Art from Brazil

The 1888 painting Independence or Death, also known as the Cry of Ipiranga, is an oil on canvas painting by Pedro Américo. It depicts the proclamation of Brazilian independence, capturing the moment of historical significance with a focus on the figure of Pedro I of Brazil. The artwork is renowned for its dramatic portrayal of the event, symbolizing the struggle for national sovereignty.

Moema is an oil painting on canvas created in 1866 by Brazilian artist Victor Meirelles. It depicts the homonym character from the epic poem Caramuru (1781), by Santa Rita Durão. The work does not depict a scene from the poem, but instead Meirelles's personal interpretation of the character's fate, submerging into the water after being rejected by Caramuru.

View of Olinda is a painting by Frans Post, a Dutch painter who was one of the first European-trained painters to depict landscapes of the Americas during a trip with John Maurice of the WIC. The painting depicts Olinda Cathedral in ruins, damage that was sustained when the Dutch seized a portion of Brazil from the Portuguese. The painting is notable for its depiction of Brazilian animals and plant life, based on drawings Post made from life in Brazil. The painting has its original frame, which is also decorated with motifs from nature.

This 17th-century painting by Frans Post depicts a Brazilian landscape featuring the village of Igaraçú. To the left, the church of Sts Cosmas and Damian is prominently displayed, showcasing the colonial architecture of the region. The artwork captures the natural beauty of the Brazilian countryside, with lush vegetation and a serene atmosphere, reflecting Post's skill in capturing both the landscape and the cultural elements of the area.

This painting by José Ferraz de Almeida Júnior depicts a family picnic scene at the Itú Falls, showcasing a serene landscape along the Tietê River. The artwork captures the natural beauty of the surroundings and the joyful gathering of a family, including a man and child, in a peaceful outdoor setting.

This painting by José Ferraz de Almeida Júnior depicts the tragic story of Lucretia, a Roman noblewoman who was raped by Tarquinius Superbus, the son of the Roman king. Her subsequent suicide led to the fall of the Roman monarchy and the establishment of the Roman Republic. The work is an example of historical painting, capturing a pivotal moment in Roman history.

Estudo para Partida da Monção or Departure for Monsoon is an oil painting on a canvas that was completed in 1897 by Brazilian painter José Ferraz de Almeida Júnior, a representation of Brazilian naturalism and realism. The painting depicts a scene of a departure, likely of a group of people, possibly Bandeirantes, setting off on an expedition. It includes elements such as a river, boat, and figures of men, women, children, and an infant, suggesting a family or group leaving on a journey. The inclusion of a priest indicates a religious or ceremonial aspect to the departure.

Roman Slave is a historical painting by Brazilian artist Oscar Pereira da Silva. Created in 1894, the artwork depicts a Roman slave, likely portraying themes of servitude and social hierarchy from the ancient Roman world. The painting is housed in the Pinacoteca do Estado de São Paulo, Brazil, and is an example of historical painting genre.

This painting depicts the Proclamation of the Republic in Brazil, a significant historical event that marked the end of the monarchy and the beginning of the republic. Created by Benedito Calixto in 1893, it captures the moment when the new republic was declared, showcasing the political and social changes of the time.

This portrait by Tarsila do Amaral depicts Marshal Arouche, a Brazilian military figure, in a formal military uniform. The painting captures his dignified presence with intricate details of his attire, including the Order of Christ insignia, and showcases his white hair and stern expression. Created in 1946, it is part of the Museu Paulista da USP collection.

Piques, 1860 is a historical painting by Henrique Manzo depicting a scene from 1860. The artwork captures a bustling urban setting with elements such as a drinking fountain, a monument, and a street scene, reflecting the social and architectural characteristics of the 19th century.

This portrait by Henrique Manzo depicts Augusto de Saint Hilaire, a notable figure, dressed in traditional attire. The painting showcases intricate details of his clothing, including a coat, shirt, hat, and accessories like a necklace and brooch. It reflects the historical and cultural context of the time, with elements such as a tree and handkerchief adding depth to the composition.

This portrait by Henrique Manzo depicts Barão Geraldo de Rezende, a historical figure, in a formal bust-length composition. The subject is portrayed with a detailed facial expression, featuring a beard and mustache, and is dressed in a formal coat and necktie. The painting captures the essence of the individual's character and historical significance.

This portrait painting by Henrique Manzo depicts Dr. Affonso D'Escragnolle Taunay, a notable Brazilian figure. The artwork captures his likeness with attention to detail, reflecting the historical significance of the subject.

This historical painting by Henrique Manzo depicts Dr. Fernando de Bragança, featuring detailed portrayal of his white hair and a medallion, highlighting his distinguished appearance and perhaps his professional or academic status. The artwork is part of the Museu Paulista da USP collection, indicating its cultural and historical significance.

This historical painting by Henrique Manzo depicts General Jacinto Inácio Pinto Rabelo, a Brazilian military figure, in a detailed military uniform. The portrait captures his dignified expression, featuring elements such as a mustache, glasses, and black hair, reflecting the formal attire of a military officer. The artwork is part of the Museu Paulista da USP collection, highlighting its cultural and historical significance.

This portrait depicts Father José de Anchieta, a Jesuit priest and scholar, in a formal setting. The painting captures his dignified appearance, with white hair and a laurel branch, symbolizing honor and scholarly achievement. It is part of the Museu Paulista da USP collection.

This portrait depicts Father Ângelo Siqueira, a religious figure, in traditional attire. The painting captures his dignified presence, with elements like a cassock, crucifix, and book suggesting his role as a priest. The setting includes a table and furniture, indicating a formal or ecclesiastical environment.

Rua das Flores is a historical painting by Henrique Manzo depicting a street scene in São Paulo, Brazil. The artwork captures the urban landscape with elements such as a basket, fruit, and a stone wall, reflecting the 20th-century city life. It showcases the vibrant street culture and architectural details of the time.

This painting by Henrique Manzo depicts a scene of a Paulista tropero and a beggar collecting alms. The artwork showcases traditional clothing, a shepherd's crook, and elements of the landscape, reflecting the cultural and social aspects of the region.

This historical painting by Henrique Manzo depicts the Velha Fazenda Paulista, also known as the Sítio dos Alferes, a historic plantation from 1835. The artwork captures the rural landscape of the region, featuring a large house, surrounding buildings, mountains, and coffee plantations, offering a glimpse into the agricultural and social life of 19th-century Brazil.

This historical painting by Alfredo Norfini depicts a cart used for processing coffee in Campinas, Brazil. The artwork captures the traditional methods of coffee production during the 19th century, showcasing the labor and tools involved in this important economic activity.

This painting by Alfredo Norfini depicts the construction of a reservoir at Fazenda Cachoeira in Campinas. The scene captures the labor and effort involved in building the structure, with elements of the landscape and local environment incorporated into the composition.

This painting by Alfredo Norfini depicts the process of coffee bean husking using a bovine foot, set against a rural scene. The artwork captures the agricultural labor typical of 19th-century Brazil, showcasing the connection between farming practices and domesticated animals.

This painting by Alfredo Norfini depicts a historical scene from 1840, showcasing a sugarcane plantation in Brazil. The artwork captures the landscape of a rural area, featuring elements such as trees, hills, and a bullock cart, which suggests the agricultural and labor conditions of the time. The inclusion of slavery-related themes in the tags indicates the painting's focus on the socio-economic context of plantation life.

This historical painting by Alfredo Norfini depicts a plantation in Campinas, Brazil, showcasing traditional rural life in the 19th century. The scene includes a house, horse, and workers in traditional attire, set against a mountainous landscape.

This historical painting by Alfredo Norfini depicts a 19th-century plantation scene in Campinas, Brazil. The artwork showcases traditional clothing, a rural landscape with mountains and a stream, and includes elements like a house, horse, and plantations of coffee trees.

Inocência no Túmulo de um Liberal is a historical painting by Alfredo Norfini depicting a scene of mourning and reflection. The artwork features a woman and a child standing before a grave, surrounded by elements that suggest a church setting, including a bookcase, pulpit, and traditional clothing. The composition evokes themes of loss and remembrance, with detailed attention to the figures' attire and the solemn atmosphere of the scene.

This painting by Alfredo Norfini depicts a common monjolo, a type of watermill, and explores themes of slavery and the early days of agriculture in Paulista, Brazil. The artwork provides insight into the historical and social context of agricultural development in the region.

This painting by Alfredo Norfini depicts a monjolo de rabo, a traditional Brazilian horse-drawn cart used in rural areas. The artwork captures the essence of rural life in Campinas, highlighting the cultural significance of this transportation method during the early 20th century. With its historical context, the piece offers insight into the social and economic conditions of the time.

This painting by Alfredo Norfini depicts the first coffee plants, likely illustrating the early cultivation of coffee in Brazil. The artwork is part of the Museu Paulista da USP collection, suggesting a historical and cultural significance related to Brazilian coffee production. The scene may include elements of the Society of Jesus, as indicated by the tags, highlighting the religious and economic impact of coffee in colonial times.

This historical painting by Alfredo Norfini depicts a street scene from 1858. The composition features a balcony, a house, and a church building, capturing the architectural essence of the era. The artwork provides a glimpse into the urban landscape of São Paulo during the mid-19th century.

This triptych by Alfredo Norfini depicts scenes from the traditional Portuguese folk festival of Cavalhadas, which takes place in Sorocaba, Brazil. The painting includes elements such as knights, flags, and floral motifs, reflecting the cultural and historical significance of the event. It showcases the vibrant costumes and ceremonial aspects of the festival, capturing the spirit of community and tradition.

Ciclo do Ouro is a historical painting by Rodolfo Amoedo depicting scenes related to gold mining and slavery in Brazil. The artwork explores themes of labor, exploitation, and the socio-economic impact of mining during the early 20th century. Through its vivid imagery, the painting captures the struggles of enslaved individuals and the harsh realities of gold panning in Brazilian history.

Ciclo da Caça ao Índio is a historical painting by Henrique Bernardelli created in 1922. The artwork depicts scenes from the Brazilian bandeirante expeditions, focusing on the themes of indigenous slavery and the harsh realities of colonial expansion. It features elements such as forests, indigenous people, and symbols of the bandeirantes' activities, including rocks and trees.

This historical painting by José Canella Filho depicts the town of Jacareí in 1827. The scene captures rural life with elements such as a horse, farm, hill, cattle, fence, house, church building, bridge, and stream, offering a glimpse into the landscape and daily activities of the time.

This painting by José Canella Filho depicts a panoramic view of São Paulo in 1889. It showcases the city's landscape, including trees, houses, a stream, and a church, capturing the essence of urban life during the late 19th century.

This portrait depicts Tommaso Gaudenzio Bezzi, a Brazilian artist known for his contributions to Brazilian modernism. The painting showcases Bezzi in a traditional attire, highlighting elements such as a white beard, moustache, and monocle, which are characteristic of his style. The detailed accessories like the necktie, handkerchief, and suit reflect the cultural and historical context of the early 20th century.

This historical painting by José Canella Filho depicts a panoramic view of Guaratinguetá in 1835. The scene includes a river, hills, a church, and a town street, capturing the landscape and architecture of the region during the 19th century.

This portrait depicts Antônio Pereira Rebouças, a notable Brazilian figure, dressed in traditional attire. The painting showcases intricate details of his clothing, including decorative elements and insignias, highlighting his status and cultural significance. Created by Domenico Failutti in 1925, it is part of the Museu Paulista da USP collection.

This painting by Domenico Failutti depicts a portrait of Cônego Januário da Cunha Barbosa, a notable figure. The artwork captures his likeness with attention to detail, reflecting Failutti's skill in portraiture.

This painting by Domenico Failutti depicts Dona Leopoldina de Habsburgo and her children, showcasing traditional costumes and accessories. The artwork includes detailed elements such as ruffles, belts, and necklaces, highlighting the cultural and historical significance of the subjects. It is a historical painting that captures the royal family of Brazil during the 19th century.

This portrait by Domenico Failutti depicts Hipólito José da Costa, a notable Brazilian figure, in traditional attire. The painting captures his dignified expression and intricate clothing details, reflecting the cultural and historical context of early 20th-century Brazil.

This portrait by Domenico Failutti depicts Joaquim Lima e Silva, the Visconde de Mogi Das Cruzes, in a formal military uniform. The subject is portrayed with intricate details in his traditional costume, including a necklace, belt, and various insignias and medals. The painting captures the dignity and historical significance of the individual, reflecting the cultural and military heritage of the time.

This portrait depicts Joaquim P. de Albuquerque, the 2nd Baron of Pirajá, in a formal military uniform. The painting captures his distinguished appearance, featuring intricate details such as his traditional costume, embroidery, and insignia. Domenico Failutti's work highlights the subject's regal presence and historical significance.

This portrait by Domenico Failutti depicts Joaquim Xavier Curado, a notable figure, in a detailed traditional military uniform. The painting showcases intricate embroidery and decorative elements, highlighting the subject's status and historical significance. It is part of the Museu Paulista da USP collection, reflecting the cultural and historical context of the early 20th century.

This painting by Domenico Failutti depicts José Joaquim da Rocha, a notable Brazilian figure. It is a portrait that captures the essence of its subject, showcasing Failutti's skill in portraiture.

This portrait by Domenico Failutti depicts José Lino Coutinho, a notable figure, in a detailed traditional military uniform. The painting showcases intricate embroidery and a prominent necklace, highlighting the subject's status and heritage. The subject's black hair and meticulously styled appearance reflect the formal and historical context of the piece.