle of El Teb, showcasing the Polish cavalry breaking through the British square. Created by Józef Chełmoński in 1884, it captures the intensity and chaos of the conflict during the Sudanese campaign.

This historical painting by Józef Chełmoński depicts Tadeusz Kościuszko, a prominent Polish national hero, riding a horse. The artwork captures Kościuszko in a heroic pose, symbolizing his leadership and resistance against foreign domination. The inclusion of a heraldic flag and scytheman elements highlights his role in Polish history and the cultural significance of his legacy.

Carriages Waiting is a 1890 painting by Willem de Zwart depicting a scene of horse-drawn carriages waiting in a quiet urban setting. The artwork captures the atmosphere of a bustling yet serene cityscape, with trees and other elements adding to the composition's charm.

French Campaign, 1814 is an oil on wood painting by French painter Ernest Meissonier, created between 1860 and 1864. French Campaign, 1814 is one of the best-known artworks of Meissonier, and it is part of his Napoleonic cycle of paintings, with 1807, Friedland and The Morning of Castiglione (unfinished). It represents Napoleon Bonaparte leading his troops during the grim retreat of the French Campaign of 1814. When the painting was sold in 1890, it reached a record price for a painting by a contemporary artist. It is currently housed in the Musée d'Orsay, Paris.

Red Cavalry Riding is an oil on canvas painting from 1932 by Kazimir Malevich. It depicts Red Cavalry horsemen racing across a plain, with the ground beneath them illustrated with Suprematist stripings of color. The painting is considered Malevich's only contribution to the official pantheon of Soviet art, and its recognition by the Soviets was ensured by the politically correct title. Malevich also included the year '18 год' in the lower right corner and wrote a short verse on the back about the Red Cavalry defending the Soviet frontier.

Bivouac on the Eve of the Battle of Austerlitz is a historical painting by Louis-François, Baron Lejeune, depicting a military encampment on the night before the Battle of Austerlitz. The scene captures the tension and preparation of Napoleon's troops as they prepare for the decisive battle of the Napoleonic Wars. The painting includes notable figures such as César Berthier and Jean-Baptiste Bessières, highlighting the strategic importance of the location. It showcases the everyday life and challenges faced by soldiers during wartime.

This historical painting by Jean-François Pierre Peyron depicts the tragic death of General Valhubert during the Battle of Ulm in November 1805. The scene captures the moment of his demise as he lies mortally wounded on the battlefield, surrounded by the chaos of war. The composition emphasizes the somber mood of the event, with dramatic lighting and detailed portrayals of the soldiers and horses involved.

Romulus' Victory Over Acron is a painting completed in 1812 by the French Neoclassical artist Jean-Auguste-Dominique Ingres. Ingres' source for this subject comes from Plutarch's Life of Romulus. The painting depicts the war that resulted from the Roman abduction of the young Sabine women in an effort to remedy the shortage of women in the newly founded city of Rome. In retaliation Acron, the king of the neighbouring tribe, the Caeninenses, declared war upon the Romans. He and his tribesmen were mercilessly defeated and their city sacked by the Romans.

This intricate miniature from the Très Riches Heures du Duc de Berry depicts a serene summer scene. The painting showcases a lush landscape with a pond, fields of grain, and a hunting scene involving falconry. It features a castle, possibly Château d'Étampes, with animals such as dogs, horses, and a falcon. The artwork captures the essence of August with its vibrant natural elements and human activities.

This intricate miniature painting depicts a serene autumnal landscape, capturing the essence of October with its vibrant colors and detailed natural elements. The scene includes a peasant sowing seeds, a horse, and various birds, all set against the backdrop of the Seine River. The artwork showcases the Limbourg brothers' mastery in illustrating seasonal changes and rural life.

The Headless Horseman Pursuing Ichabod Crane is an oil on canvas painting by American artist John Quidor, from 1858. It depicts a scene from Washington Irving's 1820 short story "The Legend of Sleepy Hollow".

This painting depicts a dramatic scene of a wild boar hunt, featuring a group of hunters on horseback pursuing a boar through a forested landscape. The composition showcases Berchem's skill in capturing the movement and tension of the hunt, with detailed foliage and atmospheric perspective enhancing the sense of depth.

This historical painting by Johannes Lingelbach depicts King Charles II of England pausing during his journey from Rotterdam to The Hague on May 25, 1660. The scene captures the monarch stopping at the estate of Wema on the Rotte, showcasing the royal procession and the surrounding landscape. The artwork highlights the historical context of Charles II's travels and his eventual restoration to the throne.

The Hay Wagon is a 17th-century landscape painting by Philips Wouwerman. It depicts a scene of a hay wagon being pulled by horses through a rural landscape, capturing the tranquility of the countryside. The painting showcases Wouwerman's mastery in rendering natural elements and his skill in creating atmospheric depth.

This painting by Gerrit Adriaenszoon Berckheyde depicts a hunting party near the Hofvijver and Binnenhof in The Hague, viewed from the South. The scene captures the urban landscape of The Hague, showcasing the architectural details of the Binnenhof and the scenic views of the Hofvijver, a historic lake in the city. The artwork provides a glimpse into the city's layout and the activities of the time, with horses and riders prominently featured.

This painting by Karel Dujardin depicts a serene Italian landscape featuring a young shepherd playing with his dog. The scene captures the peaceful countryside, with rolling hills and a clear sky, highlighting the harmonious relationship between the shepherd and his loyal companion.

This painting by Gerrit Adriaenszoon Berckheyde depicts a hunting party near the Hofvijver in The Hague, seen from the South. The scene captures the bustling activity of the hunt, with horses and hunters in motion, set against the backdrop of the historic Hofvijver area. The artwork is part of the Mauritshuis collection and is cataloged as number 796.

This 17th-century painting by Frans Post depicts a scenic view of Itamaracá Island in Brazil. The artwork showcases the natural landscape, including trees and a horse, and features both Black and White people, likely reflecting the cultural and social dynamics of the Dutch West India Company's presence in the region.

This Italianate Landscape with Resting Peasants by Johannes Lingelbach depicts a serene countryside scene where peasants are shown in various states of relaxation. The painting features a group of people, including men, women, children, and elderly individuals, seated or standing amidst a lush landscape. Elements such as trees, a basket, and a walking stick add to the pastoral atmosphere, while the presence of a horse suggests a rural setting. The composition captures a moment of quiet repose, characteristic of Lingelbach's style.

This Italianate Landscape with Cattle by Karel Dujardin depicts a serene rural scene featuring grazing livestock, including cattle and horses, set against a backdrop of mountains and a cloudy sky. The painting showcases Dujardin's skill in capturing the tranquility of a natural landscape, with attention to detail in the pastoral elements and atmospheric perspective.

Wooded Landscape with Cottages is a 1665 painting by Meindert Hobbema depicting a serene rural scene. The composition features a winding path leading through a forested landscape towards a cluster of thatched cottages, with a stream and a waterhole visible in the foreground. The painting showcases Hobbema's mastery of light and perspective, with a clear sky filled with clouds and a sense of tranquility conveyed through the inclusion of grazing poultry and a man on horseback.

Lady Godiva is an 1897 oil-on-canvas painting by English artist John Collier, who worked in the style of the Pre-Raphaelite Brotherhood. The portrayal of Lady Godiva and her well-known but apocryphal ride through Coventry, England, is held in Coventry's Herbert Art Gallery and Museum.

This painting by Nicolaes Berchem depicts the city wall of Haarlem during the winter season. The scene showcases the frozen landscape and the architectural details of the fortifications, capturing the serene and quiet atmosphere of the winter months.

This 17th-century Dutch landscape painting by Nicolaes Berchem depicts a serene winter scene on the ice near a town. The composition features a frozen lake with figures skating, a horse, and a lime kiln in the background, capturing the tranquility of a snowy day. The painting is notable for its detailed rendering of ice textures and atmospheric perspective.

The painting depicts a serene landscape featuring an avenue of birch trees, with a canal running through the scene. A man on horseback and a woman riding sidesaddle are visible in the foreground, accompanied by a hound. The artwork showcases Jan Hackaert's skill in capturing the natural beauty of the Dutch countryside during the 17th century.

This painting by Karel Dujardin depicts a serene Italian landscape featuring a young girl milking a goat. The scene is set against a backdrop of rolling hills and lush greenery, capturing the tranquil beauty of rural life. The artwork showcases Dujardin's skill in portraying natural scenes with delicate detail and soft lighting.

This painting depicts a mounted trumpeter taking a drink, capturing a moment of leisure amidst a landscape. The scene includes elements of a horse, a man, a trumpet, and an inn, suggesting a rural or village setting. Karel Dujardin's work is characterized by its detailed brushwork and atmospheric quality, typical of the Dutch Golden Age.

This painting by Johannes Lingelbach depicts a serene country road flanked by trees, with a hunter and peasants in the scene. The composition showcases a peaceful rural landscape, typical of the artist's style during the 17th century.

Orpheus and the Animals is a painting by Paulus Potter depicting the mythological figure Orpheus interacting with various animals. The artwork showcases a harmonious scene where Orpheus, the legendary musician, is surrounded by animals such as a horse, elephant, stag, dog, lion, and ram. The painting is notable for its detailed portrayal of both the human and animal subjects, reflecting Potter's skill in capturing naturalistic forms and expressions.

The cattle ferry is a landscape painting by Adriaen van de Velde, depicting a serene rural scene with a river and a ferry crossing. The artwork showcases the artist's skill in capturing natural elements and atmospheric effects. It is part of the genre of landscape painting, highlighting the tranquil beauty of the countryside.

The Riding School is a 17th-century painting by Philips Wouwerman, depicting a scene of horseback riding. The artwork showcases the artist's mastery in capturing the movement and detail of horses, set against a landscape that includes trees and open fields. It is an example of the Dutch Golden Age's focus on realistic and detailed genre scenes.

This painting depicts a blacksmith at work, shoeing a horse. The scene is set in a rural landscape with a tree in the background, showcasing Philips Wouwerman's skill in capturing the details of everyday life and the natural environment.

The Victory of the Peasants is a 17th-century painting by Philips Wouwerman, depicting a dramatic scene of peasants celebrating their victory over a group of marauding soldiers. The work showcases Wouwerman's skill in capturing movement and emotion, with a focus on the chaotic yet triumphant atmosphere of the event.

The Bucking Gray depicts a dramatic scene of a horse bucking against a stream, with a dog and human figures in the background. The painting showcases Philips Wouwerman's skill in capturing movement and natural elements, typical of his landscape and animal genre works.

This painting depicts a military camp, featuring tents, cavalry, and horses. It showcases Philips Wouwerman's skill in capturing the atmosphere of a battlefield or encampment. The scene includes elements like a sutler, suggesting the presence of support staff, and various military equipment. The work is part of the Rijksmuseum collection, cataloged as SK-A-484.

This painting by Philips Wouwerman depicts a serene horsepond near a boundary stone, capturing the tranquil landscape with meticulous attention to detail. The scene is set in a rural setting, showcasing the artist's skill in rendering natural elements and the quiet beauty of the countryside.

This painting depicts the historic Battle of Nieuwpoort, where Prince Maurice of Nassau led a decisive victory against the Spanish forces. The scene captures the chaos and intensity of the battlefield, with soldiers in action and the landscape of the coastal region of Zeeland. Created in 1636, it is a notable example of Dutch Golden Age painting.

This painting depicts Prince Maurice and Frederick Henry at the Valkenburg Horse Fair, showcasing a lively scene of horse trading and social interaction. The artwork captures the essence of the fair with detailed attention to the horses and the surrounding environment.

This painting depicts a historical battle between two groups, Bréauté and Leckerbeetje, taking place on the heath outside the town of Vught on February 5, 1600. The scene captures the chaos and intensity of the conflict, with soldiers and horses engaged in combat. The artwork is notable for its detailed portrayal of the battlefield and the figures involved.

This anonymous 17th-century painting depicts a scene of urban life, likely set in a city square. It features a man engaged in quackery, possibly a charlatan or fortune teller, surrounded by various characters including a horse, dog, child, and woman. The artwork captures the lively atmosphere of a bustling city environment, with elements of equestrianism and everyday interactions.

This painting by Dirk Stoop depicts hunters resting in a forested landscape. The scene includes a group of hunters seated around a fire, with trees and animals in the background. The artwork captures a moment of tranquility amidst nature, showcasing Stoop's skill in landscape painting.

This landscape painting by Adriaen Pietersz. van de Venne depicts a serene summer scene. The artwork captures the tranquil beauty of a rural setting, with lush green fields and a clear blue sky. It showcases the artist's skill in rendering natural light and atmospheric effects. The painting is part of the Rijksmuseum's collection.

This historical painting by Pieter Wouwerman depicts the surrender of Maastricht to Frederick Henry on August 22, 1632. The scene captures the moment of the city's capture during the Eighty Years' War, showcasing military and political significance. The artwork includes elements of a horse and soldiers, reflecting the historical context of the event.

This historical painting by Otto Eerelman depicts the Frederiksplein in Amsterdam on the day of Queen Wilhelmina's arrival on September 5, 1898. The scene captures the bustling crowd and military procession, showcasing the city's vibrant atmosphere during a significant royal event.

The Spotted Horse is a 17th-century painting by Jan Wouwerman, depicting a horse with distinctive spotted markings. The artwork showcases Wouwerman's skill in capturing the texture and form of animals, set against a detailed landscape background. It is considered a notable example of Dutch Golden Age painting.

This painting by Anton Mauve depicts a serene rural scene featuring horses grazing near a fence. The landscape includes a tree, a watercourse, and a clear sky with clouds, creating a peaceful pastoral atmosphere.

This 17th-century painting by Johannes Lingelbach depicts a serene Italian landscape featuring a horse and tree. The scene captures the tranquil beauty of the countryside with figures interacting in the foreground, showcasing Lingelbach's skill in capturing natural light and atmospheric depth.

This painting depicts a serene landscape featuring a ford, with a tree and horse in the scene. The work is attributed to Philips Wouwerman, a renowned Dutch painter of the 17th century. The composition showcases the natural beauty of the countryside, typical of the Dutch Golden Age.

A stable by Philips Wouwerman depicts a quiet, serene stable scene with horses and a farmer. The painting showcases Wouwerman's mastery in capturing the details of the stable environment and the calm atmosphere of the scene.

This watercolor depicts a serene winter scene in the Haagse Bos, a forest near The Hague. Riders on horseback are seen navigating through a snowy landscape, with trees and a clear sky adding to the tranquil atmosphere. The painting captures the quiet beauty of a rural winter setting, characteristic of Anton Mauve's style.

This watercolor depicts a charming rural scene featuring a man and a woman engaged in a conversation while riding horses along a country road. The painting showcases a peaceful landscape with grassy fields, a clear sky, and a dog accompanying them. Anton Mauve's work captures the essence of equestrianism and the serene atmosphere of a rural setting.

The Way Station is a 17th-century landscape painting by Pieter Bout, depicting a tranquil rural scene with a small inn or way station nestled among rolling hills and a serene river. The composition features a horse in the foreground, suggesting a journey or travel theme, and showcases Bout's skill in capturing natural light and atmospheric effects.

Hunting Party is a 1716 painting by Dutch artist Carel van Falens. The work depicts a group of hunters in a forested landscape, featuring elements such as horses and trees. The painting is notable for its detailed portrayal of natural scenery and the interaction between humans and the environment.

This painting by George Hendrik Breitner depicts a group of hussars, a type of light cavalry, in a bustling urban scene. The work, created in 1885, showcases Breitner's skill in capturing the energy and movement of military life, set against the backdrop of a vibrant cityscape. It is housed in the Rijksmuseum, Amsterdam.

Towpath is a landscape painting by Jacob Maris created in 1896. The artwork depicts a serene countryside scene with a path leading towards the horizon, surrounded by fields and a sky filled with clouds. The painting captures the peaceful atmosphere of a rural setting, characteristic of Maris' style.

This Italian Landscape painting by Pieter van Bloemen depicts a serene countryside scene with rolling hills and a distant river. The artwork showcases the artist's skill in capturing the natural beauty of the Low Countries, with detailed brushwork and a harmonious color palette.

This painting depicts the historic moment when Louis XIV of France crossed into the Netherlands at Lobith. The scene captures the grandeur of the royal procession, with the king mounted on a horse, surrounded by his court and soldiers. The landscape is richly detailed, showcasing the natural beauty of the area and the significance of the event in European history.

This painting by Jan Baptist Weenix depicts a Dutch ambassador traveling to Isfahan, Iran. The scene includes a group of figures, likely including the ambassador, accompanied by horses and other attendants. The artwork showcases Weenix's skill in capturing detailed scenes of historical and diplomatic events.

This painting depicts the siege of Schenckenschans by Prince Frederik Hendrik in April 1636. It showcases the historical event with detailed scenes of military action and strategic positioning. The artwork captures the intensity of the conflict, featuring elements such as soldiers, horses, and boats, which are also noted in the tags. Created by Gerrit van Santen in 1650, it is a notable example of 17th-century Dutch landscape and historical painting.

This painting depicts a scene of a landscape with a cow, sheep, and horse in a meadow. The artist, Hendrikus van de Sande Bakhuyzen, is shown painting outdoors, using a palette and a folding stool. The inclusion of a hat suggests a leisurely outdoor activity, capturing the serene atmosphere of the countryside.

painting by Lambert de (II) Hondt

This landscape painting by Gerrit Adriaenszoon Berckheyde depicts the main gate of Egmond Castle, showcasing a detailed view of the castle's entrance surrounded by natural elements. The scene includes a tree and a horse, highlighting the artist's skill in capturing the architectural and natural features of the landscape.

The Return from the Hunt is a 17th-century landscape painting by Johannes Lingelbach. The work depicts a serene countryside scene with a group of hunters returning from a woodland expedition, their horses visible in the foreground. The painting showcases Lingelbach's skill in capturing natural light and atmospheric effects, characteristic of the Dutch Golden Age. It is considered a notable example of 17th-century landscape art.

Two Riders in a Landscape is a 19th-century painting by Anthony Oberman. The artwork depicts two riders on horseback in a serene natural setting, with the landscape featuring rolling hills and a clear sky. The painting showcases Oberman's skill in capturing the beauty of the outdoors and the dynamic movement of the riders.

This painting by Jan van Ravenswaay depicts a serene meadow scene with various animals, including horses and trees, capturing the tranquil beauty of the natural landscape.

This 17th-century Dutch landscape painting by Jan Wijnants depicts a rider watering his horse in a serene natural setting. The scene captures the tranquility of the countryside with detailed foliage and a clear sky, characteristic of the Dutch Golden Age painting style.

This painting depicts an Italian landscape featuring soldiers and various elements of rural life. It includes scenes of ruins, men on horseback, soldiers in body armor, and animals such as hounds, goats, oxen, and donkeys. The artwork is a copy after the artist Karel Dujardin, showcasing a detailed and atmospheric portrayal of a historical setting.

This painting depicts a serene Italian landscape featuring shepherds and animals gathered around a fountain. The scene captures the natural beauty of the countryside with lush greenery and a peaceful atmosphere. The artwork showcases the artist's skill in portraying rural life and the harmony between nature and human activity.

This landscape painting by Alexandre Calame depicts a serene natural scene featuring a river, trees, and vegetation. A path leads to a ford, with a clear sky above. The composition includes elements such as a horse and rider, a dog, and a cow, suggesting a peaceful rural setting.

This historical painting depicts a scene from the Ten Days' Campaign, a military conflict during the Belgian Revolt in August 1831. The artwork captures the chaos and intensity of battle, featuring soldiers on horseback engaged in combat. Created by Wouterus Verschuur, it provides a vivid portrayal of the historical events of that period.

This painting by Willem de Zwart depicts the Wagenbrug, a historic bridge in The Hague, Netherlands. The scene captures the urban landscape with the bridge as the central feature, surrounded by architectural elements and possibly elements of daily life.

This winter landscape painting by Hendrick Avercamp depicts a bustling scene of people ice skating on a frozen river near a town. The composition shows a lively group of individuals enjoying the winter activities, with a clear sky and snow-covered surroundings. The artwork captures the charm of winter in a Dutch town, showcasing Avercamp's skill in portraying frozen landscapes and seasonal activities.

This painting depicts the historical moment of Vercingetorix, the leader of the Gauls, surrendering to Julius Caesar after the Battle of Alesia. Created by Lionel Royer in 1899, it captures the dramatic scene of Vercingetorix throwing down his weapons at Caesar's feet, symbolizing the end of the Gallic resistance. The artwork is rich in historical detail, showcasing the military uniforms, weapons, and the symbolic elements of the conquest.

God Speed is a painting by British artist Edmund Leighton, depicting an armored knight departing to war and leaving his beloved. The painting was exhibited at the Royal Academy of Arts in 1900. God Speed was the first of several paintings by Leighton during the 1900s on the subject of chivalry, including The Accolade (1901) and The Dedication (1908).

Camille Pissarro's "Stagecoach to Louveciennes" is a 1870 landscape painting depicting a stagecoach traveling through a rural French countryside. The work captures the serene beauty of the landscape with elements like trees, houses, and a road leading towards the distant village of Louveciennes. The painting is housed in the Musée d’Orsay and showcases Pissarro's skill in capturing light and atmosphere.

Entrance to Voisins is a 1872 painting by Camille Pissarro depicting a rural landscape. The scene shows a village entrance with a road leading through a field, flanked by trees and a distant view of a village. The painting captures the essence of a peaceful countryside with natural elements like broad-leaved trees and a horse in the foreground.

This painting by Rosa Bonheur depicts a detailed study of a bay horse, showcasing her mastery in capturing the animal's form and texture. The artwork focuses on the horse's anatomy and movement, reflecting Bonheur's dedication to realistic portrayal in her work.

This painting by Eugène Fromentin depicts a moment of rest for Arab horsemen in a forest setting. The scene captures the tranquility of the natural environment, with the riders and their horses appearing calm and at ease. The artwork showcases Fromentin's skill in portraying both the rugged landscape and the subtle expressions of the riders.

This painting by Ernest Meissonier depicts a small outpost of the 8th Hussars in 1803. It showcases a detailed scene of soldiers on horseback, likely in a rural or military setting, with elements such as trees and possibly a landscape in the background.

The Charge is a historical painting by André Devambez depicting a dramatic scene of a police charge through a crowded Parisian street at night. The artwork captures the chaos and tension of the moment, with a mix of people, carriages, and horses in the foreground, set against the backdrop of a dimly lit urban environment. The painting is part of the Musée d'Orsay collection, showcasing Devambez's skill in portraying dynamic movement and the atmosphere of a bustling city.

This painting by Camille Pissarro depicts a serene rural scene near Pontoise, France. The composition features a quiet road flanked by trees and a small house, with a horse-drawn wagon and pedestrians on the sidewalk. The landscape captures the peaceful atmosphere of a French village in the 19th century.

This painting by Camille Pissarro depicts a serene rural landscape in Louveciennes, France. The scene shows a quiet road flanked by trees and fields, capturing the peaceful atmosphere of the countryside in 1870. The work is part of Pissarro's landscape series, showcasing his skill in capturing natural light and textures.

Camille Pissarro's "Route de Versailles, Louveciennes" is a 1872 landscape painting that captures the serene countryside near Louveciennes, France. The work features a rural road flanked by trees and a distant view of the Seine River, showcasing Pissarro's skill in capturing natural light and atmospheric effects. This painting is part of the Impressionist movement and is housed in the Musée d'Orsay.

The Versailles Road is a 1875 painting by Alfred Sisley depicting a scenic landscape near the royal palace of Versailles. The artwork captures a quiet country road flanked by trees and a distant view of the palace, showcasing Sisley's mastery of light and atmosphere in the Impressionist style.

This painting by Alfred Sisley depicts a serene bridge over the Loing River in Moret-sur-Loing, France. The scene captures the peaceful atmosphere of a rural landscape with a clear blue sky, a horse-drawn carriage, and the church of Notre-Dame in the background. It is housed at the musée d'Orsay in Paris.

The Quai Saint-Michel and Notre-Dame is a 1901 oil on canvas painting by the French artist Maximilien Luce. Luce was part of the Neo-Impressionist movement between 1887 and 1897 and used the technique of employing separate dabs of color (divisionism), for the painting, which was one of ten he undertook of Notre-Dame de Paris. The Musée d'Orsay in Paris, which holds the image as of 2015, notes that this was painted by Luce when he was moving from his Neo-Impressionist period to his later Populist period. The Musée d'Orsay obtained the picture in 1981.

The Gallic Women: Episode from the Roman Invasion is a painting by Auguste-Barthélemy Glaize, from 1851. It is a very large oil on canvas work, with a height of 424 cm and a width of 651 cm. It was exhibited at the 1852 Salon and purchased by the French state in 1853.

This painting by Vincent van Gogh depicts a camp of Gypsies with caravans, featuring a broad-leaved tree and horse. It showcases van Gogh's distinctive style with vivid colors and expressive brushwork, capturing the essence of the nomadic lifestyle.

This painting by Alfred Sisley depicts a serene landscape featuring open fields and a plain near Veneux-Nadon. The scene includes a cart and a horse, with walnut wood elements adding texture to the natural setting. The artwork captures the tranquil beauty of the countryside in a soft, impressionistic style.

This painting by Stanislas Lépine captures the bustling scene of the Pont Marie bridge in Paris, showcasing the Seine River and the surrounding architecture. The artwork includes details of the quai de l'Hôtel-de-Ville and quai de Bourbon, with elements like a horse and houses adding to the urban atmosphere.

Route d'Ennery is a landscape painting by Camille Pissarro created in 1874. The work depicts a rural scene featuring a road winding through a countryside landscape, with elements such as hills, trees, and a bridge visible in the composition. It is part of the Impressionist movement and is currently housed in the Musée d'Orsay.

Halt at a Farrier's is a 1666 painting by Philips Wouwerman depicting a dramatic scene of a horse being tended by a farrier. The artwork showcases Wouwerman's mastery of landscape and animal painting, with detailed attention to the interaction between the horse and the farrier. The composition includes elements of nature such as trees and a building, reflecting the Dutch Golden Age's focus on realism and everyday life.

This painting by Jan Wouwerman depicts the St. Bavokerk, a church in Haarlem, from the southeast. The scene includes elements such as a sled, horse, man, and the Beek stream, suggesting a detailed portrayal of the urban and natural landscape of 17th-century Haarlem.

This painting depicts a serene dune landscape with a rabbit hunt in progress. The scene includes a windmill, a horse, and a man, all set against the backdrop of the North Sea. Jacob van Ruisdael's mastery of light and atmospheric effects is evident in the detailed portrayal of the natural elements and the dynamic action of the hunt.

Lady Godiva is an 1890 history painting by the French artist Jules Joseph Lefebvre. It depicts the eleventh century Anglo-Saxon noblewoman Lady Godiva riding naked through the streets of Coventry in the English Midlands. Godiva is portrayed riding side saddle through deserted streets, the inhabitants having gone indoors to respect her modesty. The model for the work was likely Sarah Brown who appeared in other paintings by the artist.

This painting depicts Lady Godiva, a legendary figure from Coventry, England, riding a horse sidesaddle in a scene of public nudity. The artwork captures her striking blond hair and waist-length locks, emphasizing her boldness and the historical context of her story. Created by Adam van Noort in 1586, it is an example of historical painting that blends myth and reality.

Lady Godiva is an 1850 history painting by the British artist Marshall Claxton. It depicts the eleventh century Anglo-Saxon noblewoman Lady Godiva, shortly before her naked horseback ride through the streets of Coventry. It shows Godiva about to mount her horse to in protest against her husband's policies.

This painting by Nicolas Tournier depicts the historical Battle of the Milvian Bridge, a pivotal conflict in Roman history. The scene captures the clash between Emperor Constantine and Maxentius, with figures on horseback and the dramatic setting of the bridge. The artwork is notable for its detailed portrayal of the battle's intensity and its significance in the spread of Christianity.

This painting by Cornelis Beelt depicts the Grote Markt in Haarlem during a festive celebration, likely commemorating the announcement of the Treaty of Munster in 1648. The scene captures a lively gathering with people, animals, and a prominent city hall, set against a vibrant sunset.

This 1903 painting by Camille Pissarro depicts the Quai Malaquais in Paris, showcasing the river Seine and surrounding urban landscape. The scene includes elements like a horse-drawn cart, road, houses, and trees, capturing the essence of early 20th-century Parisian life. The work is notable for being looted by Nazis during World War II.

A Fair on the Outskirts of Dublin is a landscape painting by Francis Wheatley depicting a festive scene on the outskirts of Dublin. The artwork showcases a fairground with tents, stalls, and various attractions, capturing the lively atmosphere of a public celebration. It features elements such as a flag, baskets, barrels, and a horse, set against a backdrop of clouds and an earthy landscape.

This anonymous painting depicts the Congregation of the Mission's Church located on Stradom in Kraków. The artwork showcases the architectural details of the church, capturing its historical and cultural significance in the city.

Glorious Fighting depicts a scene from the American Civil War, showcasing Confederate soldiers and their equipment. The painting features a drum, flags of the Confederate States of America, a horse, and a wagon, set against a backdrop of a tree. It captures the intensity and chaos of battle, highlighting the bravery and determination of the soldiers.

Leaving Home is a 1907 painting by William Gilbert Gaul depicting a poignant scene of a family preparing to leave their home. The composition includes a variety of objects such as a rocking chair, carpet, and fireplace, suggesting a domestic setting. The presence of soldiers, rifles, and uniforms hints at a military context, possibly related to the American Civil War. The painting captures both the emotional weight of departure and the everyday items that symbolize home.

The Decisive Attack of Micheletto Attendolo at San Romano is a painting by Paolo Uccello depicting a pivotal moment in the Battle of San Romano. The artwork captures the intense action of a medieval battle, showcasing soldiers in armor, horses, and the use of weapons such as spears and shields. It is housed in the Louvre Museum in Paris.

Return Home is a 1909 painting by William Gilbert Gaul depicting a veteran returning from war. The scene features a weary soldier on horseback, holding a sword, surrounded by symbolic elements like a broken sword and a flower, suggesting themes of loss and remembrance. The painting's somber tones and detailed composition reflect the emotional weight of war's aftermath.

This painting depicts the death of King Gustav II Adolf of Sweden during the Battle of Lützen in 1632. Created by Carl Wahlbom in 1855, it portrays the dramatic moment when the king was mortally wounded while leading his troops. The artwork captures the chaos and intensity of the battlefield, highlighting the historical significance of this pivotal event in Swedish history.

The Capture of Major André depicts the dramatic moment when British Major John André was captured by American forces during the American Revolutionary War. The painting showcases the tense confrontation between André and American soldier Captain John Paulding, with André's distinctive coonskin cap and the letter he was carrying as central elements. Asher Brown Durand's detailed portrayal captures the historical significance of this event, set against a landscape that includes a rocky outcrop and trees.

This painting by Elias Martin depicts a panoramic view of Stockholm, showcasing the city's iconic landmarks and architecture. The artwork captures the essence of the urban landscape, highlighting the grandeur of Stockholm Palace and other notable structures.

This painting by Georg von Rosen depicts the historical event of Sten Sture the Elder's entry into Stockholm. It showcases a scene of military procession with soldiers and horses, capturing the significance of this moment in Swedish history.

This winter scene depicts the Stockholm Waterfront, showcasing a serene landscape with a horse-drawn carriage, a house, and a boat. The painting captures the quiet beauty of the area, likely illustrating the harbor's peaceful atmosphere during the colder months.

The Flight of St Winwaloe and King Gradlon is a historical painting by Évariste-Vital Luminais, depicting a dramatic scene from Breton mythology. The artwork captures the moment of the legendary flight of King Gradlon and Saint Winwaloe, with elements of the sea, wind, and a horse prominently featured. It showcases Luminais' skill in portraying mythological narratives with vivid detail and dynamic composition.

The Decapitation of Saint George is a historical painting by Bernat Martorell, depicting the martyrdom of Saint George. The scene shows Saint George being beheaded, with a soldier and a horse in the background. Lightning is present in the sky, adding dramatic effect to the moment of his execution. The painting is part of the Louvre's collection.

This painting depicts King Henri IV entering Paris with supplies during a time of famine, showcasing the historical event where the king distributed food to the starving citizens. The scene captures the solemnity and urgency of the moment, with soldiers and civilians present, highlighting the king's role in alleviating the crisis.

This painting by Gustave Moreau depicts Darius III of Persia fleeing after the Battle of Gaugamela (also known as the Battle of Arbela). The scene captures Darius in a moment of exhaustion, pausing to drink from a pond, surrounded by the remnants of his defeated army. The work is a historical painting that reflects the dramatic and emotional intensity of the moment.

The Combat of the Giaour and Hassan is a 1826 painting by Eugène Delacroix depicting a dramatic battle scene between Arab warriors and a Giaour, a term used for non-Muslims. The painting showcases Delacroix's mastery of dynamic composition and vivid color, capturing the intensity of the conflict with swirling skies and galloping horses. It is currently housed at the Art Institute of Chicago.

Jacques-Louis David's painting depicts Napoleon Bonaparte leading his troops across the Great St Bernard Pass in the Alps. The scene captures the military significance of the crossing, with Napoleon on a pinto horse, a cannon in the background, and snow-covered terrain emphasizing the challenging journey. The work is part of the collection at the Château de Malmaison.

This painting by Wojciech Kossak depicts a dramatic cavalry charge during the Battle of Stoczek. The scene captures Polish cavalry soldiers on horseback charging at Russian artillery batteries, with soldiers equipped with bayonets and cannons in the background. The artwork showcases the intensity and chaos of a battlefield, highlighting the bravery and valor of the soldiers involved.

The Abduction of the Sabine Women is a painting by Nicolas Poussin depicting the mythological scene where the Roman men abduct women from the Sabine tribe to secure their alliance. The composition is characterized by its dramatic use of light and shadow, and the figures are arranged with a sense of movement and tension. Created between 1634 and 1635, this work is considered one of Poussin's most significant historical paintings.

The Midnight Ride of Paul Revere is a 1931 painting by the American artist Grant Wood. It depicts the American patriot Paul Revere during his midnight ride on April 18, 1775. The perspective is from a high altitude as Revere rides through a brightly lit Lexington, Massachusetts. It was inspired by the 1860 poem "Paul Revere's Ride" by Henry Wadsworth Longfellow. Wood used a child's hobby horse as model for Revere's horse.

Ovid Among the Scythians is a historical painting by Eugène Delacroix, created in 1862. The artwork depicts a dramatic scene from the ancient Roman poet Ovid's exile, set among the Scythians, a nomadic people of Central Asia. The composition features a group of figures, including Ovid himself, surrounded by various animals such as horses, dogs, and a woman, capturing the tension and cultural clash of the moment.

Place de Clichy is a painting by Paul Signac created in 1888. It depicts the bustling Place de Clichy in Paris, showcasing the vibrant urban scene with elements such as carriages, buildings, and the Monument to Maréchal Moncey. The artwork reflects the artist's pointillist technique, capturing the lively atmosphere of the city streets.

The Rape of Lucretia is a historical painting by the Master of Marradi, depicting the legendary moment when Lucretia, a Roman noblewoman, is raped by Sextus Tarquinius, the son of the tyrant King Tarquinius Superbus. The scene captures the intense emotional turmoil and dramatic tension of the event, with Lucretia's anguish and the surrounding figures reacting to the violation. This work is a prime example of the Master of Marradi's style, characterized by its detailed composition and emotional depth.

This painting depicts the Emancipation Proclamation, a pivotal document in American history that declared the freedom of enslaved people in Confederate states. Created by A.A. Lamb, it features Abraham Lincoln at the center, surrounded by symbols of the Union and Confederate forces, including flags and military elements. The artwork captures the historical significance of the proclamation and its impact on the Civil War.

This painting depicts the fall on Amager during the Siege of Copenhagen in 1659, a significant event in Danish history. It showcases a dramatic scene of battle and conflict, with soldiers and horses engaged in combat. The artwork captures the chaos and intensity of the siege, highlighting the historical context of the event. Created by Anthon Christoffer Rüde in 1788, it is a notable example of war painting from the late 18th century.

This historical painting by Nicolai Abildgaard depicts Frederick II of Denmark constructing Kronborg Castle at Elsinore. The scene includes elements such as a dog, horse, cannon, and cannonball, suggesting a military or defensive context. It showcases the castle's construction during the 17th century, highlighting the architectural and historical significance of the site.

This 19th-century painting by David Johnson captures the bustling scene at Bowling Green in New York City. The artwork features a variety of elements including trees, a flag, people, horses, and buildings, all set against a sky with clouds. It provides a glimpse into the urban landscape and daily life of the area during the mid-1800s.

This painting depicts Mrs. Schuyler, a historical figure, burning her wheat fields as the British approach during the American Revolutionary War. It captures a moment of defiance and scorched earth tactics, with elements such as a dog, horse, and trees included in the scene.

Niels Ebbesen depicts a historical scene of the Danish poet and philosopher Niels Ebbesen, portrayed in a dramatic pose with a horse, capturing the essence of his literary contributions. The painting by Agnes Slott-Møller is a notable example of historical painting, showcasing the subject's significance in Danish cultural history.

This painting by Étienne Bouhot depicts the bustling street scene of Saint-Germain de Charonne in Paris. The composition includes a variety of elements such as a horse, a flag of France, people walking on the sidewalk, a dog, a sentry box, a tree, and a clock face, capturing the lively atmosphere of the area in 1836.

This painting by Étienne Bouhot depicts the Place du Châtelet in Paris, showcasing the iconic fontaine du Palmier. The scene includes a mix of pedestrians, carriages, and horse-drawn carts, capturing the bustling atmosphere of the area. The artwork also features the Palais de Justice and the Pont au Change, highlighting the historical and architectural significance of the location.

This historical painting by Otto Bache depicts a dramatic scene of conspirators riding away from Finderup following the murder of Eric Klipping during the St. Cecilia Night in 1286. The artwork captures the tense atmosphere of the event, with elements of medieval history and intrigue.

This watercolor by James Stuart depicts the Erechtheum, an ancient Greek temple in Athens. The scene includes detailed architectural elements such as the caryatids and the iconic columns of the temple, set against a sky with clouds. The painting also features a man in Ottoman clothing, possibly a historical figure or a subject of interest to Stuart, along with other elements like a dog and a horse, suggesting a richly detailed and historically informed composition.

This painting by Gillis Mostaert I depicts a dramatic scene of the Passion Play set against the bustling Grote Markt in Antwerp. The artwork captures the emotional intensity of the religious event amidst the lively urban setting, showcasing the city's historical significance as a cultural and commercial hub.

painting by Antoon L. Joostens

This painting by Antoon L. Joostens depicts the Dampoort in Bruges, a historic gate that once marked the entrance to the city. The scene captures the urban landscape of the 19th century, featuring a street with trees, houses, and a bridge. A cart pulled by a horse is visible, along with a streetlight, suggesting the time period between 1851 and 1886.

This painting by Pierre Jean Baptiste Leroy depicts the bustling market scene in Bruges during the 19th century. The artwork showcases the city's historic architecture, including the Belfry of Bruges and the Church of Our Lady, set against a lively urban landscape with carts and horses.

This painting depicts the market square of Bruges, showcasing the bustling activity of the 19th century. The scene includes the Church of Our Lady, the Belfry of Bruges, and other notable landmarks, with a horse and dog visible in the foreground.

De Handelskom in Brugge is a painting by Jan Beerblock depicting a bustling scene in the city of Bruges. The artwork showcases a variety of elements including a boat, house, windmill, dock, warehouse, cart, canal, barrel, and horse, capturing the essence of 19th-century urban life. The detailed portrayal of the harbor and surrounding architecture highlights the commercial activity and architectural features of Bruges during the early 19th century.

A skirmish depicts a dramatic scene of a military engagement, featuring light infantry soldiers in action. The painting captures the chaos and intensity of battle with dynamic compositions and vivid details, showcasing Vrancx's skill in portraying historical and military themes.

The Picture clock with Alster panorama, also known as the Coffeeparty on the Alster with view over Lombard Bridge to the city, is a picture clock or music box painting (Spieluhr-Gemälde) – an oil painting of a landscape scene with integrated mechanical clock, automata and music box – that is in the collection of the Museum for Hamburg History. 74 cm x 89 cm in size, it was made between 1827 and 1830 by an unknown group of artists and craftsmen. It was restored in 2012 by the museum and watchmaker Helmut Tüxen.

Scenes from the Massacre at Chios is the second major oil painting by the French artist Eugène Delacroix. The work is more than four meters tall, and shows some of the horror of the wartime destruction visited on the northern Aegean Sea island of Chios in the 1822 Chios massacre. A frieze-like display of suffering characters, military might, ornate and colourful costumes, terror, disease and death is shown in front of a scene of widespread desolation.

The Hay Wain – originally titled Landscape: Noon – is a painting by John Constable, completed in 1821, which depicts a rural scene on the River Stour between the English counties of Suffolk and Essex. It hangs in the National Gallery in London and is regarded as "Constable's most famous image" and one of the greatest and most popular English paintings. It is considered as one of the quintessential paintings from the Romantic movement of arts and literature.

This painting depicts the dramatic charge of Russian horse artillery during a military engagement. The scene captures the intense action of cavalry units charging through a battlefield, with the windmill in the background adding a historical context to the event. The artwork showcases Maksymilian Gierymski's skill in portraying movement and the chaos of war.

This 1775 painting by Jean-Baptiste Lallemand depicts a panoramic view of Parisian landmarks including the Hôtel des Monnaies, Pont Royal, and Louvre Palace from the Pont Neuf. The scene captures the bustling Seine River and features elements such as an equestrian statue of Henry IV, carriages, and people in the background. It is housed in the Musée Carnavalet.

The Death of Czarniecki is a historical painting by Leopold Loeffler created in 1860. The artwork depicts the dramatic moment of Stefan Czarniecki's death, a significant figure in Polish history. It features elements such as a horse and a tank companion, suggesting a battlefield scene. The painting captures the intensity and tragedy of this historical event.

This painting by Cornelis Christiaan Dommersen depicts a panoramic view of the Old or Pelgrimsvaderschurch in Rotterdam, capturing the city's historic architecture against a sky filled with clouds. The scene includes elements such as the Magere Brug, canals, and surrounding buildings, offering a glimpse into the urban landscape of the late 19th century.

This painting by Cornelis Christiaan Dommersen depicts the Schreierstoren, a historic tower in Amsterdam. The scene includes a horse and carriage, suggesting a 19th-century urban setting. Elements like the sky, clouds, and surrounding architecture highlight the city's charm and historical significance.

The Death of Cyprian Godebski at Raszyn is a 1855 history painting by the Polish artist January Suchodolski. It depicts the Battle of Raszyn on 19 April 1809 during the Napoleonic Wars, specifically the death of the Polish writer and soldier Cyprian Godebski. At the outbreak of the War of the Fifth Coalition, Austria launched an invasion of the French-backed Grand Duchy of Warsaw. Polish forces of the Grand Duchy led by Józef Poniatowski rallied against them at Raszyn. Although this did not prevent Austria from occupying Warsaw they were able to take the offensive again as Napoleon invaded Austria and took Vienna.

This painting depicts the tragic death of Prince Józef Poniatowski during the Battle of Leipzig. It captures the intense moment of his demise amidst the chaos of war, highlighting the emotional and historical significance of the event.

This painting by Marcin Zaleski depicts the entry into Warsaw following the battles of Wawer and Dąb Wielki during the November Uprising. It shows captives and military standards captured in the conflict, highlighting the historical significance of the event. The scene captures the aftermath of the battles, with a focus on the symbolic elements of war and resistance.

This painting depicts the return of Polish army squads from Wierzbno, capturing the historical event of the November Uprising. Created by Marcin Zaleski in 1831, it showcases a group of soldiers on horseback, highlighting the military and patriotic themes of the era.

The Barrière de Clichy. Defence of Paris, 30 March 1814 is an oil-on-canvas painting by Horace Vernet from 1820. It depicts the battle against Russian cossacks at the barrière de Clichy, highlighting the soldiers present but not engaged in fighting. Vernet's participation in this battle marked his only experience in active combat, which influenced his choice of subject matter for the remainder of his career.

The painting depicts the Battle of Raszyn, a significant event during the Polish-Soviet War. It showcases soldiers in action, with detailed portrayals of horses and military equipment such as snare drums and bayonets. The artwork captures the intensity and chaos of the battlefield, highlighting the bravery and determination of the soldiers.

This painting by Wojciech Kossak depicts a dramatic scene of a Polish uhlan cavalryman engaged in combat with a Cossack. The artwork captures the intensity of the clash between these two military groups, with the uhlan wielding a lance while the Cossack charges on horseback. The composition highlights the historical conflict between Polish and Cossack forces, showcasing the dynamic energy of battle.

This painting depicts a scene from World War I, showing Polish uhlan cavalrymen escorting prisoners through a forest. The composition features soldiers on horseback, a mix of male and female figures, and elements of military equipment such as lances. The forest setting adds a somber atmosphere to the historical event.

This painting by Stanisław Masłowski depicts a scene from the Revolution in the Kingdom of Poland, likely showing Cossacks on horseback along Ujazdów Avenue. The artwork captures the historical atmosphere of the event, featuring soldiers and a man in the foreground, suggesting a moment of tension or celebration during this period of political upheaval.

This painting depicts a dramatic battlefield scene from the Northern Italian School, featuring armored soldiers on horseback engaged in a fierce battle. The composition includes elements of equestrianism and a detailed landscape, suggesting a historical or military theme. The artwork showcases the dynamic energy of combat, with attention to the armor and weaponry of the soldiers.

This painting by Joseph Ferdinand Boissard de Boisdenier depicts a dramatic scene from the Retreat from Russia, capturing the harsh winter conditions and the suffering of soldiers. The artwork includes elements such as soldiers, corpses, horses, and cannons, emphasizing the chaos and devastation of the historical event. The cold, snowy landscape and the presence of Moscow in the tags suggest a setting in Russia during the Napoleonic Wars.

This painting depicts Napoleon Bonaparte leading his troops across the Alps, showcasing his leadership and determination during the French military campaigns. Created by the workshop of Jacques-Louis David, it captures the dramatic moment of the crossing, emphasizing the historical significance of the event.