Art from Brazil

The 1888 painting Independence or Death, also known as the Cry of Ipiranga, is an oil on canvas painting by Pedro Américo. It depicts the proclamation of Brazilian independence, capturing the moment of historical significance with a focus on the figure of Pedro I of Brazil. The artwork is renowned for its dramatic portrayal of the event, symbolizing the struggle for national sovereignty.

Moema is an oil painting on canvas created in 1866 by Brazilian artist Victor Meirelles. It depicts the homonym character from the epic poem Caramuru (1781), by Santa Rita Durão. The work does not depict a scene from the poem, but instead Meirelles's personal interpretation of the character's fate, submerging into the water after being rejected by Caramuru.

View of Olinda is a painting by Frans Post, a Dutch painter who was one of the first European-trained painters to depict landscapes of the Americas during a trip with John Maurice of the WIC. The painting depicts Olinda Cathedral in ruins, damage that was sustained when the Dutch seized a portion of Brazil from the Portuguese. The painting is notable for its depiction of Brazilian animals and plant life, based on drawings Post made from life in Brazil. The painting has its original frame, which is also decorated with motifs from nature.

This 17th-century painting by Frans Post depicts a Brazilian landscape featuring the village of Igaraçú. To the left, the church of Sts Cosmas and Damian is prominently displayed, showcasing the colonial architecture of the region. The artwork captures the natural beauty of the Brazilian countryside, with lush vegetation and a serene atmosphere, reflecting Post's skill in capturing both the landscape and the cultural elements of the area.

This painting by José Ferraz de Almeida Júnior depicts a family picnic scene at the Itú Falls, showcasing a serene landscape along the Tietê River. The artwork captures the natural beauty of the surroundings and the joyful gathering of a family, including a man and child, in a peaceful outdoor setting.

This painting by José Ferraz de Almeida Júnior depicts the tragic story of Lucretia, a Roman noblewoman who was raped by Tarquinius Superbus, the son of the Roman king. Her subsequent suicide led to the fall of the Roman monarchy and the establishment of the Roman Republic. The work is an example of historical painting, capturing a pivotal moment in Roman history.

Estudo para Partida da Monção or Departure for Monsoon is an oil painting on a canvas that was completed in 1897 by Brazilian painter José Ferraz de Almeida Júnior, a representation of Brazilian naturalism and realism. The painting depicts a scene of a departure, likely of a group of people, possibly Bandeirantes, setting off on an expedition. It includes elements such as a river, boat, and figures of men, women, children, and an infant, suggesting a family or group leaving on a journey. The inclusion of a priest indicates a religious or ceremonial aspect to the departure.

Roman Slave is a historical painting by Brazilian artist Oscar Pereira da Silva. Created in 1894, the artwork depicts a Roman slave, likely portraying themes of servitude and social hierarchy from the ancient Roman world. The painting is housed in the Pinacoteca do Estado de São Paulo, Brazil, and is an example of historical painting genre.

This painting depicts the Proclamation of the Republic in Brazil, a significant historical event that marked the end of the monarchy and the beginning of the republic. Created by Benedito Calixto in 1893, it captures the moment when the new republic was declared, showcasing the political and social changes of the time.

This portrait by Tarsila do Amaral depicts Marshal Arouche, a Brazilian military figure, in a formal military uniform. The painting captures his dignified presence with intricate details of his attire, including the Order of Christ insignia, and showcases his white hair and stern expression. Created in 1946, it is part of the Museu Paulista da USP collection.

Piques, 1860 is a historical painting by Henrique Manzo depicting a scene from 1860. The artwork captures a bustling urban setting with elements such as a drinking fountain, a monument, and a street scene, reflecting the social and architectural characteristics of the 19th century.

This portrait by Henrique Manzo depicts Augusto de Saint Hilaire, a notable figure, dressed in traditional attire. The painting showcases intricate details of his clothing, including a coat, shirt, hat, and accessories like a necklace and brooch. It reflects the historical and cultural context of the time, with elements such as a tree and handkerchief adding depth to the composition.

This portrait by Henrique Manzo depicts Barão Geraldo de Rezende, a historical figure, in a formal bust-length composition. The subject is portrayed with a detailed facial expression, featuring a beard and mustache, and is dressed in a formal coat and necktie. The painting captures the essence of the individual's character and historical significance.

This portrait painting by Henrique Manzo depicts Dr. Affonso D'Escragnolle Taunay, a notable Brazilian figure. The artwork captures his likeness with attention to detail, reflecting the historical significance of the subject.

This historical painting by Henrique Manzo depicts Dr. Fernando de Bragança, featuring detailed portrayal of his white hair and a medallion, highlighting his distinguished appearance and perhaps his professional or academic status. The artwork is part of the Museu Paulista da USP collection, indicating its cultural and historical significance.

This historical painting by Henrique Manzo depicts General Jacinto Inácio Pinto Rabelo, a Brazilian military figure, in a detailed military uniform. The portrait captures his dignified expression, featuring elements such as a mustache, glasses, and black hair, reflecting the formal attire of a military officer. The artwork is part of the Museu Paulista da USP collection, highlighting its cultural and historical significance.

This portrait depicts Father José de Anchieta, a Jesuit priest and scholar, in a formal setting. The painting captures his dignified appearance, with white hair and a laurel branch, symbolizing honor and scholarly achievement. It is part of the Museu Paulista da USP collection.

This portrait depicts Father Ângelo Siqueira, a religious figure, in traditional attire. The painting captures his dignified presence, with elements like a cassock, crucifix, and book suggesting his role as a priest. The setting includes a table and furniture, indicating a formal or ecclesiastical environment.

Rua das Flores is a historical painting by Henrique Manzo depicting a street scene in São Paulo, Brazil. The artwork captures the urban landscape with elements such as a basket, fruit, and a stone wall, reflecting the 20th-century city life. It showcases the vibrant street culture and architectural details of the time.

This painting by Henrique Manzo depicts a scene of a Paulista tropero and a beggar collecting alms. The artwork showcases traditional clothing, a shepherd's crook, and elements of the landscape, reflecting the cultural and social aspects of the region.

This historical painting by Henrique Manzo depicts the Velha Fazenda Paulista, also known as the Sítio dos Alferes, a historic plantation from 1835. The artwork captures the rural landscape of the region, featuring a large house, surrounding buildings, mountains, and coffee plantations, offering a glimpse into the agricultural and social life of 19th-century Brazil.

This historical painting by Alfredo Norfini depicts a cart used for processing coffee in Campinas, Brazil. The artwork captures the traditional methods of coffee production during the 19th century, showcasing the labor and tools involved in this important economic activity.

This painting by Alfredo Norfini depicts the construction of a reservoir at Fazenda Cachoeira in Campinas. The scene captures the labor and effort involved in building the structure, with elements of the landscape and local environment incorporated into the composition.

This painting by Alfredo Norfini depicts the process of coffee bean husking using a bovine foot, set against a rural scene. The artwork captures the agricultural labor typical of 19th-century Brazil, showcasing the connection between farming practices and domesticated animals.

This painting by Alfredo Norfini depicts a historical scene from 1840, showcasing a sugarcane plantation in Brazil. The artwork captures the landscape of a rural area, featuring elements such as trees, hills, and a bullock cart, which suggests the agricultural and labor conditions of the time. The inclusion of slavery-related themes in the tags indicates the painting's focus on the socio-economic context of plantation life.

This historical painting by Alfredo Norfini depicts a plantation in Campinas, Brazil, showcasing traditional rural life in the 19th century. The scene includes a house, horse, and workers in traditional attire, set against a mountainous landscape.

This historical painting by Alfredo Norfini depicts a 19th-century plantation scene in Campinas, Brazil. The artwork showcases traditional clothing, a rural landscape with mountains and a stream, and includes elements like a house, horse, and plantations of coffee trees.

Inocência no Túmulo de um Liberal is a historical painting by Alfredo Norfini depicting a scene of mourning and reflection. The artwork features a woman and a child standing before a grave, surrounded by elements that suggest a church setting, including a bookcase, pulpit, and traditional clothing. The composition evokes themes of loss and remembrance, with detailed attention to the figures' attire and the solemn atmosphere of the scene.

This painting by Alfredo Norfini depicts a common monjolo, a type of watermill, and explores themes of slavery and the early days of agriculture in Paulista, Brazil. The artwork provides insight into the historical and social context of agricultural development in the region.

This painting by Alfredo Norfini depicts a monjolo de rabo, a traditional Brazilian horse-drawn cart used in rural areas. The artwork captures the essence of rural life in Campinas, highlighting the cultural significance of this transportation method during the early 20th century. With its historical context, the piece offers insight into the social and economic conditions of the time.

This painting by Alfredo Norfini depicts the first coffee plants, likely illustrating the early cultivation of coffee in Brazil. The artwork is part of the Museu Paulista da USP collection, suggesting a historical and cultural significance related to Brazilian coffee production. The scene may include elements of the Society of Jesus, as indicated by the tags, highlighting the religious and economic impact of coffee in colonial times.

This historical painting by Alfredo Norfini depicts a street scene from 1858. The composition features a balcony, a house, and a church building, capturing the architectural essence of the era. The artwork provides a glimpse into the urban landscape of São Paulo during the mid-19th century.

This triptych by Alfredo Norfini depicts scenes from the traditional Portuguese folk festival of Cavalhadas, which takes place in Sorocaba, Brazil. The painting includes elements such as knights, flags, and floral motifs, reflecting the cultural and historical significance of the event. It showcases the vibrant costumes and ceremonial aspects of the festival, capturing the spirit of community and tradition.

Ciclo do Ouro is a historical painting by Rodolfo Amoedo depicting scenes related to gold mining and slavery in Brazil. The artwork explores themes of labor, exploitation, and the socio-economic impact of mining during the early 20th century. Through its vivid imagery, the painting captures the struggles of enslaved individuals and the harsh realities of gold panning in Brazilian history.

Ciclo da Caça ao Índio is a historical painting by Henrique Bernardelli created in 1922. The artwork depicts scenes from the Brazilian bandeirante expeditions, focusing on the themes of indigenous slavery and the harsh realities of colonial expansion. It features elements such as forests, indigenous people, and symbols of the bandeirantes' activities, including rocks and trees.

This historical painting by José Canella Filho depicts the town of Jacareí in 1827. The scene captures rural life with elements such as a horse, farm, hill, cattle, fence, house, church building, bridge, and stream, offering a glimpse into the landscape and daily activities of the time.

This painting by José Canella Filho depicts a panoramic view of São Paulo in 1889. It showcases the city's landscape, including trees, houses, a stream, and a church, capturing the essence of urban life during the late 19th century.

This portrait depicts Tommaso Gaudenzio Bezzi, a Brazilian artist known for his contributions to Brazilian modernism. The painting showcases Bezzi in a traditional attire, highlighting elements such as a white beard, moustache, and monocle, which are characteristic of his style. The detailed accessories like the necktie, handkerchief, and suit reflect the cultural and historical context of the early 20th century.

This historical painting by José Canella Filho depicts a panoramic view of Guaratinguetá in 1835. The scene includes a river, hills, a church, and a town street, capturing the landscape and architecture of the region during the 19th century.

This portrait depicts Antônio Pereira Rebouças, a notable Brazilian figure, dressed in traditional attire. The painting showcases intricate details of his clothing, including decorative elements and insignias, highlighting his status and cultural significance. Created by Domenico Failutti in 1925, it is part of the Museu Paulista da USP collection.

This painting by Domenico Failutti depicts a portrait of Cônego Januário da Cunha Barbosa, a notable figure. The artwork captures his likeness with attention to detail, reflecting Failutti's skill in portraiture.

This painting by Domenico Failutti depicts Dona Leopoldina de Habsburgo and her children, showcasing traditional costumes and accessories. The artwork includes detailed elements such as ruffles, belts, and necklaces, highlighting the cultural and historical significance of the subjects. It is a historical painting that captures the royal family of Brazil during the 19th century.

This portrait by Domenico Failutti depicts Hipólito José da Costa, a notable Brazilian figure, in traditional attire. The painting captures his dignified expression and intricate clothing details, reflecting the cultural and historical context of early 20th-century Brazil.

This portrait by Domenico Failutti depicts Joaquim Lima e Silva, the Visconde de Mogi Das Cruzes, in a formal military uniform. The subject is portrayed with intricate details in his traditional costume, including a necklace, belt, and various insignias and medals. The painting captures the dignity and historical significance of the individual, reflecting the cultural and military heritage of the time.

This portrait depicts Joaquim P. de Albuquerque, the 2nd Baron of Pirajá, in a formal military uniform. The painting captures his distinguished appearance, featuring intricate details such as his traditional costume, embroidery, and insignia. Domenico Failutti's work highlights the subject's regal presence and historical significance.

This portrait by Domenico Failutti depicts Joaquim Xavier Curado, a notable figure, in a detailed traditional military uniform. The painting showcases intricate embroidery and decorative elements, highlighting the subject's status and historical significance. It is part of the Museu Paulista da USP collection, reflecting the cultural and historical context of the early 20th century.

This painting by Domenico Failutti depicts José Joaquim da Rocha, a notable Brazilian figure. It is a portrait that captures the essence of its subject, showcasing Failutti's skill in portraiture.

This portrait by Domenico Failutti depicts José Lino Coutinho, a notable figure, in a detailed traditional military uniform. The painting showcases intricate embroidery and a prominent necklace, highlighting the subject's status and heritage. The subject's black hair and meticulously styled appearance reflect the formal and historical context of the piece.

This portrait by Domenico Failutti depicts José Maria da Silva Lisboa, the Visconde de Cairú, in a formal traditional costume. The subject is portrayed with meticulous attention to detail, showcasing elements such as a ruffle, button, and insignia. The painting captures the essence of early 20th-century Portuguese aristocracy, with the subject's white hair and necktie adding to the formal atmosphere.

This portrait depicts João Severiano M. da Costa, the Marquês de Queluz, in a detailed military uniform. The painting showcases intricate embroidery and traditional costume elements, highlighting the subject's status and heritage. Domenico Failutti's work captures the subject's distinguished appearance, including his beard, white hair, and ornate insignia. The piece is part of the Museu Paulista da USP collection.

This painting depicts Maria Quitéria de Jesus Medeiros, a notable figure in the Brazilian independence movement. She is portrayed in traditional attire, holding a rifle, symbolizing her role as a combatant and folk hero in the campaign for Bahia's independence. The artwork, created by Domenico Failutti in 1920, commemorates the centenary of Brazil's independence and highlights her significance in Brazilian history.

This portrait by Domenico Failutti depicts Nicolau de Campos Vergueiro, a notable figure in Brazilian history. The painting captures his likeness in a traditional military uniform, highlighting his distinguished appearance and status. It is part of the Museu Paulista da USP collection, showcasing the blend of historical and artistic significance.

This portrait depicts Soror Joanna Angélica, a nun, in traditional religious attire. The painting captures her with a crucifix and a medallion of the Sacred Heart, highlighting her spiritual significance. Domenico Failutti, an Italian artist, created this work in 1925 as part of his religious-themed paintings. The piece is part of the Museu Paulista da USP collection.

Café is a historical painting by Antonio Ferrigno depicting a scene from 1903. The artwork showcases a bustling café setting with various elements such as trees, houses, and a church building, reflecting the cultural and social atmosphere of the time. The painting includes figures of men and women in traditional attire, suggesting a focus on everyday life and labor, with details like coffee beans and plantations hinting at the agricultural context of the setting.

O Beneficiamento is a historical painting by Antonio Ferrigno depicting scenes of coffee production in Brazil. The artwork showcases a coffee grower and workers engaged in various stages of coffee processing, including the use of baskets, sewing, and machinery. It provides a glimpse into the agricultural practices of the early 20th century in Brazil, highlighting the role of coffee in the country's economy. The painting is part of the Museu Paulista da USP collection.

O Lavadouro is a historical painting by Antonio Ferrigno created in 1903. The artwork depicts a scene of a worker in traditional attire using a hoe to clean a lavatory, set against a rural landscape. It showcases the daily labor of a man in a rural setting, highlighting the use of agricultural tools and traditional clothing.

This historical painting by Benedito Calixto depicts the old courtyard of the Santos Prison, capturing the colonial architecture and atmosphere of 19th-century Santos. The artwork showcases the former town hall and prison complex, highlighting its historical significance as a site of colonial-era justice and incarceration.

Cavalhadas em Campinas, 1846 is a historical painting by Benedito Calixto depicting a scene from 1846 in Campinas. The artwork showcases a cavalry charge, highlighting the military aspects of the era. It is part of the Museu Paulista da USP collection.

This painting by Benedito Calixto depicts a coffee plantation in the Paraíba Valley, showcasing traditional farming practices and the landscape of the region. The scene includes a variety of elements such as a house, a stream, and workers in traditional costumes, highlighting the cultural and agricultural significance of the area.

This painting by Benedito Calixto depicts the Hospital and Church of Misericórdia in Santos, capturing the historical and architectural significance of the site. The artwork showcases the blend of religious and civic structures, reflecting the cultural heritage of the region.

This historical painting by Benedito Calixto depicts a street scene in 19th-century São Paulo, Brazil. The artwork captures the bustling urban landscape of the time, featuring a slope lined with buildings, houses, and stone structures. Horses and carts are visible, offering a glimpse into the daily life and architecture of the era.

This painting by Benedito Calixto depicts the Largo dos Remédios square in São Paulo, Brazil, from 1862. It showcases the urban landscape of the time, featuring a church, houses, and people in the square, capturing the historical essence of the city during the 19th century.

This painting by Benedito Calixto depicts the Largo e Matriz do Brás in São Paulo, Brazil, from 1862. It showcases the historic Brás District, featuring a church building, horse-drawn carriages, and traditional houses, capturing the urban landscape of the time.

This painting by Benedito Calixto depicts the Colonial Matrix of Santos, a historic church building. The artwork captures the essence of the Society of Jesus and includes elements related to maritime history, such as boats and the sea, reflecting the region's connection to trade and exploration. It also incorporates themes of slavery and plant life, highlighting the complex social and economic history of the area.

This painting by Benedito Calixto depicts a sugarcane mill at Fazenda Cachoeira in Campinas, Brazil, from 1830. It showcases the industrial processes of the time, including machinery and laborers, and provides insight into the historical context of slavery in Brazil.

This painting by Benedito Calixto depicts a panoramic view of Santos, Brazil, capturing the city's coastal landscape with sailing ships in the distance. The scene includes hills and the Atlantic Ocean, showcasing the harbor's historical significance during the 19th century.

This historical painting by Benedito Calixto depicts the interior courtyard of Santos Jail from 1854. The work offers a glimpse into the architectural and social conditions of the prison during the 19th century.

This painting by Benedito Calixto depicts the Pelourinho (a whipping post) and the naval arsenal in Santos, Brazil, from 1850. It captures historical scenes related to slavery and maritime activities, showcasing the architectural and social elements of the era.

This painting by Benedito Calixto depicts Padre Bartolomeu Lourenço de Gusmão, a Portuguese Jesuit priest and explorer. The artwork showcases his traditional religious attire, including a cassock and a necklace, along with symbolic elements like a compass and a book, reflecting his role as a scholar and missionary. The setting includes a table, chair, and other furniture, suggesting a domestic or scholarly environment.

This portrait depicts Father José de Anchieta, a Jesuit priest and scholar, surrounded by symbolic elements such as a crucifix, Bible, and a gull, reflecting his spiritual significance. The painting captures his white hair and the use of a walking stick, emphasizing his age and role as a religious figure. Created in 1902 by Benedito Calixto, it is part of the Museu Paulista da USP collection.

This historical painting by Benedito Calixto depicts the street scene of Rua da Constituição in São Paulo, Brazil, capturing the urban landscape of the late 19th century. The artwork showcases the architectural details of the area, including the Antiga Igreja de São Bento and other notable buildings, providing a glimpse into the city's historical development.

This historical painting by Benedito Calixto depicts the street Rua da Cruz Preta in Quintino Bocaiuva, São Paulo, Brazil, as it appeared in 1862. The artwork captures the urban landscape of the time, featuring buildings, streets, and architectural elements characteristic of the 19th-century Brazilian cityscape.

This historical painting by Benedito Calixto depicts the street scene of Rua da Quitanda in São Paulo, Brazil, from 1858. The artwork captures the urban landscape and daily life of the city during the 19th century, featuring elements such as houses, merchants, and carts. It is part of the Museu Paulista da USP collection.

This historical painting by Benedito Calixto depicts a panoramic view of Cubatão, showcasing the natural landscape and rural elements. The scene includes trees, hills, mountains, a river, and a bullock cart, highlighting the serene beauty of the area during the early 19th century.

This historical painting by Benedito Calixto depicts the Municipal Chamber, Forum, and Jail of São Paulo from 1862. The artwork showcases the architectural details of these buildings, including intricate elements like sentry boxes, bell-gables, pediments, and numerous windows. It provides a glimpse into the urban landscape and civic structures of São Paulo during the mid-19th century.

Paisagem do Campo do Ipiranga is a historical painting by Antônio Parreiras, created in 1893. The artwork depicts the Ipiranga Field, a significant historical site in Brazil, known for its connection to the country's independence movement. The painting captures the natural landscape and historical atmosphere of the location, reflecting Parreiras' skill in blending natural scenery with historical context.

Oscar Pereira da Silva's painting depicts the 9th Meeting of Monsoons in the Sertão, capturing the dramatic interplay of clouds, hills, and rivers. The scene features a boat and a flag, with elements suggesting a historical expedition. The artwork is part of the Museu Paulista da USP collection.

Bandeirantes a Caminho das Minas is a historical painting by Oscar Pereira da Silva created in 1920. The artwork depicts a group of bandeirantes, Portuguese explorers, on their journey to the Minas Gerais region in search of gold and other resources. The painting captures the rugged landscape and the equipment used by these explorers, including firearms, horses, and various personal belongings.

Oscar Pereira da Silva's painting depicts a historical scene set in the Serra do Mar region. The artwork captures a landscape featuring a stream, trees, and various elements such as a donkey, horse, and man, suggesting a rural or pastoral setting. The inclusion of clothing items like shirts and hats adds to the narrative of daily life in the 19th century. This painting is part of the Museu Paulista da USP collection.

Carga de Canoas is a historical painting by Oscar Pereira da Silva depicting a scene of a canoe loaded with goods, likely during the colonial period. The artwork captures the essence of river transport and trade, with elements such as a canoe, river, house, and sky visible in the composition. It reflects the cultural and economic aspects of the time, showcasing the significance of waterways in connecting communities.

This historical painting by Oscar Pereira da Silva depicts a battle between the Bandeirantes of Mogi das Cruzes and the Guaicurus. The scene captures the intense confrontation, with figures on horseback wielding spears and swords, set against a backdrop of hills and trees.

This historical painting by Oscar Pereira da Silva depicts the Battle of the Botocudos in Mogi das Cruzes. It captures a dramatic scene of conflict between indigenous Botocudo people and colonial forces, showcasing traditional costumes, weapons, and the rugged landscape of the region.

Hércules Florence is a historical painting by Oscar Pereira da Silva, depicting the Brazilian inventor and writer Hércules Florence. The artwork captures his distinctive appearance, featuring a beard, moustache, and goatee, along with his formal attire including a shirt, vest, coat, and necktie. It is part of the Museu Paulista da USP collection, showcasing the subject holding a meat chop, a detail that adds a personal touch to the portrait.

This historical painting by Oscar Pereira da Silva depicts the ship Capitania de Cabral, which was part of the Portuguese expedition led by Pedro Álvares Cabral. The scene shows Indigenous peoples of the Americas on board the ship, highlighting the historical encounter between European explorers and Native Americans during the early 16th century. The painting captures the atmosphere of the Atlantic Ocean voyage, with the ship sailing towards Porto Seguro, a significant port in Brazil.

This painting by Oscar Pereira da Silva depicts a covered bridge in Cubatão, Brazil, with a serene landscape featuring trees, a river, and a small boat. The scene includes a hill in the background, clouds, and a variety of architectural elements, capturing the historical and natural beauty of the area.

This painting by Oscar Pereira da Silva depicts Joseph of Anchieta, a prominent 16th-century Portuguese Jesuit missionary known for his work in Brazil. The artwork showcases Anchieta in a formal portrait, highlighting his religious attire, including a cassock, and his distinctive white hair. It is part of the Museu Paulista da USP collection, reflecting the historical and cultural significance of the subject.

This painting depicts Pedro I of Brazil, the first emperor of Brazil, in a formal portrait. Created by Oscar Pereira da Silva in 1925, it captures the historical figure during a significant period in Brazilian history. The artwork is part of the Museu Paulista da USP collection, highlighting its cultural and historical importance.

This portrait by Oscar Pereira da Silva depicts Joaquim Gonçalves Ledo, a notable historical figure. The painting captures him in traditional attire, featuring a tailcoat, shirt, and cockade, with intricate details highlighting his accessories such as a necklace. The background includes elements like a sidewalk, suggesting a public setting, and the overall composition reflects the historical genre.

This painting by Oscar Pereira da Silva depicts Joaquim José da Silva Xavier, also known as Tiradentes, a prominent figure in Brazilian history. The artwork captures his likeness with attention to detail, including his beard and rope, which are significant elements in his historical narrative. The portrait is part of the Museu Paulista da USP collection.

This painting depicts José Bonifácio de Andrada e Silva, a key figure in Brazil's independence movement. Created by Oscar Pereira da Silva in 1922, it is a historical portrait that captures the likeness of the statesman and scientist, who played a crucial role in Brazil's transition to independence from Portugal.

This portrait painting by Oscar Pereira da Silva depicts José Clemente Pereira, a notable figure in Brazilian history. The artwork captures his likeness with attention to detail, reflecting the historical significance of the subject. Created in 1925, it is part of the Museu Paulista da USP collection, highlighting its cultural and historical value.

This portrait depicts Martim Francisco Ribeiro de Andrada, a historical figure, in a formal setting. The painting captures his dignified appearance, featuring a well-dressed man with white hair, likely dressed in a suit, reflecting the era's fashion. Created by Oscar Pereira da Silva in 1925, it is part of the Museu Paulista da USP collection.

This portrait depicts Dr. Bernardino de Campos, a notable figure, captured in a formal setting. The painting showcases Oscar Pereira da Silva's skill in rendering detailed facial features and attire, with elements such as glasses, white hair, and a bow tie highlighting the subject's distinguished appearance.

This painting by Oscar Pereira da Silva depicts a portrait of Padre Diogo Antônio Feijó, a significant historical figure in Brazilian history. The artwork captures the likeness of Feijó, who played a crucial role in the country's independence movement. The painting is part of the Museu Paulista da USP collection, highlighting its cultural and historical importance.

Estudo is a historical painting by Bertha Worms, depicting a woman with black hair wearing a shirt. The artwork is part of the Museu Paulista da USP collection, showcasing Worms' skill in portraiture and her focus on individual expression within the historical genre.

This historical painting by Bertha Worms depicts the street scene of Rua Tabatinguera in São Paulo around 1860. The artwork captures the urban landscape of the city during the 19th century, showcasing architectural details and daily life in the area.

This portrait by Tarsila do Amaral depicts Francisco Aranha Barreto, a Brazilian politician and military figure. The painting captures him in a formal bust-length pose, showcasing his distinctive mustache and goatee. He is dressed in a shirt, vest, and necktie, with the Order of the Southern Cross medal prominently displayed. The artwork reflects Tarsila's style of blending realism with symbolic elements, highlighting Barreto's status and historical significance.

This portrait by Tarsila do Amaral depicts Frei Miguel Arcanjo da Anunciação, a religious figure. The painting captures his likeness with attention to detail, reflecting the historical and cultural context of the time.

This portrait by Tarsila do Amaral depicts Joaquim do Amaral Camargo, a notable figure. The painting captures his likeness with attention to detail, showcasing the artist's skill in portraiture.

This portrait by Tarsila do Amaral depicts José Maria Nunes Garcia, a notable figure in Brazilian history. The painting captures his likeness with a focus on his formal attire, including a cassock, which suggests his role as a clergyman. The artwork blends artistic expression with historical significance, reflecting the cultural context of early 20th-century Brazil.

A Carioca is a historical painting by Brazilian artist Pedro Américo, created in 1882. The work depicts a nude woman sitting in a relaxed pose, likely representing the idealized image of a Brazilian woman. The painting is notable for its classical style and its focus on the theme of Brazilian identity and beauty.

This painting depicts Joan of Arc, a French heroine and saint, in a moment of prayer. The artwork captures her spiritual strength and determination, with symbolic elements like a flower in her hand, representing purity and divine guidance. Created by Brazilian artist Pedro Américo in 1883, it is an example of historical painting that highlights the cultural and religious significance of Joan of Arc in Brazilian art.

The Vote of Heloíse is a historical painting by Brazilian artist Pedro Américo, created in 1880. It depicts a poignant scene of Heloíse, a 12th-century French nun, making a solemn vow of chastity before a crucifix. The painting is notable for its emotional depth and religious symbolism, reflecting the themes of devotion and sacrifice. It is part of the historical genre and is housed in a major museum collection.

This painting depicts an Arab violin player, showcasing a unique blend of cultural elements. The artist, Pedro Américo, captures the essence of the subject with intricate details and a rich historical context.

This painting by Pedro Américo depicts the biblical story of Moses and his mother Jochebed. The scene shows Jochebed placing the infant Moses in a basket among the reeds by the Nile, a moment from the Book of Exodus. The composition includes elements of the natural landscape, such as the sky and water, adding to the narrative's dramatic atmosphere.

This historical painting by Pedro Américo depicts Maria Custódia Guimarães de Almeida, a notable figure from 19th-century Brazil. The work captures her likeness with attention to detail, reflecting the portraiture style of the period.

This historical painting by Pedro Américo depicts Silvino de Almeida Brito, a notable figure from Brazilian history. The work captures the subject's likeness with a focus on his dignified expression and formal attire, reflecting the portraiture style typical of the 19th century.

This historical painting by Pedro Américo depicts Conselheiro Filipe Lopes Neto, a prominent Brazilian figure known for his contributions to the Order of the Southern Cross. The work captures his likeness with a focus on his distinguished appearance and significance in Brazilian history.

São Jerônimo is a historical painting by Brazilian artist Pedro Américo, created in 1867. The work depicts Saint Jerome, a Christian saint known for his asceticism and scholarship, in a contemplative pose. The painting is notable for its detailed portrayal of the saint's features and the symbolic elements associated with his life, such as the scroll and the lion, which represent his intellectual pursuits and martyrdom.

This painting depicts the pianist Artur Napoleão, capturing his likeness in a formal portrait. Created by Henrique Bernardelli in 1904, it is an example of historical painting that highlights the cultural significance of musicians during that era.

This painting by Henrique Bernardelli depicts Joachim Lebreton, a notable figure from the late 19th century. The work is an example of historical painting, capturing the essence of its subject with detailed realism and a focus on portraiture.

This painting by Henrique Bernardelli depicts the architect Grandjean de Montigny. It is a historical portrait that showcases the subject's professional demeanor and significance in the field of architecture.

Maternidade is a historical painting by Henrique Bernardelli depicting a mother and child in a domestic setting. The artwork captures the intimacy and emotional depth of motherhood, with the mother seated and holding her child, conveying a sense of warmth and connection.

Henrique Bernardelli's 'Model at Rest' is a pastel on paper artwork from around 1890. The painting depicts a woman in a relaxed pose, capturing a moment of stillness and contemplation. As a historical painting, it reflects the artistic trends and subject matter of the late 19th century.

Henrique Bernardelli's painting 'Messalina' depicts the Roman Empress Messalina, known for her scandalous life and eventual execution. The artwork captures her dramatic expression and regal attire, reflecting the historical intrigue of her story. Created between 1878 and 1886, this painting is an example of historical painting, showcasing Bernardelli's skill in portraying complex historical figures.

Os Bandeirantes is a historical painting by Henrique Bernardelli, created in 1889. The artwork depicts the Brazilian bandeirantes, explorers who ventured into the interior of South America in search of precious metals and indigenous peoples. The painting captures the spirit of adventure and the historical significance of these explorers in Brazilian history.

This painting by Henrique Bernardelli depicts the portrait of Pedro Weingärtner, a notable Brazilian painter. The artwork captures the subject's likeness with detailed brushwork, reflecting the historical and cultural context of Brazilian art during the late 19th or early 20th century.

A Tarantela is a painting by Brazilian artist Henrique Bernardelli created in 1886. The work depicts a lively tarantella dance scene, capturing the energetic movements and vibrant atmosphere of the traditional Italian folk dance. With its rich colors and dynamic composition, the painting showcases Bernardelli's skill in portraying movement and emotion through visual art.

This painting depicts the siege of Humaitá, a significant event during the Paraguayan War. It showcases the intense naval battle between Brazilian and Paraguayan forces, capturing the chaos and drama of the conflict. The artwork highlights the historical importance of the event and the strategic location of Humaitá on the Paraguay River.

This portrait depicts Teresa Cristina do Brasil, the Empress of Brazil. It showcases her regal presence and is a notable example of 19th-century portraiture. The painting captures her dignified expression and elaborate attire, reflecting her status as a member of the Brazilian imperial family.

This historical painting depicts a view of Guanabara Bay on May 6, 1843, capturing the departure of Princess Francisca of Brazil. The scene showcases the harbor with ships and the cityscape of Rio de Janeiro, highlighting the event's significance in Brazilian history.

This historical painting depicts water sellers in Ouro Preto, Brazil, capturing the daily life and cultural essence of the city during the 19th century. The artwork showcases the vibrant street scenes and the traditional methods of water distribution, reflecting the social and economic conditions of the time.

A historical painting by Leopoldino Faria depicting the moment when Tiradentes, a key figure in Brazil's independence movement, responds to his execution. The artwork captures the emotional intensity of the scene, highlighting themes of sacrifice and national identity.

This historical painting depicts a scene of whaling activity in Rio de Janeiro Bay. The artwork captures the traditional method of hunting whales, showcasing the interaction between the crew and the massive marine mammals. The detailed portrayal highlights the historical significance of whaling in the region.

This historical painting by Leandro Joaquim depicts a maritime scene, likely capturing the essence of coastal life or naval activity. The artwork showcases the artist's skill in portraying the sea and its surroundings, with attention to detail in the elements of the scene.

This historical painting by Hans Nöbauer depicts the Church of Santa Efigênia, a notable religious building in Ouro Preto, Brazil. The artwork captures the architectural details and historical significance of the church, reflecting the cultural heritage of the region.

The painting depicts the Battle of Riachuelo, a significant naval engagement during the Paraguayan War. It showcases the confrontation between Brazilian and Paraguayan warships, highlighting the historical context of 19th-century naval warfare.

Primeiros Sons do Hino da Independência, also known as Hino da Independência, is a painting by Augusto Bracet made in 1922. The artwork is a historical painting, and is displayed at the National Historical Museum of Brazil. It portrays, among others, Pedro I of Brazil and Evaristo da Veiga, in 1822.

This historical painting by Miguelzinho Dutra depicts the Monastery of Light, a significant religious site. The artwork captures the serene and spiritual atmosphere of the monastery, highlighting its architectural details and the surrounding landscape.

Festa do Divino is a historical painting by Miguelzinho Dutra depicting a Whitsun celebration in 1841. The artwork captures the vibrant festivities and cultural traditions of the time, showcasing the social and religious aspects of the event. It is an important piece of Brazilian art history, reflecting the customs and community spirit of the period.

This historical painting by Rodolfo Amoedo depicts the founding of Rio de Janeiro, showcasing key figures such as António de Mariz and Estácio de Sá. The artwork captures the essence of the city's establishment, highlighting its historical significance through detailed imagery and symbolism.

This painting by Adrien Henri Vital van Emelen depicts the interior staircase of the Museu Paulista, located in São Paulo, Brazil. The artwork showcases the architectural details of the building, capturing the grandeur of the space with intricate brushwork and attention to texture.

This painting by Miguelzinho Dutra depicts D. Pedro de Alcantara, a significant figure in Brazilian history. It is part of the Album M. A. B. A. D., and is housed in the Museu Paulista da USP collection. The artwork is a detailed illustration capturing the likeness and historical context of the subject.

Avenida Paulista no dia da Inauguração, 8 de Dezembro de 1891 is a watercolor painting by Jules Martin. It is considered the first depiction of the Paulista Avenue, in São Paulo, Brazil. The painting was completed on the same day the avenue was officially inaugurated and named, December 8, 1891. The artwork captures the bustling scene of the newly inaugurated avenue, showcasing the architectural and urban development of São Paulo during the late 19th century.

This historical painting by Miguelzinho Dutra depicts a scene from the 19th century, likely featuring a man as suggested by the tags. The artwork is part of the Museu Paulista da USP collection, indicating its cultural significance in Brazilian art history.

This historical painting by Miguelzinho Dutra depicts Antonio Carlos Ro. de Andra. Machado e Silva, likely portraying him in a formal or ceremonial setting. The artwork is part of the Album M. A. B. A. D., with Prancha N.9 indicating it is the ninth plate in the series. The piece is housed in the Museu Paulista da USP collection.

Oscar Pereira da Silva's painting depicts a coastal path leading towards the sea, with a man in traditional attire walking alongside. The scene includes a sidewalk, trees, and elements of a merchant's costume, suggesting a historical setting. The artwork captures the atmosphere of a 19th-century Portuguese coastal town, blending natural and human elements.

This historical painting by Benedito Calixto depicts a street scene in 19th-century Brazil. The composition shows a bustling urban area with a mix of architectural elements and everyday life, featuring a man and woman walking along a cobbled street flanked by buildings with ornate facades. The sky above is clear and bright, adding to the sense of a lively, historic cityscape.

This painting by Benedito Calixto depicts Luz Station in São Paulo, capturing the bustling scene of a railway station in the late 19th century. The artwork showcases the architectural details of the station, the movement of trains, and the people interacting within this transportation hub.

This historical painting by Adrien Henri Vital van Emelen depicts the old arcades of the Law School at the University of São Paulo. The artwork captures the architectural details of the building, showcasing its grandeur and historical significance. It is an example of historical painting that highlights the academic and cultural heritage of the institution.

This portrait by José Ferraz de Almeida Júnior depicts Dr. Prudente José de Mores Barros, a notable figure, in a formal setting. The painting captures his distinguished appearance with traditional attire, including a coat, necktie, and accessories, against a backdrop of furniture and a bookcase, suggesting a scholarly or professional environment.

This portrait depicts Dr. Fernando Prestes de Albuquerque, a notable figure, in a formal attire. The painting showcases Almeida Júnior's skill in capturing the subject's likeness with attention to detail, including his distinctive mustache and goatee. The composition emphasizes the subject's professional demeanor, typical of historical portraits from the late 19th century.

This portrait painting by Benedito Calixto depicts José Bonifácio de Andrada e Silva, a prominent Brazilian statesman and one of the founders of the Empire of Brazil. The artwork captures him in a formal setting, showcasing his distinguished appearance with elements such as a tailcoat, insignia, and a sword, reflecting his historical significance.

This portrait depicts Emperor Pedro II of Brazil in a formal military uniform, showcasing intricate embroidery and insignia. He wears a traditional Brazilian military costume, complete with a beard, moustache, and a necklace featuring medallions. The painting captures the regal presence of the emperor, highlighting his distinguished appearance and the elaborate details of his attire.

This portrait depicts Dom Pedro I, a significant historical figure in Brazilian history, dressed in traditional attire. The painting captures his dignified appearance, featuring intricate details such as his necklace, insignia, and traditional clothing. Created by Benedito Calixto in 1902, it is a historical painting that highlights the cultural and political importance of Dom Pedro I.

This portrait depicts Conselheiro Bernardo A. Gavião Peixoto, a Brazilian military figure, in a formal military uniform. The painting captures his distinguished appearance with a beard, mustache, and goatee, set against a table and a sword, highlighting his status and historical significance.

This portrait depicts Ana Joaquina Fonseca de Queiroz Telles, the Second Baroness of Jundiaí, in a traditional Brazilian costume. The painting captures her seated in a chair, with intricate details of her black hair and elegant dress, reflecting the historical and cultural context of 19th-century Brazil.

Estudo de Nu is a painting by José Ferraz de Almeida Júnior, created in 1901. It depicts a nude male figure in a classical style, focusing on the study of the human form. The artwork is part of the Museu Paulista da USP collection, highlighting the artist's expertise in portraiture and anatomical studies.

This historical painting by Benedito Calixto depicts the Largo do Rosário in Santos, Brazil, circa 1850. The scene captures the bustling urban landscape of the time, featuring a mix of architectural elements, people, and the open sky.

This portrait by Maximiliano Scholze depicts Brigadeiro Raphael Tobias de Aguiar, a Brazilian military figure, in a formal military uniform. The painting captures his dignified presence with intricate details such as his epaulette, insignia, and sword, set against a background that includes furniture and a table, suggesting a formal setting.

This portrait depicts Marshal Floriano Peixoto, a prominent Brazilian military leader and politician. The painting captures his formal attire, including a military uniform adorned with decorations, and showcases his distinguished appearance with a moustache and black hair. Created by Oscar Pereira da Silva in 1901, it serves as a historical representation of a significant figure in Brazilian history.

Partida de Porto Feliz is a historical painting by Oscar Pereira da Silva, created in 1901. The artwork depicts a scene from the Brazilian abolition of slavery, showing enslaved individuals being transported on a boat, likely heading to a new location. The painting captures the emotional and historical significance of this period, with elements of landscape and watercraft prominently featured.

Aurélio Zimmermann's painting depicts a historical scene set in Porto Feliz, capturing elements of landscape, flora, and fauna. The artwork includes a house, boat, and trees, with themes of domestication and slavery subtly integrated into the scene.

Aurélio Zimmermann's painting depicts a scene from the Brazilian interior, likely portraying a resting place in the sertão region. The artwork features elements such as a bonfire, a hut, a boat on a river, and a tree, suggesting a narrative related to exploration or historical events. The inclusion of a Bandeirante and themes of slavery hint at the complex social and historical context of the time.

Bandeirantes na selva is a historical painting by Henrique Bernardelli created in 1901. The artwork depicts a scene from Brazilian history, showcasing the bandeirantes - explorers who ventured into the Amazon jungle. The painting captures the lush jungle environment and the adventurous spirit of these pioneers.

Últimos Momentos de um Bandeirante is a 1932 painting by Henrique Bernardelli depicting the final moments of a bandeirante, a Portuguese explorer in colonial Brazil. The artwork captures the historical context of Brazil's colonization through its portrayal of the bandeirante's journey and the cultural landscape of the region.

This portrait depicts the Baronesa de Sabará, a noblewoman of the late 19th or early 20th century. The painting showcases her elegant attire, including a dress, necklace, and earring, along with accessories like a handbag and glove. The composition highlights her refined appearance and the intricate details of her hairstyle, which features a braid.

This historical painting by Benedito Calixto depicts the Convento de Itanhaém, a religious site from 1884. The artwork captures the architectural details of the convent, surrounded by natural elements such as hills, trees, and plants, reflecting the serene and spiritual atmosphere of the location.

This historical painting by Benedito Calixto depicts the Sítio de São Jorge dos Erasmos, a rural estate in Brazil. The artwork captures the serene landscape featuring trees, a fence, and the Engenho dos Erasmos, reflecting the region's natural beauty and cultural heritage.

This historical painting by Graciliano Vicente Xavier depicts the Convento e Várzea do Carmo, a significant religious and agricultural site. The scene captures the landscape surrounding the convent, featuring a hill, a road, and elements of rural life such as cattle and plantations. The painting offers a glimpse into the historical and cultural context of the region during the late 19th century.

This historical painting by Adrien Henri Vital van Emelen depicts a scene from the port of Santos in 1826. The composition showcases the bustling activity of the harbor, with figures engaged in various tasks, cargo loading, and the presence of enslaved individuals. The artwork provides a glimpse into the economic and social dynamics of the region during the early 19th century.

This historical painting by Campos Ayres depicts a panoramic view of São Vicente, capturing the town's architecture, streets, and natural surroundings. The scene includes houses, trees, and the sky, offering a glimpse into the urban landscape of the late 19th century.

This painting by Alfredo Norfini depicts a scene from the coffee industry, focusing on the process of winnowing coffee beans. The artwork captures the labor and traditional methods involved in coffee production, highlighting the cultural and historical significance of this practice. It features a group of individuals engaged in the task, dressed in traditional attire, with elements like a broom, fishing rod, and winnowing basket present in the scene.

This portrait depicts Francisco de Paula Rodrigues Alves, a Brazilian politician and statesman, seated in a chair. The painting captures his dignified expression and white hair, reflecting his esteemed status. Created by Carlo De Servi in 1913, it is an example of historical painting that highlights the subject's significance in Brazilian history.

This portrait depicts Estevam Ribeiro de Rezende, the Marquês de Valença, in a formal military uniform. The painting showcases intricate details of his traditional costume, including a necklace with embroidery and various insignias, highlighting his status and heritage. Created by Oscar Pereira da Silva in 1925, it is a historical painting that captures the essence of early 20th-century Brazilian aristocracy.

This portrait by Oscar Pereira da Silva depicts Felisberto Caldeira Brandt, the Marquês de Barbacena, in a detailed traditional military uniform. The painting showcases intricate embroidery, medals, and insignias, highlighting his noble status and military rank. The subject's black hair and elaborate accessories reflect the artistic style of the early 20th century.

This portrait depicts Mariano J. Pereira Fonseca, the Marquês de Maricá, in a detailed traditional military uniform. The painting showcases intricate embroidery and insignia, highlighting his status and heritage. It is a historical painting by Oscar Pereira da Silva, created in 1925.

This portrait depicts Antonio Carlos Ribeiro de Andrada, a notable figure, dressed in a military uniform. The painting showcases intricate details such as the embroidery on his uniform and the ornate necklace he wears. The subject's white hair and stern expression add to the historical significance of the piece.

Retirada do Cabo de São Roque is a historical painting by Henrique Bernardelli created in 1927. The artwork depicts a scene from Brazilian history, likely involving indigenous peoples and bandeirantes, with elements such as rivers, horses, and weapons present.

Posse da Amazônia is a historical painting by Fernandes Machado created in 1924. The artwork depicts a scene from the Amazon region, likely portraying a military or ceremonial procession. It features various elements such as traditional costumes, military uniforms, and symbolic objects like swords, highlighting the cultural and historical significance of the Amazonian area.

Ciclo dos Criadores de Gado is a historical painting by João Batista da Costa, created in 1925. The artwork depicts scenes related to cattle breeding, likely portraying rural life and traditional practices. It features elements such as horses, cattle, traditional costumes, and accessories like hats and boots, reflecting the cultural and social context of the time.

This landscape painting by Aurélio de Figueiredo captures a serene natural scene, featuring elements such as plants, trees, and a fence. The artwork reflects the artist's attention to detail and his ability to convey the beauty of the surrounding environment.

This portrait depicts Dona Tereza Correia de Camargo Leite, a notable figure from 19th-century Brazil. Created by José Ferraz de Almeida Júnior in 1895, the painting captures her likeness with a focus on her dignified expression and elegant attire, reflecting the historical and cultural context of the time.

This portrait depicts Dr. Elias Chaves, a notable figure from the 19th century, captured in a formal setting. The painting showcases Almeida Júnior's skill in rendering detailed facial features and the subject's dignified expression. The composition emphasizes the subject's professional demeanor, with a focus on his attire and facial hair.

This portrait depicts Dr. Martinho Prado, a notable figure, in a formal setting. The painting showcases Jules Ballá's skill in capturing the subject's likeness with attention to detail, including his distinctive mustache and beard. The composition features elements like a tailcoat and a sidewalk, suggesting a refined and historical context.

This historical painting by Carlo De Servi depicts Dona Veridiana Prado, a notable figure, seated in a chair. The artwork captures her likeness with intricate details, reflecting the late 19th-century portraiture style. The piece is part of the historical genre, highlighting the subject's significance in her time.

This portrait depicts Francisca Miquelina P. do Amaral, the Viscondessa de Indaiatuba, in a formal and elegant setting. The painting captures her with intricate details such as her white hair, veil, and a cockade, suggesting a high social status. Created by François-Auguste Biard in 1900, it is an example of historical painting that highlights the fashion and demeanor of the late 19th to early 20th century elite.

This portrait depicts Francisco de Canto e Mello, a historical figure, in a detailed military uniform. The painting showcases intricate decorations and accessories, reflecting the subject's status and era. Created by Ferdinand Piereck in 1881, it is a notable example of historical painting.

This painting by Adrien Henri Vital van Emelen depicts a heroic figure from the Paraguayan War, showcasing the subject's dignified presence with intricate details. The artwork captures the essence of valor and sacrifice, with elements like a medallion and white hair suggesting historical significance. The painting's detailed composition and use of light emphasize the subject's noble character, reflecting the historical context of the conflict.

This painting by Adrien Henri Vital van Emelen depicts a Black man wearing a hat and a suit, likely in a formal or historical setting. It is part of the collection at Museu Paulista, suggesting a connection to Brazilian cultural or historical themes.

This painting by Adrien Henri Vital van Emelen depicts a caipira (a traditional Brazilian farmer) preparing a cigarette made from smoke and straw. The work, created in 1901, captures the subject's detailed portrait with a knife, highlighting the cultural and rural aspects of Brazilian life.

This painting by Adrien Henri Vital van Emelen depicts Captain Alfredo Índio Carajá, a figure likely representing a Brazilian indigenous leader or individual. The artwork captures a historical moment, reflecting the cultural and social context of early 20th century Brazil. With its detailed portrayal, the painting serves as both a portrait and a historical document, highlighting the significance of indigenous heritage during that period.

This painting depicts a Native American man holding a bow and arrow, portrayed in a realistic style. The subject's expression and posture suggest a sense of strength and dignity, typical of the historical genre. The artwork captures the essence of indigenous culture and the individual's connection to nature.

This painting by Adrien Henri Vital van Emelen depicts a young Indigenous woman from the Carajá people smoking a pipe. The artwork captures the cultural essence of the Amazonian region, showcasing traditional attire and jewelry, including a prominent necklace. It is an example of historical painting that highlights the lives and customs of Indigenous peoples of the Americas.

Sala de Visita - Teto is a historical painting by Oreste Sercelli created on March 25, 1911. The artwork features intricate ceiling decorations with elements such as rosettes, angels, volutes, flowers, and monsters, showcasing the artist's detailed craftsmanship and thematic richness.

This painting by Oreste Sercelli depicts a historical scene, likely featuring elements of daily life or cultural significance from the early 20th century. The artwork incorporates intricate patterns and motifs such as seashells, flowers, and rosettes, suggesting a decorative or symbolic approach to the subject matter.

This painting by Oreste Sercelli depicts a detailed scene featuring elements such as doors, ceilings, leaves, rosettes, flowers, walls, and a Ramalhete. The artwork, created in 1912, is categorized as a historical painting, suggesting it may portray a narrative or significant event from the past.

Sala de Janta Teto is a historical painting by Oreste Sercelli created in 1912. The artwork depicts a ceiling fresco featuring intricate patterns of flowers, leaves, seashells, and other ornamental elements. It showcases Sercelli's skill in creating detailed and decorative ceiling art, with motifs such as angels, cornucopias, and chess pieces adding to the complexity of the design.

This painting by Oreste Sercelli depicts a historical scene, likely featuring elements of nature such as walls, leaves, and flowers, which are central to the artwork's composition. The piece, created in 1910, is part of the historical painting genre, suggesting a narrative or symbolic representation of a past event or theme.

This painting by Oreste Sercelli depicts a historical scene with elements of daily life, featuring a woman interacting with objects such as a vase, egg, and garland. The composition includes stairs and a wall, suggesting an interior setting. The artwork captures a moment of quiet domesticity amidst symbolic items that hint at cultural or narrative depth.

Sala de Jantar 03 is a historical painting by Oreste Sercelli, created on June 22, 1911. The artwork depicts a detailed interior scene, likely a dining room, featuring elements such as walls, doors, and decorative objects like vases and cornucopias. It also includes symbolic elements like angels and chess pieces, suggesting a blend of everyday life and allegorical themes.

This painting by Oreste Sercelli depicts a historical scene with elements such as a vase, ceiling, flowers, leaves, an angel, a woman, walls, a door, and volutes. The artwork, created in 1907, showcases intricate details and a rich narrative, possibly reflecting themes of domestic life or religious symbolism.

This painting by Oreste Sercelli features a detailed depiction of a landscape with elements such as walls, leaves, seashells, and ropes. It includes decorative elements like cockades, garlands, and rosettes, suggesting a blend of natural and symbolic motifs. The artwork, created in 1910, reflects Sercelli's interest in combining natural forms with intricate patterns.

This painting by Oreste Sercelli depicts a detailed scene featuring a door, ceiling, butterfly, flower, angel, leaf, trefoil, wall, and landscape elements. The artwork combines intricate details with a sense of historical narrative, characteristic of the historical painting genre.

Sala de Jantar 05 is a historical painting by Oreste Sercelli created on October 5, 1902. The artwork depicts a detailed scene of a dining room ceiling, featuring intricate designs with elements such as flowers, leaves, and a monster, suggesting a blend of natural motifs and fantastical elements. The painting is part of a series known as 'Sala de Jantar' (Dining Room) and showcases Sercelli's skill in combining decorative art with narrative elements.

This painting by Oreste Sercelli depicts a historical scene, likely featuring elements of nature and human figures. The artwork includes motifs such as angels, flowers, seashells, and rosettes, suggesting a decorative and symbolic style. The inclusion of landscapes and leaves further emphasizes its connection to natural themes.

This painting by Oreste Sercelli depicts a historical scene, likely featuring elements of nature and possibly religious or mythological themes given the presence of angels and peafowls in the tags. The artwork, created in 1914, combines detailed botanical elements like flowers and leaves with symbolic imagery, suggesting a blend of realism and allegorical storytelling.

Egreja da Tapatingueira is a historical painting by Oreste Sercelli created on December 26, 1898. The artwork depicts a church, likely in a tropical setting given the presence of flowers, columns, and leaves in the composition.

This painting by Oreste Sercelli depicts a historical scene, likely from the early 20th century. The artwork features intricate details of architectural elements such as arches, volutes, and crosses, suggesting a focus on classical or decorative motifs. The inclusion of floral and leaf patterns, along with a coat of arms, indicates a blend of symbolic and ornamental elements. Created on March 30, 1914, it reflects Sercelli's interest in historical and decorative themes.

This painting by Oreste Sercelli depicts a detailed ceiling fresco from the Theatro Paulistano, featuring ornate patterns, floral motifs, and mythological elements such as angels, monsters, and masks. The artwork showcases the artist's mastery in creating intricate designs that blend decorative art with historical themes.

This painting by Oreste Sercelli depicts a historical scene with elements such as a vase, ceiling, angel, garland, woman, wing, volute, and eagle. The artwork, created in 1916, showcases intricate details and symbolic motifs commonly found in historical paintings.

This painting by Oreste Sercelli depicts a richly detailed scene combining elements of nature and mythology. The composition features a central door adorned with intricate volutes and seashells, flanked by floral motifs and a vase. A woman stands amidst the imagery, suggesting a narrative of transformation or mythological significance. The work, created in 1916, showcases Sercelli's skill in blending symbolic elements with a lush, decorative style.

This painting by Oreste Sercelli depicts a detailed scene featuring elements such as a rosette, ceiling, cockade, leaf, flower, vase, and Ramalhete. The artwork, created in 1916, showcases Sercelli's skill in capturing intricate details and decorative motifs.

Untitled 16 is a 1916 painting by Oreste Sercelli. The artwork features a rich array of symbolic elements including doors, walls, vases, cornucopias, leaves, flowers, volutes, seashells, chickens, and other motifs. The composition suggests a blend of natural and mythological themes, with intricate details that reflect the artist's symbolic and decorative style.