Art from China

This painting by André Reinoso depicts Saint Francis Xavier inspiring Portuguese troops, capturing a moment of spiritual motivation and leadership during a military campaign. The artwork is a historical painting that highlights the religious and military significance of the 17th century.

Huishan Tea Party is a painting by Wen Zhengming, a renowned Chinese artist of the Ming dynasty. The artwork depicts a gathering of scholars and literati enjoying tea in a serene mountain setting, reflecting the cultural and artistic values of the time. It is an example of traditional Chinese ink and color painting, showcasing the artist's skill in capturing natural landscapes and human interaction.

This painting by Zhou Wenju depicts a scene of players engaged in the game of Go, set against a backdrop of intricate double screens. The artwork showcases the elegance and strategic depth of the game, with detailed figures and a richly painted environment that reflects the cultural significance of Go in Chinese art.

This painting by Xiao Yuncong depicts a serene scene of someone reading in the snowy mountains, capturing the tranquility and beauty of the winter landscape. The artwork showcases traditional Chinese painting techniques, with the genre labeled as 設色畫 (colored painting), reflecting the artist's skill in blending colors to create depth and atmosphere.

Yituanheqi (simplified Chinese: 一团和气; traditional Chinese: 一团和气; pinyin: Yītuán Héqì) is a gongbi picture by Chenghua Emperor. The painting depicts Tao Yuanming, Lu Xiujing, and Zen Master Hui Yuan embracing each other, with the three, together, looking like Maitreya. This painting reflects the traditional Chinese syncretic concept of the amalgamation of the three teachings. In concept, it was similar to the anecdotal tale of Three laughs at Tiger Brook.

Five Oxen is a Chinese painting by Han Huang, depicting five oxen in intricate detail. The artwork showcases traditional Chinese brushwork and is considered a masterpiece of the Tang dynasty. It is renowned for its realistic portrayal of the animals and the artist's skill in capturing their movement and texture.

The Founding Ceremony of the Nation is a 1953 oil painting by Chinese artist Dong Xiwen. It depicts Mao Zedong and other Chinese Communist Party (CCP) officials proclaiming the People's Republic of China at Tiananmen Square on October 1, 1949. A prominent example of socialist realism, it is one of the most celebrated works of official Chinese art. The painting was repeatedly revised, and a replica painting made to accommodate further changes, as some of the leaders it depicted fell from power and later were rehabilitated.

Wang Ximeng was a Chinese painter during the Northern Song period, in the early twelfth century. A prodigy, Wang was a student at the imperial court's school of paintings, where he was noticed by Emperor Huizong of Song, who saw Wang's talent and personally taught him. In 1113, at the age of 18, he created his only surviving work, a long blue-green scroll called A Thousand Li of Rivers and Mountains. He died at the age of 23.

This portrait depicts the Qianlong Emperor wearing his formal court attire, showcasing the traditional Chinese imperial dress of the Qing Dynasty. The painting is rendered in vibrant colors and intricate details, characteristic of the Chinese art style. Giuseppe Castiglione, an Italian artist in the Qing court, created this work, blending Western techniques with traditional Chinese aesthetics.

This is a detailed description of the painting. It is a traditional Chinese painting created by Zhan Ziqian, depicting a serene spring scene with mountains, rivers, and people enjoying the natural beauty. The artwork is known for its intricate brushwork and vivid colors, showcasing the artist's mastery of the traditional Chinese painting style. It is considered one of the most important works of the Northern Dynasties period.

This painting by Lan Ying depicts a serene landscape featuring white clouds and red trees, characteristic of the artist's style. It is an example of traditional Chinese ink and color painting, showcasing the natural beauty of the scenery with meticulous brushwork and vibrant colors.

This Song dynasty scroll, attributed to an anonymous artist, depicts a dramatic mountain landscape with intricate details of flora and fauna. The painting showcases traditional Chinese ink and color techniques, characteristic of the Song dynasty's artistic style. It is a fine example of the '設色畫' (colored painting) genre, emphasizing natural beauty and spiritual harmony.

The Later Ode on Red Cliff is a painting by Ma Hezhi, a renowned Chinese artist of the Southern Song dynasty. It is a colored painting (設色畫) that depicts scenes from the later part of the famous ode on Red Cliff, likely referencing the historical events and literary themes associated with the Red Cliff. The work is part of a series inspired by the classic Chinese poetry, showcasing Ma Hezhi's skill in blending literary and visual art.

Fishermen's Joy is a traditional Chinese painting by Wu Wei, depicting scenes of fishermen enjoying their work. The artwork is categorized as a colored painting (設色畫), showcasing Wu Wei's skill in capturing the lively atmosphere of coastal life. This piece reflects the cultural and artistic traditions of the Ming Dynasty, emphasizing the harmony between humans and nature.

This scroll painting by Shen Zhou depicts scenes of leisure and natural beauty, showcasing his signature style of detailed brushwork and vibrant colors. As a renowned Ming dynasty artist, Shen Zhou's work captures the tranquil landscapes and poetic atmosphere of Cangzhou, reflecting the cultural and artistic achievements of the period.

This painting depicts Wang Shizhen releasing a silver pheasant, a scene captured by the artist Yu Zhiding. It is an example of traditional Chinese ink and color painting, showcasing the elegance and grace of the subject.

Landscapes of the Four Seasons is a traditional Chinese painting by Liu Songnian, depicting the four seasons through four distinct scenes. The artwork showcases the artist's mastery of ink and color, with each season portrayed through its unique natural elements and atmospheric conditions. The painting is renowned for its meticulous brushwork and serene composition, capturing the essence of the changing seasons in a harmonious visual narrative.

A Song Dynasty copy of the 'Nymph of the Luo River' painting, which depicts a mythical figure from Chinese literature. The artwork is attributed to Gu Kaizhi, a renowned painter from the Eastern Jin dynasty, and is known for its elegant and flowing style characteristic of traditional Chinese art.

This scroll painting by Zhao Boju depicts a serene autumn landscape featuring rivers, mountains, and vibrant foliage. The artwork showcases traditional Chinese painting techniques with meticulous attention to detail and a harmonious blend of colors, characteristic of the '設色畫' (colored painting) genre.

This scroll painting depicts a serene countryside scene with grazing animals by the riverbank. Created by Qi Xu, it showcases traditional Chinese landscape painting techniques with vibrant colors and meticulous brushwork. The artwork captures the tranquil beauty of nature, featuring lush green hills, flowing water, and a peaceful atmosphere typical of Qing dynasty art.

Eight Flowers is a traditional Chinese painting by Qian Xuan, depicting a vibrant arrangement of eight different floral species. The artwork showcases the artist's mastery of color and composition, characteristic of the Yuan Dynasty style. It is considered a significant example of Chinese botanical illustration and is celebrated for its intricate details and naturalistic representation of flowers.

This painting depicts a serene fishing village under light snowfall, showcasing the tranquil beauty of the scene. It is a traditional Chinese artwork created by Wang Shen, known for his detailed brushwork and atmospheric effects. The piece is categorized as a colored painting (設色畫), reflecting the artistic style of the Northern Song Dynasty. The composition captures the quietude of a winter morning, with snow-covered landscapes and distant hills, emphasizing the harmony between nature and human habitation.

This painting depicts Yang Sheng'an, a historical figure known for his literary contributions, enjoying a leisurely excursion while adorned with flowers on his head. Created by Chen Hongshou, a renowned Ming dynasty artist, the work showcases the traditional Chinese style of '設色畫' (colored painting), emphasizing vibrant colors and intricate details. The scene captures a sense of joy and cultural refinement, typical of the period's artistic expressions.

The Album of Making Porcelain is a painting series that provides an intricate depiction of the traditional Chinese porcelain-making process. It showcases various stages of ceramic production, from clay preparation to the final glazing and firing techniques, highlighting the craftsmanship and artistry involved in creating porcelain. This work serves as both an educational and artistic representation of a culturally significant craft.

This painting series by Yun Shouping showcases a collection of floral and landscape scenes, reflecting his mastery in the traditional Chinese art style of 设色画 (colored ink painting). The work features delicate brushwork and vibrant colors, capturing the beauty of nature through a series of intricate compositions.

This traditional Chinese painting depicts a group of small, delicate chickens waiting to be fed. The artwork showcases Li Di's skill in capturing the subtle details of nature and animals, with vibrant colors and meticulous brushwork that brings the scene to life. The composition focuses on the tender moment of anticipation, highlighting the artist's ability to convey emotion through simple subjects.

This painting depicts a detailed scene of quails in a natural setting, showcasing the traditional Chinese art style of the Song Dynasty. The artwork is characterized by its meticulous brushwork and vibrant colors, reflecting the influence of the '設色畫' (colored painting) genre. The composition emphasizes the delicate balance between the birds and their environment, capturing the essence of nature through careful observation and artistic expression.

This painting and poem by Qianlong Emperor depict the celebration of the reopening of Chonghua Palace at the end of the year. It showcases the emperor's artistic talents and his connection to the palace's cultural significance.

This traditional Chinese painting depicts a cow herder engaged in reading, capturing a moment of quiet contemplation amidst rural scenery. The artwork is characteristic of Ming Dynasty style, featuring meticulous brushwork and vibrant colors that highlight the harmony between human activity and nature.

This scroll depicts a serene summer landscape with towering mountains and a tranquil atmosphere. The painting showcases Wang Hui's mastery of traditional Chinese ink and color techniques, capturing the essence of natural beauty through delicate brushwork and layered hues. The composition emphasizes the harmony between man and nature, with subtle details highlighting the seasonal changes and the quietude of the mountainous environment.

This painting series by Song Xu features a collection of landscape scenes, showcasing traditional Chinese ink and color techniques. The artwork captures the beauty of natural landscapes with meticulous attention to detail and a harmonious balance of elements.

This painting series by Chen Zhuan showcases a collection of floral compositions, likely depicting various types of flowers in vibrant colors. As a set of works, it demonstrates the artist's skill in capturing the beauty and intricacy of botanical subjects through traditional Chinese painting techniques.

This scroll depicts a serene winter scene along the Han River, showcasing Wang Hui's mastery of ink and color. The composition features misty mountains, flowing water, and traditional Chinese architectural elements, reflecting the artist's skill in capturing the essence of nature through delicate brushwork and vibrant hues.

This artwork depicts a serene landscape featuring willow trees and a stream-side pavilion, characteristic of Song Dynasty painting. The piece showcases traditional Chinese ink and color techniques, capturing the tranquil beauty of nature.

The Peony Butterfly Picture Scroll is a traditional Chinese painting that captures the delicate beauty of a peony flower and a butterfly in a serene natural setting. The artwork showcases the artist's skill in rendering intricate details and vibrant colors, characteristic of traditional Chinese ink and wash painting techniques.

Landscape Album after Ancient Masters is a painting series by Wang Shimin, a renowned Chinese painter of the Ming dynasty. The work features a collection of landscape paintings that emulate the styles of ancient masters, showcasing Wang's mastery of traditional Chinese painting techniques. Each piece in the series reflects his deep understanding of classical aesthetics and his skill in capturing the essence of natural landscapes through meticulous brushwork and delicate color application.

This scroll painting depicts a serene spring morning landscape, showcasing traditional Chinese ink and color techniques. It features rolling hills, a winding stream, and delicate floral elements, capturing the tranquil beauty of nature in the Song Dynasty style.

This scroll depicts a traditional Chinese mountain and water landscape, characteristic of the Yuan Dynasty style. The painting features layered hills, flowing streams, and atmospheric perspective, typical of the artist's skill in capturing natural scenery. The use of color and brushwork reflects the influence of the renowned painter Juran, whom Wang Jian imitated in this work.

This is a traditional Chinese painting depicting a serene mountain landscape with clouds floating across the sky. The artwork showcases the classical Chinese style of ink and color, characteristic of the Qing dynasty artist Wang Hui. The composition features lush green mountains, misty clouds, and a tranquil atmosphere, typical of the landscape paintings from this period.

This artwork is a combined scroll featuring a painting by Ding Guanpeng depicting a Bodhisattva and Emperor Hongli's calligraphy of the Heart Sutra. It is an example of colored painting, showcasing the collaboration between a painter and a calligrapher from the Qing dynasty.

This traditional Chinese painting depicts Emperor Jiaqing of the Qing dynasty in military attire, showcasing his regal presence and the ceremonial aspects of his role. The artwork is rendered in vibrant colors, typical of traditional Chinese painting techniques, and captures the grandeur of imperial life during the Qing era.

This painting by Ma Yuan depicts a white rose in intricate detail, showcasing his mastery of Chinese ink and color techniques. The artwork is part of the Song Dynasty's rich tradition of floral still-life painting, emphasizing naturalism and delicate brushwork.

This traditional Chinese painting depicts a serene scene of sparse lotus plants and sand birds. The artwork showcases the artist's skill in capturing the delicate balance between natural elements and the subtle use of color to create depth and atmosphere. The painting is an example of traditional Chinese ink and wash techniques, emphasizing the harmony between nature and the human spirit.

Yuan Yao's "View of the Han River" is a traditional Chinese painting from 1747. The artwork showcases a serene landscape with mountains, rivers, and traditional Chinese architectural elements. It is an example of colored ink painting, reflecting the artist's mastery of the genre.

This painting depicts Emperor Hongli, also known as Emperor Qianlong, engaged in a New Year celebration. It showcases traditional Chinese festive elements and is an example of Qing dynasty court art. The artwork is rendered in vibrant colors, characteristic of the Qing dynasty's artistic style.

This painting depicts Emperor Qianlong in traditional Chinese attire, engaged in a leisurely activity. The artwork showcases the style of Qing dynasty artists, with vibrant colors and detailed brushwork characteristic of the period. It is a valuable example of imperial portraiture from the 18th century.

This painting depicts the Yongzheng Emperor participating in the Lantern Festival celebration in January. It showcases traditional Chinese New Year customs, including vibrant lantern displays, festive decorations, and imperial court activities. The artwork is rendered in rich colors, capturing the lively atmosphere of the celebration.

This painting depicts Emperor Qianlong engaged in festive activities during the New Year's celebration. It showcases traditional Chinese New Year customs and the emperor's enjoyment of the occasion.

Shitao's View of the Stone is a traditional Chinese painting that showcases the artist's mastery of ink and color. The artwork captures the essence of a landscape, with meticulous brushwork and a harmonious balance between the natural elements and the surrounding environment. This piece exemplifies the characteristics of a colored painting (設色畫), reflecting the artist's deep connection to nature and his skill in conveying atmospheric depth.

A series of paintings by Yun Shouping depicting various flowers and plants, showcasing his mastery of color and brushwork in traditional Chinese art.

This is a detailed description of the painting. It is a traditional Chinese painting created by Tang Yin, known for his intricate brushwork and poetic themes. The artwork depicts a scene of two people in a secluded setting, reflecting the artist's signature style of blending landscape with human figures. The painting is part of a series of works that showcase Tang Yin's mastery in capturing the essence of nature and human emotion.

This scroll depicts a nostalgic scene from the Xingfu'an temple, capturing the artist's memories of past experiences. The painting is characterized by its vibrant colors and intricate brushwork, typical of Wu Li's style. It showcases the serene beauty of the temple grounds and the emotional depth of the artist's recollections.

This painting series by Shen Zhou depicts scenes of imagined travel, capturing the essence of landscapes and cultural sites through traditional Chinese brushwork. The artwork showcases Shen Zhou's mastery of ink and color, reflecting his deep appreciation for nature and historical sites.

This scroll depicts a serene autumn landscape with mountains and a grassy hall, characteristic of the Qing dynasty style. The painting showcases Wang Hui's skill in imitating the style of his predecessor Wang Shuming, blending traditional techniques with his own artistic interpretation.

This scroll depicts a serene landscape with a water pavilion, showcasing Wang Hui's mastery of traditional Chinese painting techniques. The artwork features lush greenery, flowing water, and a tranquil atmosphere, characteristic of the Qing dynasty style. The use of color and brushwork highlights the harmony between nature and human structures, creating a peaceful and elegant scene.

This painting is an album of illustrations based on poems by the Eastern Jin dynasty poet Tao Yuanming. It showcases the artistic style of Shitao, known for his expressive brushwork and innovative compositions. The work reflects the themes of nature, simplicity, and philosophical contemplation that are central to Tao Yuanming's poetry.

A series of paintings by Qiu Ying depicting various character stories, showcasing his mastery of traditional Chinese painting techniques and narrative style.

This silk painting depicts the White-robed Guanyin, a compassionate bodhisattva from Buddhist tradition. The artwork is characterized by its vibrant colors and intricate details, typical of Dunhuang Buddhist art. It showcases the spiritual and artistic achievements of the region during the Tang Dynasty.

Shen Zhou's Jiangting Bishu Tu Fan Ye is a traditional Chinese painting that depicts a serene summer scene in a riverside pavilion. The artwork showcases Shen Zhou's mastery of ink and color, capturing the tranquil atmosphere of a cool summer day. This fan-shaped painting is an example of the artist's contribution to the Ming Dynasty's artistic heritage.

This painting series by Lu Lengjia depicts six arhats, which are enlightened Buddhist disciples. The artwork showcases traditional Chinese painting techniques and is part of a collection of images illustrating Buddhist themes.

The Huangshan Album is a collection of ink and color paintings by the Chinese artist Mei Qing, showcasing the majestic landscapes of Huangshan Mountain. This particular piece captures the serene beauty of the mountain range, featuring misty peaks, pine trees, and tranquil lakes, all rendered in traditional Chinese painting techniques. The artwork reflects Mei Qing's mastery of the '設色畫' style, which combines delicate brushwork with vibrant hues to evoke the natural grandeur of the landscape.

This is a traditional Chinese landscape painting by Shitao, featuring intricate brushwork and vivid colors that capture the essence of natural scenery. The artwork showcases Shitao's mastery in depicting mountains, water, and atmospheric effects, reflecting the classical Chinese aesthetic of harmony with nature.

The Album of Yuan Empress and Prince Portraits is a collection of traditional Chinese paintings depicting the imperial family of the Yuan dynasty. It showcases the artistic style of the Yuan period, characterized by intricate details and vibrant colors. The work is attributed to a master painter of the Yuan era, reflecting the cultural and historical significance of the dynasty.

The Ten Scenes of a Thatched Cottage is a painting series by Wang Yuanqi, a renowned Chinese artist of the Qing dynasty. This collection of ten scrolls depicts serene landscapes and traditional Chinese architectural elements, showcasing Yuanqi's mastery in the art of landscape painting. The series is celebrated for its delicate brushwork and harmonious composition, reflecting the aesthetic principles of classical Chinese art.

This painting series by Dong Qichang showcases a collection of ink and color landscapes, reflecting his mastery of traditional Chinese painting techniques. The work captures the serene beauty of natural scenery, with meticulous brushwork and layered compositions that highlight the harmony between man and nature.

The Miscellaneous Album is a painting series by Chen Hongshou, a renowned Chinese artist of the Ming dynasty. It features a collection of diverse subjects, showcasing his mastery in depicting figures, landscapes, and everyday scenes with intricate details and vibrant colors. The work exemplifies the characteristics of '設色畫' (colored painting), highlighting Chen's skill in using color to enhance the narrative and emotional depth of his compositions.

This scroll depicts a majestic dragon coiled around a rocky formation, rendered in vibrant colors and intricate brushwork. The painting showcases Emperor Huizong's mastery of Chinese landscape and figure painting, blending natural elements with symbolic motifs. The dragon, a symbol of imperial power, is portrayed with dynamic movement and detailed textures, while the stone represents strength and endurance. The composition combines realism with artistic abstraction, reflecting the artist's refined aesthetic sensibilities.

Islet and Reeds in Snow is a traditional Chinese painting by Liang Shimin. The artwork depicts a serene winter scene with dense snowfall, showcasing the artist's skill in capturing the delicate interplay of light and texture in a snowy landscape.

Guo Xi's 'Kēshí Píngyuǎn Túzhóu' is a classic example of Northern Song dynasty landscape painting. The artwork features a serene mountainous landscape with a horizontal composition, showcasing the artist's mastery of atmospheric perspective and layered mountain forms. The painting employs meticulous brushwork and delicate color application to create a sense of depth and spatial recession.

This painting depicts the historical event where Guan Yu, a renowned general from the Three Kingdoms period, captures General Pang De. The artwork showcases the dramatic moment of the capture, highlighting Guan Yu's bravery and strategic prowess. Created by the artist Shang Xi, it is an example of traditional Chinese ink painting, capturing the intensity and emotion of the scene.

This painting depicts a traditional Chinese landscape with chrysanthemums in the foreground, symbolizing longevity and nobility. The brushwork is expressive and dynamic, characteristic of Shitao's style. The composition balances natural elements with poetic symbolism, reflecting the artist's deep connection to nature and classical themes.

This painting by Wang Meng depicts the scene of Ge Zhichuan moving to the mountains, showcasing traditional Chinese landscape art. It is an example of set color painting, reflecting the artist's skill in capturing natural scenery and spiritual themes.

Stone Cliff at the Pond of Heaven is a renowned Yuan Dynasty painting by Huang Gongwang. The artwork depicts a serene landscape featuring a tranquil pond surrounded by rugged stone cliffs and lush vegetation. With its characteristic use of color and brushwork, the painting captures the harmony between nature and the spiritual essence of the landscape.

This hanging scroll by Emperor Huizong of the Northern Song Dynasty depicts a scene of a musician playing the guqin, an ancient Chinese zither. The artwork is a fine example of Song Dynasty court painting and showcases the emperor's own artistic talents. The composition features a serene atmosphere with detailed brushwork capturing the essence of traditional Chinese aesthetics.

This scroll painting is an imitation of Huang Gongwang's famous 'Fuchun Mountain Forest Scroll' by Shen Zhou. It showcases traditional Chinese landscape painting techniques with meticulous brushwork and vibrant colors, capturing the serene beauty of mountainous scenery. The artwork reflects the influence of Yuan dynasty painting styles and demonstrates Shen Zhou's mastery in replicating classical compositions.

Travelers Through Mountain Passes is a painting by Dai Jin, a Chinese artist from the Ming dynasty. The artwork depicts a group of travelers navigating through a rugged mountain pass, showcasing the artist's skill in capturing the dramatic landscape and the sense of journey and exploration. The painting is executed in the traditional Chinese style of '設色畫' (colored painting), emphasizing the natural beauty and the emotional depth of the scene.

Literary Garden is a traditional Chinese painting attributed to Zhou Wenju, a renowned artist of the Southern Tang dynasty. The artwork depicts a serene scene of scholars and literati in a garden setting, capturing the essence of literary culture through delicate brushwork and vibrant colors. As a set-color painting (設色畫), it showcases Zhou Wenju's mastery in blending naturalistic details with poetic symbolism. This scroll painting exemplifies the refined aesthetics of Southern Tang art, emphasizing harmony between human activity and the surrounding landscape.

This painting depicts a scene of rural life, focusing on a family engaged in the process of spinning thread. The artwork showcases traditional Chinese techniques with vibrant colors and intricate details, capturing the daily activities of peasants during the Song Dynasty. The composition emphasizes the central role of the spinning wheel in the household, highlighting the importance of textile production in agrarian society.

This painting depicts peasants returning from work, engaged in dancing and singing, capturing the joy and vitality of rural life. The artwork showcases Ma Yuan's skill in portraying human figures and natural landscapes, with vibrant colors and dynamic compositions.

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This painting depicts a delicate arrangement of plum blossoms, showcasing the artist's skill in capturing the subtle textures and forms of the flowers. The use of color and brushwork reflects the traditional Chinese aesthetic, emphasizing harmony and balance in the composition.

This painting depicts court ladies from the Former Shu dynasty, showcasing Tang Yin's skill in capturing the elegance and grace of his subjects. The artwork is a fine example of Ming dynasty courtly art, with vibrant colors and intricate details that highlight the cultural sophistication of the period.

This painting depicts Emperor Qianlong of the Qing Dynasty during the Lantern Festival, showcasing a scene of celebration and leisure. It is a traditional Chinese painting in the style of colored ink, capturing the emperor's activities amidst festive decorations and courtly settings.

This painting depicts Emperor Qianlong of the Qing Dynasty in formal court attire, showcasing his regal presence. The artwork is rendered in traditional Chinese style with vibrant colors and intricate details, characteristic of Qing Dynasty court paintings.

This traditional Chinese painting depicts a serene landscape featuring intertwining vines and towering pines, symbolizing resilience and longevity. The artwork showcases Wang Hui's mastery of ink wash and color blending, characteristic of the Qing dynasty style. The composition balances natural elements with poetic symbolism, reflecting the harmony between humanity and nature.

This painting depicts the story of Xiao Yi obtaining the Lanting Manuscript, a famous calligraphy work. It is housed in the Beijing Palace Museum and is an example of a colored painting (設色畫).

This traditional Chinese painting depicts a serene landscape featuring bamboo, rocks, and a small pavilion. The artwork showcases the artist's skill in capturing the delicate balance between natural elements, with intricate brushwork that emphasizes the vitality of the plants and the rugged texture of the stones. The piece is an example of the '設色畫' (colored painting) genre, reflecting the aesthetic principles of classical Chinese art.

This scroll depicts a historical scene from the Han Dynasty, showcasing Consort Feng Yuan's bravery as she subdues a bear to protect Emperor Yuan. The painting is rendered in vibrant colors, characteristic of the '設色畫' (colored painting) genre. It captures the dramatic moment with dynamic composition and intricate details, reflecting the artist's skill in narrative storytelling through traditional Chinese art.

A series of paintings by Wen Shu depicting various floral arrangements in vibrant colors. The artwork showcases the artist's skill in traditional Chinese painting techniques, with intricate details and a delicate style that highlights the beauty of nature.

This traditional Chinese painting depicts a winter scene with a scholar searching for plum blossoms amidst snow-covered landscapes. The artwork showcases the artist's skill in capturing the delicate balance between the harsh winter environment and the delicate beauty of blooming plum trees. The composition features a winding path through a snowy forest, with the scholar's figure standing out against the white backdrop. The use of color and brushwork creates a sense of tranquility and poetic atmosphere typical of Ming dynasty landscape paintings.

This painting depicts Emperor Taichang, also known as Ming Guangzong Zhu Changluo, a Chinese emperor of the Ming dynasty. The artwork is a traditional Chinese painting in the style of 'setsu' (設色畫), which involves the use of color to create depth and detail. The portrait captures the emperor's likeness with a focus on his regal appearance and dignified expression.

This painting depicts the Xuande Emperor engaged in leisure activities, showcasing the vibrant court life of the Ming Dynasty. The artwork is characterized by its rich color palette and detailed brushwork, typical of the Ming period. It provides insight into the cultural and social aspects of the imperial court during the reign of the Xuande Emperor.

The Night Excursion of Zhong Kui is a traditional Chinese painting by Dai Jin from the 15th century. It depicts the mythical figure Zhong Kui, a spirit known for capturing malevolent spirits, on a night journey through a mysterious landscape. The artwork showcases the artist's skill in capturing atmospheric effects and the ethereal quality of the night scene.

This scroll depicts the Ming Xuanzong Emperor on a hunting expedition, showcasing his prowess and the natural landscape surrounding him. The artwork is rendered in vibrant colors, characteristic of traditional Chinese painting techniques, and captures the dynamic energy of the scene with meticulous detail.

Dong Qichang's Qinglv Shan Shui Tu Zhu is a traditional Chinese painting that showcases the artist's mastery of the Qinglv (blue-green) style. The artwork features a serene landscape with mountains, rivers, and trees rendered in vibrant colors, characteristic of the Qinglv technique. This piece exemplifies the classical Chinese art form, blending natural elements with poetic symbolism.

This painting depicts a serene scene of a boat drifting on the Taihu Lake, with lush green hills and mountains in the background. The artwork showcases Wen Boren's mastery in landscape painting, using delicate brushwork and vibrant colors to capture the natural beauty of the region.

This painting depicts Emperor Qianlong's concubine in traditional Chinese attire, showcasing the blend of Chinese and Western artistic styles. It is a vibrant example of the Qing Dynasty's court art, created by the Italian artist Giuseppe Castiglione, who served as a court painter.

This painting is an imitation of Zhao Mengfu's style, depicting a scroll of the Bodhisattva. It showcases the traditional Chinese painting techniques and the influence of the Yuan dynasty style. The artwork is attributed to the Qianlong Emperor, who was known for his patronage of the arts.

This painting is an imitation by Wang Shimin of the style of Huang Gongwang, a renowned Yuan dynasty painter. It features traditional Chinese landscape elements with meticulous brushwork and vibrant colors, characteristic of the '設色畫' (colored painting) genre. The composition showcases mountains, water, and trees, typical of classical Chinese landscape art, rendered with a sense of harmony and balance.

This traditional Chinese painting depicts a serene scene of horses being herded by a shepherd near a willow stream. The artwork showcases Shen Zhenlin's skill in capturing the natural beauty of the landscape and the gentle interaction between humans and animals. The piece is rendered in vibrant colors, characteristic of the '設色畫' (colored painting) genre. It is a fine example of classical Chinese art from the Qing dynasty period.

This painting depicts Tao Yuanming, a famous Chinese poet and official, returning to his rural home after resigning from his government post. The artwork captures the serene and tranquil atmosphere of rural life, with lush landscapes and traditional Chinese architectural elements. Created by Jiao Bingzhen, it is an example of Chinese ink and color painting, showcasing the artist's skill in portraying nature and human figures in a harmonious setting.

This painting depicts a serene landscape with a pavilion by a river, where a scholar is engrossed in reading. The artwork showcases traditional Chinese ink and color techniques, capturing the tranquil atmosphere of a natural setting. The composition emphasizes harmony between man and nature, a common theme in Kun Can's work.

This painting depicts a serene scene of a person enjoying chrysanthemums under a tree, typical of the traditional Chinese landscape and flower painting style. The artwork showcases the artist's skill in capturing the delicate beauty of nature and the tranquil atmosphere of the season. Created in 1865, it is an example of the 'Sheshua' (colored painting) genre, reflecting the aesthetic values of the Qing Dynasty. The fan page format suggests it was intended for personal appreciation or as a decorative piece.

This artwork is a traditional Chinese painting depicting a serene mountain and water landscape. The piece showcases Wang Shimin's mastery of ink and color techniques, characteristic of the Ming dynasty style. The fan page format suggests it was created for a portable display, capturing the essence of nature through delicate brushwork and layered hues.

This painting depicts a serene night scene of the Disk Mountains, capturing the tranquil atmosphere with delicate brushstrokes and vibrant colors. The artwork showcases the traditional Chinese landscape painting style, emphasizing harmony between nature and the human spirit.

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This painting depicts the young Jiaqing Emperor and his mother, the Empress Xiaoyichun. Created by the Italian artist Giuseppe Castiglione, it showcases a blend of Chinese and Western artistic styles. The work is notable for its detailed portrayal of the imperial family members during the Qing Dynasty.

This traditional Chinese painting depicts Empress Xiaoquancheng and her young daughter in a serene and elegant setting. The artwork showcases the refined techniques of the Qing dynasty, with vibrant colors and intricate details capturing the grace and dignity of the imperial family.

This painting depicts the Yongzheng Emperor playing the guqin in a pine grove, surrounded by natural scenery. It is an example of traditional Chinese ink and color painting, showcasing the emperor's leisure activities and the serene beauty of the landscape.

This is a traditional Chinese painting depicting the Yongzheng Emperor in a pavilion, showcasing the artistic style of the Qing dynasty. The painting is rendered in colored ink, reflecting the refined aesthetics of the era.

This painting depicts the Yongzheng Emperor engaged in reading by the hearth, showcasing his leisurely activities. It is part of a set of albums that illustrate the emperor's various pastimes, reflecting the cultural and artistic values of the Qing dynasty. The artwork is rendered in vibrant colors, typical of traditional Chinese painting techniques.

This painting depicts the Yongzheng Emperor in a Lama costume, showcasing his interest in Tibetan culture and religious practices. The artwork is characterized by vibrant colors and intricate details, typical of the Qing Dynasty's artistic style. It is part of a larger album that illustrates the emperor's various leisure activities and cultural engagements.

This traditional Chinese painting depicts the Yongzheng Emperor in a Daoist robe, surrounded by two circular forms symbolizing the unity of yin and yang. The artwork showcases intricate brushwork and vibrant colors characteristic of Qing dynasty court painting. The composition emphasizes the emperor's spiritual authority and the harmonious balance of cosmic forces.

This portrait depicts the Yongzheng Emperor in formal imperial attire, showcasing the traditional Chinese court dress of the Qing dynasty. The painting employs vibrant colors and intricate details to highlight the emperor's regal status and ceremonial appearance.

This painting depicts the Yongzheng Emperor engaged in a dramatic scene of defeating a tiger, showcasing his bravery and strength. It is part of a larger album that portrays the emperor's various leisure activities, reflecting the cultural and artistic values of the Qing Dynasty.

This painting is part of a series depicting the concubines of Emperor Yong-cheng. It showcases traditional Chinese art techniques with vibrant colors and intricate details, capturing the elegance and grace of the subjects.

This painting depicts the Yongzheng Emperor performing a sacrificial ritual at the Temple of Agriculture, a significant site in traditional Chinese agriculture. The artwork showcases the emperor's role in honoring agricultural deities, reflecting the importance of farming in imperial ceremonies. The detailed brushwork and vibrant colors typical of Qing dynasty court art are evident in the composition.

Yuan Yao's 'Mountain and Water Landscape with Pavilion' is a traditional Chinese painting that showcases the artist's skill in depicting natural scenery and architectural elements. The artwork features rolling hills, flowing water, and a pavilion nestled among the landscape, typical of the Chinese landscape painting style. The use of color and brushwork creates a sense of depth and atmosphere, characteristic of the artist's style.

This scroll depicts a traditional Chinese mountain and water landscape, characteristic of the Yuan dynasty style. The painting showcases Wang Jian's skill in capturing the essence of Dai Qi's style through meticulous brushwork and vibrant color application. The composition features layered mountains, flowing rivers, and atmospheric elements typical of classical Chinese art.

This scroll depicts two clear elements, likely plum blossoms and bamboo, in a traditional Chinese landscape style. The painting showcases Yun Shouping's mastery of color and brushwork, characteristic of the Qing dynasty. The composition balances natural forms with poetic symbolism, reflecting the artist's refined aesthetic.

This portrait depicts the Qianlong Emperor engaged in the art of calligraphy. The painting is a traditional Chinese-style artwork, showcasing the emperor's scholarly pursuits and his role as a patron of the arts. The vibrant colors and intricate details reflect the high level of craftsmanship typical of the Qing Dynasty.

Jiao Bingzhen's 'Illustrations of Virtuous Queens from Previous Dynasties' is a set of paintings depicting historical Chinese empresses known for their virtue and contributions to their dynasties. The work showcases traditional Chinese painting techniques with vibrant colors and meticulous brushwork, reflecting the artist's mastery of the craft. Each illustration in the set tells a story of a notable queen, highlighting her moral integrity and influence on her era.

Penglai Island is a traditional Chinese painting by Yuan Jiang from 1708. The artwork depicts a mythical island known for its lush landscapes and fantastical elements, characteristic of the '設色畫' (colored painting) genre. It showcases Yuan Jiang's skill in creating vivid, imaginative scenes that blend natural beauty with legendary themes.

This is a detailed album depicting the leisure activities of the Emperor's Concubines, showcasing the refined lifestyle and cultural practices of the imperial court during the Qing Dynasty. The artwork is attributed to Chen Mei, a renowned Chinese painter known for his intricate and vivid portrayals of courtly life.

Wang Hui's 'Nine Mountains and Colorful Landscape Scroll' is a traditional Chinese painting that showcases the natural beauty of the Jiuhua Mountains. The artwork is characterized by its vibrant colors and meticulous brushwork, reflecting the artist's mastery of the traditional Chinese landscape painting style. This scroll is an important example of the Qing dynasty's artistic achievements in the realm of landscape art.

This painting is an imitation of Zhao Qianli's San Duo Picture Scroll by Yu Zhiding. It is a colored painting, likely depicting traditional Chinese motifs of longevity, wealth, and prosperity. The artwork showcases Yu Zhiding's skill in replicating the style of Zhao Qianli, a renowned artist from the Yuan dynasty.

This painting depicts Nalan Rongruo, a renowned Qing dynasty poet and official, in a traditional Chinese style. The artwork showcases the subject in a formal pose, surrounded by elements that reflect his literary and cultural significance. The use of color and brushwork highlights the elegance and refinement characteristic of the artist's style.

This scroll depicts a scene of a scholar listening to pine trees, likely in a serene natural setting. The artwork is characterized by its vibrant colors and meticulous brushwork, typical of the Qing dynasty style. It showcases the artist's skill in capturing the essence of nature and the tranquility of the subject.

This scroll depicts the Qianlong Emperor and his consorts engaged in a hunting scene, showcasing traditional Chinese imperial life. The artwork is rendered in vibrant colors and intricate details, characteristic of Qing dynasty court paintings. It captures the grandeur of the hunt with a focus on the emperor's presence and the natural landscape surrounding the activity.

This painting depicts Emperor Qianlong engaged in a hunting expedition and a subsequent dinner gathering. Created by the Italian Jesuit painter Giuseppe Castiglione, it showcases a blend of Chinese and Western artistic styles, characteristic of the Qing dynasty's court art.

This vibrant Chinese painting depicts Emperor Qianlong (Hongli) in the act of spearing a tiger, a dramatic scene that showcases the emperor's bravery and strength. The artwork is a blend of traditional Chinese techniques and Western artistic influences, characteristic of Giuseppe Castiglione's style. The painting is rendered in rich colors and detailed brushwork, capturing the intensity of the moment with dynamic composition and lifelike figures.

This traditional Chinese painting depicts a scene of leisure and elegance, showcasing the refined lifestyle of imperial court ladies. The artwork features vibrant colors and intricate brushwork characteristic of Qing dynasty court painting, capturing the grace and beauty of the subjects in a serene garden setting.

This painting series by Fu Shan showcases traditional Chinese landscape art, featuring intricate brushwork and vibrant color运用 to depict natural scenery. The work exemplifies the characteristics of 设色画, highlighting Fu Shan's mastery in capturing the essence of mountains, water, and seasonal changes through delicate ink and color application.

This watercolour painting by Eduard Hildebrandt captures a scenic view of Praya Grande in Macao. The artwork showcases the coastal landscape, likely depicting the harbor and surrounding areas with attention to detail typical of Hildebrandt's style.

This watercolour painting by Eduard Hildebrandt captures a bustling street scene in Hong Kong, showcasing the city's vibrant urban life and architectural details. The artwork provides a glimpse into the city's atmosphere during the mid-19th century, reflecting the cultural and social dynamics of the time.

This landscape painting by Li Tang depicts a serene scene of pine trees swaying in the wind amidst a vast expanse of valleys. The composition features rolling mountains, misty clouds, and a winding stream, capturing the tranquil beauty of nature. The intricate brushwork and use of negative space create a sense of depth and movement, characteristic of Li Tang's style.

The Remaining Mountain is a famous Chinese ink painting from the Yuan dynasty, created by Huang Gongwang around 1350. It is part of the 'Fu Chun Shan Ju Tu' series, depicting a serene landscape with mountains, rivers, and trees. The painting is currently housed in the Zhejiang Provincial Museum in Hangzhou, China.

This 17th-century Dutch painting by Johannes Vingboons depicts a scenic view of Canton, China, showcasing the city's harbor and surrounding landscape. The artwork captures the bustling maritime trade scene of the time, with boats and structures visible in the foreground.

This landscape painting depicts the Kangxi Emperor's Southern Inspection Tour, specifically the journey from Jinan to Mount Tai. Created by Wang Hui in 1698, it showcases the natural beauty and scenic landscapes of the region during the Qing Dynasty.

This scroll depicts the Kangxi Emperor's Southern Inspection Tour, showcasing the grandeur of the Forbidden City in Beijing. It captures the journey from the Yongding Gate to the Hall of Supreme Harmony, highlighting the imperial architecture and the emperor's procession.

This painting depicts the Portuguese poet Luís de Camões in the grotto of Macau, a historic site associated with the Portuguese colonial presence in East Asia. The artwork captures the atmosphere of the cave, likely illustrating scenes from Camões' famous epic poem, 'The Lusiads.'

This painting by Wang Hui depicts a serene autumn scene with trees in various stages of decay and crows in flight. The artwork showcases traditional Chinese ink and color techniques, characteristic of the Qing dynasty style. The composition captures the essence of seasonal change and the melancholic beauty of nature.

Xiao and Xiang Rivers is a traditional Chinese painting by Dong Yuan, depicting the scenic beauty of the Xiao and Xiang rivers. The artwork showcases the characteristic style of the Northern Song period, with meticulous brushwork and vibrant colors capturing the serene landscapes of southern China.

Emperor Taizong Receiving the Tibetan Envoy, also referred to as Bunian Tu, is a painting on silk by Yan Liben of the Tang dynasty. It depicts a scene in 640 when the Tibetan Empire envoy Gar Tongtsen Yulsung led an embassy to the court of the Emperor Taizong of Tang in Chang'an. The painting measures 129 centimetres (51 in) long by 38.5 centimetres (15.2 in) wide. It is housed in the Palace Museum in Beijing.

This portrait depicts the Kangxi Emperor in informal attire, holding a brush, showcasing his role as a scholar and ruler. The painting is an example of traditional Chinese art, characterized by its vibrant colors and meticulous brushwork.

This painting depicts the Qianlong Emperor wearing ceremonial armor while riding a horse, showcasing traditional Chinese imperial attire and equestrian prowess. Created by Giuseppe Castiglione, it captures the grandeur of the Qing dynasty court, with intricate details highlighting the emperor's regalia and the ornate setting.

This painting by Ren Renfa, a renowned Chinese artist, showcases two horses—one plump and one slender—depicted in a traditional Chinese style. The work exemplifies the artist's skill in capturing the essence of equine form through meticulous brushwork and vibrant colors.

Bathing Horses is a traditional Chinese painting by Zhao Mengfu, depicting a group of horses being bathed in a serene setting. The artwork showcases the artist's mastery of ink and color, with intricate details capturing the texture of the animals' fur and the flowing water. Created in 1288, this piece is part of the Palace Museum's collection in Beijing, reflecting the cultural and artistic significance of Yuan dynasty painting.

This painting by Zhao Mengfu depicts a scene of horse herding in an autumn countryside. The artwork showcases traditional Chinese landscape and animal painting techniques, capturing the serene beauty of the season with detailed brushwork and vibrant colors.

This painting by Zhao Mengfu depicts a rider on horseback, showcasing the artist's skill in capturing the dynamic movement of both the rider and the horse. The work is an example of traditional Chinese ink and color painting, reflecting the elegance and grace of equestrian themes in Chinese art.

painting by Ren Yu (Chinese, 1853-1901) (1915.97)

Dwelling in the Fuchun Mountains is one of the few surviving works by Chinese painter Huang Gongwang (1269–1354) and is considered to be among his greatest works. Painted between 1348 and 1350, the painting was burnt into two pieces in 1650. Today, one piece is kept in the Zhejiang Provincial Museum in Hangzhou, while the other piece is kept in the National Palace Museum in Taipei. Put together, the entire painting would measure 691.3 centimetres (272.2 in) in length.

Along the River During the Qingming Festival is a handscroll painting by the Song dynasty painter Zhang Zeduan (1085–1145) and copied or recreated many times in the following centuries. It captures the daily life of people and the landscape of the capital, Bianjing during the Northern Song. The theme is often said to be the spirit and worldly commotion at the Qingming Festival, rather than the holiday's ceremonial aspects, such as tomb sweeping and prayers. Read right to left, as a viewer would unroll it, successive scenes reveal the lifestyle of all levels of the society from rich to poor as well as economic activities in both rural areas and the city, and offer glimpses of clothing and architecture. The painting is considered the most renowned work among all Chinese paintings, and it has been called "China's Mona Lisa."

The Night Revels of Han Xizai or The Night Entertainments of Han Xizai is a painted handscroll attributed to Chinese 10th-century artist Gu Hongzhong. The painting depicts Han Xizai, a minister from Southern Tang under the imperial government of emperor Li Yu, accompanied with realistic portrayals of more than forty people. Two copies of the artwork survived: a reproduction from the Song Dynasty, currently housed in the Palace Museum at Beijing; and a replica from the Ming Dynasty, under the collection of the Three Gorges Museum at Chongqing. The painting is highly regarded as one of the greatest masterpieces of Chinese art.

This hanging scroll by Ren Xiong depicts the artist in a self-portrait. The work is an example of traditional Chinese painting, characterized by its use of color and brushwork. As a renowned painter of the 19th century, Ren Xiong's self-portrait offers insight into his artistic style and personal expression.