Depictions of Men

This historical painting by Jaroslav Věšín depicts the Turkish retreat during the Battle of Lüleburgaz in the First Balkan War. The scene captures soldiers and field artillery in a dramatic moment of military conflict, with elements like drums and horses adding to the historical atmosphere.

The 1888 painting Independence or Death, also known as the Cry of Ipiranga, is an oil on canvas painting by Pedro Américo. It depicts the proclamation of Brazilian independence, capturing the moment of historical significance with a focus on the figure of Pedro I of Brazil. The artwork is renowned for its dramatic portrayal of the event, symbolizing the struggle for national sovereignty.

This painting depicts a soldier from the French Revolution, likely portraying a figure associated with the revolutionary era. It is housed in the Musée Carnavalet in Paris, France.

painting by Paul Schaan

A Family in the Stone Age depicts a prehistoric scene featuring a family engaged in a hunt. The painting, created in 1892 by Emmanuel Benner, showcases a man and woman with an infant, a bear, and a stone axe, set against a backdrop of a fireplace and tree. It is an example of historical painting, capturing the essence of early human life and survival.

Banquet des Girondins is a historical painting by Henri Félix Emmanuel Philippoteaux, depicting a dramatic scene from the French Revolution. The artwork captures the tense atmosphere of the Girondins' banquet, highlighting the political tensions and revolutionary fervor of the time. With its rich details and dynamic composition, the painting offers insight into the social and political climate of 19th-century France.

This painting by Émile Mascré depicts Louis XVII of France, who was imprisoned during the French Revolution. The artwork captures a moment of historical significance, showing the young king in a state of distress or defiance. The scene is set in a somber prison environment, emphasizing the political turmoil of the time.

Cordonnier Simon is a historical painting by Antoine-Jean Gros, depicting the French shoemaker Antoine Simon. The work, created in 1794, showcases the subject in a detailed manner, highlighting his profession and the era's social context.

This historical painting by Henri Scheffer depicts the arrest of Charlotte Corday, a French revolutionary figure. The scene captures the moment of her capture, with a focus on her expression and the surrounding objects, including a chair and a dog, which add to the dramatic tension of the historical event.

This painting by Peter Paul Rubens depicts the historic Battle of the Milvian Bridge, where Emperor Maxentius was defeated and killed. The scene captures the dramatic moment of his demise, with intense action and emotional expressions among the figures. Rubens' dynamic composition and rich details bring the historical event to life.

This painting depicts a scene from the 16th century, illustrating Frans Floris I's journey to a Saint Luke's Day feast. The artwork captures the historical and cultural context of the time, showcasing the customs and social gatherings associated with this religious celebration.

This painting depicts Fernando Álvarez de Toledo, 3rd Duke of Alba, wearing his iconic body armor, showcasing his imposing presence as a military leader. The scene is set in the Netherlands, highlighting the historical context of his role during the 16th century. The artwork captures the grandeur and authority of the Duke, reflecting the style of the 19th-century painter Louis Gallait.

This painting depicts Emperor Charles V of the Holy Roman Empire at the Monastery of San Jerónimo de Yuste, where he spent his final years in retirement. The work captures the historical moment of the emperor's presence at the site, reflecting his legacy and the significance of the monastery in Spanish history.

This painting by Augustine Cochet de Saint-Omer depicts a scene involving a wounded soldier and healthcare providers, likely set during a military conflict. The artwork focuses on the human element of war, highlighting themes of sacrifice and care. The subject appears to be a man, possibly a soldier, who has been injured in action, with a sister or nurse attending to him. The painting's historical context suggests it may be related to the Napoleonic Wars or another significant military event in the 19th century.

This historical painting by Pietro della Vecchia depicts Marco Gussoni, a figure known for his charitable acts during the plague, blessing victims in the Lazzaretto of Ferrara. The scene captures the solemnity and compassion of the moment, reflecting the social and religious context of the time.

This painting by Thomas Davidson depicts the burial at sea of Admiral Francis Drake, a renowned English naval figure. The scene captures the solemnity of the event, with Drake's ship in the background and figures gathered around the body, reflecting the historical significance of the occasion.

painting by Axel Stephansen

painting by Axel Stephansen (Oslo Museum, OB.01314)

painting by Axel Stephansen

painting by Axel Stephansen (Oslo Museum, OB.01321)

painting by Axel Stephansen

The Apotheosis of Infanta Isabella is a grand historical painting by Peter Paul Rubens, created in 1634. It depicts the divine elevation of Infanta Isabella, a Spanish princess, to the heavens, symbolizing her eternal glory. The work is celebrated for its dynamic composition, rich symbolism, and vibrant colors, reflecting Rubens' mastery in blending religious and mythological themes with historical events.

The Continence of Scipio depicts the Roman general Scipio Africanus refusing the gifts of the Carthaginian queen, a scene from the Punic Wars. The painting captures the moment of moral integrity and restraint, with Scipio shown in a dignified pose, surrounded by his soldiers and the queen. It is a prime example of Rubens' mastery in historical and mythological subjects, blending dramatic composition with rich detail.

The Victory of Henry IV at Coutras is a historical painting by Peter Paul Rubens, depicting the decisive battle of the French Wars of Religion. The work showcases Rubens' mastery of dynamic composition and dramatic lighting, capturing the moment of Henry IV's victory over the Huguenots at the Battle of Coutras in 1628. It is housed in the Liechtenstein Collection, known for its rich collection of Baroque art.

Cimon and Pero is a historical painting by Dutch artist Willem Drost, created in 1656. The work depicts the Greek hero Cimon and his nurse Pero, showcasing the artist's skill in capturing human emotion and narrative. The painting is housed in the Rijksmuseum in Amsterdam, though its location is noted as Venice, Italy, which may indicate a historical or thematic connection to the city.

painting by Rudolf von Alt

painting by Rudolf von Alt

The Death of Sardanapalus is an 1827 oil painting on canvas by the French artist Eugène Delacroix. It depicts the dramatic scene from the tale of Sardanapalus, a king of Assyria, as described by Greek historian Diodorus Siculus. The painting is characterized by its rich, vivid colors and broad brushstrokes, reflecting the Romantic style. It was inspired by Lord Byron's play Sardanapalus (1821) and influenced Hector Berlioz's cantata Sardanapale (1830) and Franz Liszt's unfinished opera Sardanapalo (1845–1852).

The painting depicts quiet, atmospheric scenes of the Villa Medici gardens in Rome, focusing on architectural details and natural light rather than narrative or mythological themes. It shows two men conversing near a boarded-up stone archway in one panel, while the smaller pendant piece features a gardener speaking with a cleric near a gated entrance.

This painting by Peter Snayers depicts the Siege of Kortrijk in 1648, a significant event during the Eighty Years' War. The artwork captures the intense military conflict between Dutch and Spanish forces, showcasing the chaos and determination of the soldiers involved.

painting by Louis de Caullery

This historical painting depicts the moment of crossing the Rubicon River by the detachment of Denis Davydov in 1812. The scene captures the tension and significance of this event, with soldiers and horses depicted in the act of crossing the river. The artwork emphasizes the historical context of the Napoleonic Wars, showcasing the determination and resolve of the military forces involved.

This oil painting depicts a vivid scene of Russian hunting, featuring a man on horseback with a Borzoi dog pursuing a wild boar. The artwork captures the essence of autumn with its rich colors and dynamic composition.

This painting by Dirk van Delen depicts a fantastical architectural scene featuring four elegantly dressed women standing on the steps of a grand ramp. The composition combines intricate details of the architecture with the graceful figures of the women, creating a sense of grandeur and mystery.

This painting depicts Emperor Marcus Aurelius distributing bread to the people, a scene that reflects the Roman tradition of sharing resources with citizens. Created by Joseph-Marie Vien in 1765, it captures the historical and social context of the Roman Empire, showcasing the emperor's role as a benefactor to his subjects.

This painting depicts Galileo Galilei before his recantation, capturing the moment of his emotional and intellectual struggle. Created by Claudius Jacquand in 1867, it portrays Galileo in a dramatic pose, emphasizing the tension between scientific truth and religious authority.

This historical painting by Charles Spindler depicts a romantic scene between two figures, likely representing the legendary lovers Adalrich and Bereswinda. The artwork captures the emotional depth of their relationship, set against a dramatic landscape that enhances the narrative of their story.

The Last Communion of St Joseph of Calasanz is a historical painting by Francisco Goya created in 1819. It depicts St Joseph of Calasanz receiving the Eucharist, with a crowd of people surrounding him. The painting captures the solemnity of the moment, with the saint standing while the congregation kneels in reverence.

This painting by Jean-Auguste-Dominique Ingres is a study of heads and hands for the grand historical painting 'The Apotheosis of Homer'. It showcases the artist's meticulous attention to detail and his mastery of portraiture, focusing on the expressive features of the subjects' faces and the delicate rendering of hands, which were a significant aspect of Ingres' artistic style.

painting by Guillaume Lethière

The Deliverance of Arsinoe depicts Arsinoe IV of Egypt fleeing from Alexandria after Julius Caesar arrived in the city in 48 BC and sided with Arsinoe's half-sister Cleopatra. The painting, created between 1555 and 1556, is a historical scene showcasing the dramatic moment of her deliverance. It is currently housed in the Gemäldegalerie Alte Meister in Dresden, Germany.

Christian II signing the Death Warrant of Torben Oxe is an 1875–76 oil on canvas historical painting by Eilif Peterssen. It is considered one of the principal works of Norwegian historical painting, and is part of the collection of the National Museum of Art, Architecture and Design.

Bonaparte Crossing the Alps is a 1848–1850 oil painting by French artist Paul Delaroche. The painting depicts Napoleon Bonaparte leading his army through the Alps on a mule, a journey Napoleon and his army of soldiers made in the spring of 1800 in an attempt to surprise the Austrian army in Italy. Several versions of this painting exist: in the Louvre-Lens and the Walker Art Gallery in Liverpool, England. Queen Victoria owned a small version of it.

En agitator (Henningsen) is a historical painting by Erik Henningsen created in 1899. The artwork depicts a scene involving a horse, police force, flag, and banner, with figures including a child, woman, and man present. It captures a moment of tension or protest, likely reflecting social or political themes of the late 19th century.

This historical painting by Jean-Léon Gérôme depicts a dramatic scene from ancient Rome, showcasing gladiators and spectators at the Colosseum. The composition captures the moment of a battle, with figures raising their hands in salute as they face their fate, surrounded by a crowd and the grand architecture of the Colosseum.

Morning Ride on the Beach is an 1876 painting by Dutch artist Anton Mauve from the Hague School. It shows a group of riders on the Scheveningen beach, painted in an impressionistic style. The work is now in the collection of the Rijksmuseum in Amsterdam.

The Intervention of the Sabine Women is a 1799 painting by the French painter Jacques-Louis David, showing a legendary episode following the abduction of the Sabine women by the founding generation of Rome. The scene depicts the women intervening to prevent a violent conflict between the Romans and the Sabines, symbolizing the peaceful resolution that led to the founding of Rome. The painting is notable for its dramatic composition and historical significance, reflecting the ideals of the French Revolution.

This historical painting depicts a cavalry patrol on Ujazdów Avenue in 1905. The scene captures the presence of Cossacks and soldiers, likely during the Revolution in the Kingdom of Poland. The artwork showcases the military atmosphere and the historical context of the time.

This painting by Michele Marieschi depicts the Campo di Santi Giovanni e Paolo in Venice, showcasing the Scuola di San Marco, a prominent Venetian institution. The scene includes the iconic Statua di Bartolomeo Colleoni, a bronze statue of the Venetian general, and features elements such as gondolas, men, and women, capturing the lively atmosphere of the Venetian landscape.

Paris Street; Rainy Day is a large 1877 oil painting by the French artist Gustave Caillebotte (1848–1894), and is his best known work. It shows a number of individuals walking through the Place de Dublin, then known as the Carrefour de Moscou, at an intersection to the east of the Gare Saint-Lazare in north Paris. Although Caillebotte was a friend and patron of many of the impressionist painters, and this work is part of that school, it differs in its realism and reliance on line rather than broad brush strokes.

French Campaign, 1814 is an oil on wood painting by French painter Ernest Meissonier, created between 1860 and 1864. French Campaign, 1814 is one of the best-known artworks of Meissonier, and it is part of his Napoleonic cycle of paintings, with 1807, Friedland and The Morning of Castiglione (unfinished). It represents Napoleon Bonaparte leading his troops during the grim retreat of the French Campaign of 1814. When the painting was sold in 1890, it reached a record price for a painting by a contemporary artist. It is currently housed in the Musée d'Orsay, Paris.

Le Déjeuner sur l'herbe – originally titled Le Bain – is a large oil on canvas painting by Édouard Manet created in 1862 and 1863. The painting depicts a nude woman seated on the grass with a clothed man, surrounded by a landscape featuring trees, a watercourse, and a basket of fruit. It is known for its provocative composition and the bold depiction of nudity, which sparked controversy upon its initial exhibition.

Les Comices de Lyon is a historical painting by Nicolas-André Monsiau depicting the Council of Lyon, a significant political assembly during the French Revolution. The artwork captures the atmosphere of a parliamentary session, showcasing the participants in formal attire, with Napoleon prominently featured among the attendees.

The Port of Greifswald is an 1818-1820 painting by Caspar David Friedrich, depicting a scene in the Bay of Greifswald. It is currently housed in the Alte Nationalgalerie in Berlin, which acquired it in 1919.

The Shortening Winter's Day is Near a Close (1903) and its replicas -- The Shortening Winter's Day is Near a Close and Beneath the Snow Encumbered Branches -- are oil on canvas paintings by Scottish painter Joseph Farquharson. The iconic artworks depict a shepherd tending sheep with the evening sun shining through snowy trees.

This historical painting by Jean-Charles Tardieu depicts Napoleon I receiving the Queen of Prussia, Louise of Mecklenburg-Strelitz, at the Treaty of Tilsit in 1807. The scene captures the diplomatic meeting between the French Emperor and the Prussian monarch, highlighting the political significance of the event.

The Excommunication of Robert the Pious is an 1875 painting by Jean-Paul Laurens, depicting the excommunication of Robert II of France in the year 998. The scene is set within a Romanesque architectural interior, with a bishop and clergy present, emphasizing the solemnity of the event. The painting is held by the Musée d'Orsay in Paris.

Angelica and the Hermit is a 1626–1628 painting by Peter Paul Rubens. It depicts an episode from canto 8 of Ludovico Ariosto's poem Orlando Furioso. The painting shows Angelica, a character from the poem, sleeping while a hermit tends to her. It is now housed in the Kunsthistorisches Museum in Vienna.

Tarquin and Lucretia is an oil painting by Titian completed in 1571, when the artist was in his eighties, for Philip II of Spain. It is signed, and considered to have been finished entirely by Titian himself. It is one of a series of great works from Titian's last years, but unlike some of these, is fully finished. It is now in the Fitzwilliam Museum in Cambridge, England.

Rochefort's Escape is a painting by Édouard Manet depicting the dramatic escape of Henri Rochefort from the Penal Colony of New Caledonia. The scene captures the tense moment as Rochefort and his companions attempt to flee by sea, with the night sky and turbulent waters adding to the sense of urgency and peril. The painting is part of the collection at the musée d'Orsay.

This illumination from the Très Riches Heures manuscript depicts a vibrant scene of rural life in June. The illustration showcases a meadow filled with haymaking activities, featuring figures engaged in mowing and gathering hay. It includes elements like a scythe, rake, and pitchfork, along with details such as a stream, willow trees, and a city gate, suggesting a connection to Paris. The artwork captures the essence of a summer day in a rural setting near the capital.

This painting depicts Charles V, the Holy Roman Emperor, picking up Titian's paintbrush, symbolizing the transfer of artistic legacy. The scene is set in a studio, highlighting the connection between the emperor and the renowned Venetian painter Titian. The artwork captures the moment with attention to detail, including the emperor's clothing, a glove, and the presence of a string instrument, suggesting a rich historical and artistic context.

The Assassination of the Duke of Guise is an oil-on-canvas painting by French artist Paul Delaroche, created in 1834. It depicts the dramatic moment of the assassination of Henry I of Lorraine, Duke of Guise, who was killed in 1588 at the Château de Blois. The painting is held in the Musée Condé in Chantilly, with replicas displayed in the Château de Blois and the Museum of Fine Arts of Lyon during the 2014 exhibition L'invention du passé. The work is celebrated for its historical narrative and detailed portrayal of the event.

This painting depicts Julius Caesar presenting the throne of Egypt to Cleopatra, highlighting the historical event of their alliance. The scene is richly detailed with elements of ancient Roman and Egyptian symbolism, including a laurel wreath, sceptre, and throne. The composition showcases Cortona's skill in blending historical narrative with intricate drapery and architectural elements. The work is part of a series commissioned for a Parisian residence, reflecting the cultural exchange of the period.

This painting depicts a dramatic scene of a wild boar hunt, featuring a group of hunters on horseback pursuing a boar through a forested landscape. The composition showcases Berchem's skill in capturing the movement and tension of the hunt, with detailed foliage and atmospheric perspective enhancing the sense of depth.

Harbour on the Mediterranean is a 17th-century landscape painting by Johannes Lingelbach. The work depicts a tranquil harbor scene with a clear blue sky and calm waters, featuring a small boat and a distant shoreline. The painting showcases Lingelbach's skill in capturing the serene beauty of coastal landscapes.

This painting by Jacob Savery depicts a lively fair celebrating St. Sebastian's Day in a Flemish village. The scene includes various activities such as archery, gambling, and a processional parade, with elements like a castle, church, and marketplace showcasing the village's cultural and social life.

This winter landscape painting by Esaias van de Velde depicts a serene countryside scene covered in snow. A farmhouse with a thatched roof stands amidst a frozen landscape, with a frozen river or watercourse visible in the foreground. The scene includes figures of people engaging in winter activities such as ice skating, suggesting a quiet, rural atmosphere typical of Dutch Golden Age art.

This 17th-century landscape painting by Salomon van Ruysdael depicts a serene river scene with a church and ferry in the foreground. The composition features a winding river, lush greenery, and a small village in the distance, characteristic of the artist's mastery in capturing natural light and atmospheric effects.

This painting by Karel Dujardin depicts a serene Italian landscape featuring a young shepherd playing with his dog. The scene captures the peaceful countryside, with rolling hills and a clear sky, highlighting the harmonious relationship between the shepherd and his loyal companion.

This Italianate landscape painting by Jan Asselijn depicts a serene coastal scene with a rocky shore and cliffs overlooking the sea. The composition features a château in the distance, with a boat in the foreground and a dog resting near a standing man and woman. The sky is filled with soft clouds, adding to the tranquil atmosphere of the scene.

This Italianate Landscape with Resting Peasants by Johannes Lingelbach depicts a serene countryside scene where peasants are shown in various states of relaxation. The painting features a group of people, including men, women, children, and elderly individuals, seated or standing amidst a lush landscape. Elements such as trees, a basket, and a walking stick add to the pastoral atmosphere, while the presence of a horse suggests a rural setting. The composition captures a moment of quiet repose, characteristic of Lingelbach's style.

Landscape with Shepherds is a 1626 painting by Moses van Uyttenbroeck depicting a serene rural scene. The artwork features a lush landscape with a river, trees, and mountains, while shepherds and their livestock graze in the fields. The composition includes elements of nature and human activity, with figures engaged in music and dance, creating a harmonious blend of pastoral life and natural beauty.

This painting by Moses van Uyttenbroeck depicts a wooded pool surrounded by trees and rocks, featuring the mythological figures of Salmacis and Hermaphroditus. The scene includes elements of nature such as reeds, clouds, and a sky, with a focus on the interaction between the two figures and the lush landscape.

Wooded Landscape with Cottages is a 1665 painting by Meindert Hobbema depicting a serene rural scene. The composition features a winding path leading through a forested landscape towards a cluster of thatched cottages, with a stream and a waterhole visible in the foreground. The painting showcases Hobbema's mastery of light and perspective, with a clear sky filled with clouds and a sense of tranquility conveyed through the inclusion of grazing poultry and a man on horseback.

Cinq-Mars Handing his Sword to Louis XIII is a c. 1836–1837 painting by Claudius Jacquand. The work was inspired by the 1826 historical novel Cinq-Mars by Alfred de Vigny. It is now held at the Royal Monastery of Brou, though it also appeared in the 2014 exhibition L'invention du passé. Histoires de cœur et d'épée en Europe, 1802–1850.

This historical painting by Alexandre-Marie Colin depicts Valentine de Milan pleading for justice from King Charles VI for the assassination of the Duke of Orléans. The scene captures a dramatic moment of emotional appeal amidst a royal court setting, highlighting themes of loyalty and political intrigue.

This third version of Caspar David Friedrich's painting depicts two men standing in a moonlit landscape, gazing upwards at the full moon. The scene is set against a dark, starry sky with a tree and rocky formations in the foreground, creating a contemplative atmosphere. The use of light and shadow, particularly the contre-jour technique, enhances the dramatic effect of the moonlight.

This 17th-century Dutch landscape painting by Nicolaes Berchem depicts a serene winter scene on the ice near a town. The composition features a frozen lake with figures skating, a horse, and a lime kiln in the background, capturing the tranquility of a snowy day. The painting is notable for its detailed rendering of ice textures and atmospheric perspective.

This painting by Jan Both depicts a serene Italian landscape featuring a ferry crossing the Tiber River. The scene includes a mule and a man, suggesting a tranquil rural setting. The work, created in 1640, showcases Both's skill in capturing natural scenery and everyday life.

This 17th-century Dutch landscape painting by Jan van Goyen depicts the Valkhof, a historic fortress in Nijmegen, surrounded by a serene river and lush countryside. The scene captures the tranquil beauty of the region during the early 17th century, with a longboat visible in the water and figures on the shore.

The painting depicts a serene landscape featuring an avenue of birch trees, with a canal running through the scene. A man on horseback and a woman riding sidesaddle are visible in the foreground, accompanied by a hound. The artwork showcases Jan Hackaert's skill in capturing the natural beauty of the Dutch countryside during the 17th century.

This painting depicts a mounted trumpeter taking a drink, capturing a moment of leisure amidst a landscape. The scene includes elements of a horse, a man, a trumpet, and an inn, suggesting a rural or village setting. Karel Dujardin's work is characterized by its detailed brushwork and atmospheric quality, typical of the Dutch Golden Age.

Muleteers at an Inn is a 1659 painting by Dutch artist Karel Dujardin. The work depicts a group of travelers, including men and women, resting at an inn, with a pack mule carrying goods. The scene captures the quiet moment of respite amidst a journey, showcasing Dujardin's skill in portraying everyday life and landscapes.

This painting depicts a dilapidated farmhouse surrounded by overgrown vegetation and a few scattered farm animals. The scene suggests a sense of abandonment and decay, typical of rural landscapes in the 17th century. The work is attributed to Emanuel Murant, who created it after the style of the renowned landscape painter Jacob van Ruisdael.

This Italian landscape painting by Adam Pynacker depicts a serene countryside scene featuring a river, mountains, and a tree. A shrine, possibly an ancient tempietto, stands prominently in the foreground, surrounded by a mule and a man. The composition captures the tranquility of the natural setting with detailed attention to the landscape elements.

This anonymous painting depicts the tragic story of Lucretia, a Roman noblewoman who was raped by Sextus Tarquinius, leading to her suicide and the fall of the Roman monarchy. The scene captures the moment of her defiance and the aftermath of her decision, with a focus on the emotional intensity and historical significance of the event. It is housed in the Rijksmuseum in Amsterdam, Netherlands.

This historical painting depicts the moment when Gaius Proculeius intervenes to stop Cleopatra from committing suicide. The scene captures the dramatic tension of the moment, with Cleopatra kneeling and holding a dagger, while Proculeius stands protectively in front of her. The composition includes elements of ancient Roman clothing and settings, such as togas, drapery, and architectural details like columns and walls.

Landscape with Bathsheba is a 16th-century painting by Lambert Sustris, depicting a serene rural scene with a central figure of Bathsheba. The artwork showcases a tranquil landscape featuring a river, trees, and a distant mountain range, with Bathsheba portrayed in a modest yet elegant manner. The painting is notable for its detailed portrayal of nature and the inclusion of a domestic worker, reflecting the social and natural elements of the period.

The Continence of Scipio is a historical painting by Jan van Noordt, depicting the Roman general Scipio Africanus refusing the advances of a Carthaginian woman during the Second Punic War. The scene captures a moment of moral integrity and restraint, reflecting the values of Roman virtue. The painting is notable for its dramatic composition and detailed portrayal of the figures.

This historical painting by Cornelis Kruseman depicts King Philip II of Spain reproaching William I, Prince of Orange, in Vlissingen as he departs from the Netherlands in 1559. The scene captures the tense moment of their confrontation, with detailed armor and regalia emphasizing the historical and political significance of the event.

This painting depicts the dramatic scene of Mark Antony, the Roman general, mortally wounded and in the presence of Cleopatra, the Egyptian queen. The artwork captures the emotional intensity of their final moments, with Cleopatra shown in a moment of vulnerability and sorrow. Created by Louis Moritz in 1825, it is a historical painting that portrays a pivotal moment in ancient history.

This anonymous Flemish painting depicts the dramatic scene of the rape of Lucretia, a pivotal moment in Roman history. The artwork, housed in the Rijksmuseum, captures the intense emotions and historical significance of the event, with detailed portrayals of the figures involved.

This anonymous 17th-century painting depicts a scene of urban life, likely set in a city square. It features a man engaged in quackery, possibly a charlatan or fortune teller, surrounded by various characters including a horse, dog, child, and woman. The artwork captures the lively atmosphere of a bustling city environment, with elements of equestrianism and everyday interactions.

This painting by Paul Joseph Constantin Gabriël depicts a windmill situated on a polder waterway, capturing the serene beauty of a summer day. The scene includes a meadow with grass, a body of water, and a path leading to the shore. A goat is grazing nearby, while a man walks with a walking stick, adding a sense of movement to the tranquil landscape. The painting also features a house with a chimney and a bell tower, along with elements like a fence and window, creating a detailed and atmospheric view of rural life.

This painting by Cornelis de Man depicts a whale-oil refinery situated near the village of Smerenburg. The scene captures the industrial landscape of the area, showcasing the refinery's structures and activities amidst the surrounding environment.

The hurdy-gurdy player is a 17th-century painting by David Vinckboons depicting a village scene with a man playing the hurdy-gurdy, surrounded by a woman, child, and various elements such as an inn, ladder, pig, and animal slaughter. The painting captures the lively atmosphere of a rural setting, showcasing the cultural and social aspects of the time.

This watercolor depicts a charming rural scene featuring a man and a woman engaged in a conversation while riding horses along a country road. The painting showcases a peaceful landscape with grassy fields, a clear sky, and a dog accompanying them. Anton Mauve's work captures the essence of equestrianism and the serene atmosphere of a rural setting.

This painting depicts a graduation ceremony at Leiden University around 1650, showcasing the academic tradition of the time. It features a group of students and faculty, with a focus on the conferring of a degree. The scene captures the formality and significance of the event, highlighting the university's role in higher education during the 17th century.

This painting by Jacob Isaacksz. van Ruisdael depicts a farm nestled within a lush wooded dune landscape. The scene captures the serene beauty of the natural surroundings, with trees and rolling hills creating a tranquil atmosphere. The composition highlights the harmony between human habitation and the environment, typical of van Ruisdael's landscape style.

Venus and Adonis is a painting by Bartholomeus Spranger from 1587. It depicts the mythological scene of Venus, the Roman goddess of love and beauty, and Adonis, a handsome youth. The artwork showcases a romantic and tender moment between the two figures, with Venus gracefully seated and Adonis standing nearby, both engaged in a loving embrace. The painting is notable for its detailed portrayal of the figures and the lush, natural landscape surrounding them.

This painting depicts Darius III of Persia leading his troops towards the Battle of Issus, a significant confrontation during the Wars of Alexander the Great. The artwork captures the grandeur and tension of the historical event, showcasing Apollonio di Giovanni's skill in portraying military scenes and human figures.

This Italianate Landscape with Pines by Hendrik Voogd depicts a serene countryside scene. The painting showcases rolling hills, pine trees, and a river surrounded by snow-capped mountains. A path leads through the landscape, with a sky filled with clouds and a distant building visible. The artwork captures the tranquil beauty of an Italian setting, characteristic of the 18th-century landscape genre.

This painting by Hendrik Voogd depicts a serene Italian landscape featuring umbrella pines, a clear sky with clouds, and a gentle hillside. The scene includes a man and a woman, suggesting a peaceful outdoor setting, with elements like grass, trees, and a small building adding to the tranquil atmosphere.

This painting depicts an Italian landscape featuring soldiers and various elements of rural life. It includes scenes of ruins, men on horseback, soldiers in body armor, and animals such as hounds, goats, oxen, and donkeys. The artwork is a copy after the artist Karel Dujardin, showcasing a detailed and atmospheric portrayal of a historical setting.

This painting depicts the historical moment of Vercingetorix, the leader of the Gauls, surrendering to Julius Caesar after the Battle of Alesia. Created by Lionel Royer in 1899, it captures the dramatic scene of Vercingetorix throwing down his weapons at Caesar's feet, symbolizing the end of the Gallic resistance. The artwork is rich in historical detail, showcasing the military uniforms, weapons, and the symbolic elements of the conquest.

Alessandro Turchi's painting depicts the dramatic moment of Cleopatra's suicide, showing her lying on a bed with a snake bite wound, surrounded by Roman soldiers and attendants. The composition captures the anguish and tragedy of her final moments, with detailed attention to the historical setting and the emotional expressions of the figures involved.

This painting by Eugène Boudin depicts a group of people enjoying a sunny day at the beach. The scene includes a variety of figures such as women, men, and children, some of whom are engaged in activities like bathing and conversation. The background features the English Channel and a sailing ship, with a parasol and beach umbrella adding to the leisurely atmosphere. The painting captures the essence of a seaside holiday in Trouville-sur-Mer.

This painting by Camille Pissarro depicts a serene rural scene near Pontoise, France. The composition features a quiet road flanked by trees and a small house, with a horse-drawn wagon and pedestrians on the sidewalk. The landscape captures the peaceful atmosphere of a French village in the 19th century.

The Last Day of Corinth is a historical painting by Tony Robert-Fleury depicting the aftermath of the destruction of the ancient city of Corinth. The scene captures the chaos and sorrow of the event, with figures in various states of distress and mourning. The painting includes elements such as temples, statues, and a sky filled with smoke, emphasizing the devastation of the city. It is a powerful representation of ancient Corinth's tragic end.

This painting by Jean-Baptiste Camille Corot depicts a serene twilight scene along a riverbank. A moored boat sits beside a tree, with the soft glow of evening light casting a warm hue over the landscape. The composition captures the peaceful atmosphere of a quiet evening, characteristic of Corot's landscape style.

This 17th-century landscape painting by Jan Wils depicts a serene countryside scene with the city of Haarlem in the background. The composition features rolling dunes, a man and a dog in the foreground, and the iconic Bavo Church standing out against the sky. The artwork captures the tranquil beauty of the Kennemerland region in the Netherlands.

This painting by Warnaar Horstink depicts the Amsterdamse Vaart, a canal in Haarlem, with a horse-drawn barge path. The scene includes elements such as a man, woman, dog, cattle, and a windmill, capturing the serene landscape and daily life along the waterway.

This painting by Jan Wouwerman depicts the St. Bavokerk, a church in Haarlem, from the southeast. The scene includes elements such as a sled, horse, man, and the Beek stream, suggesting a detailed portrayal of the urban and natural landscape of 17th-century Haarlem.

This painting depicts a serene dune landscape with a rabbit hunt in progress. The scene includes a windmill, a horse, and a man, all set against the backdrop of the North Sea. Jacob van Ruisdael's mastery of light and atmospheric effects is evident in the detailed portrayal of the natural elements and the dynamic action of the hunt.

This painting by Jacob Isaaksz van Ruisdael depicts a serene dune landscape with a thatched cottage nestled among the dunes. The scene captures the tranquil beauty of the Dutch countryside, with rolling hills and a sky filled with soft clouds.

This 19th-century landscape painting by Warnaar Horstink depicts the second gatehouse of Elswout park in Overveen. The scene captures the architectural details of the structure against a scenic backdrop, showcasing the artist's skill in rendering natural and built environments.

The Death of Socrates is an oil on canvas painted by French painter Jacques-Louis David in 1787. The painting was part of the neoclassical style, popular in the 780s, that depicted subjects from the Classical age, in this case the story of the execution of Socrates as told by Plato in his Phaedo. In this story, Socrates has been convicted of corrupting the youth of Athens and introducing strange gods, and has been sentenced to die by drinking poison hemlock. Socrates uses his death as a final lesson for his pupils rather than fleeing when the opportunity arises, and faces it calmly. The Phaedo depicts the death of Socrates and is also Plato's fourth and last dialogue to detail the philosopher's final days, which is also detailed in Euthyphro, Apology, and Crito.

De schutterskoning is a historical painting by Jean Auguste Henri Leys depicting a scene from Dutch history. The artwork showcases a group of figures, including men and women, gathered around a table adorned with tableware. Notable elements include a walking stick, drum, garland, and writing materials, suggesting a ceremonial or celebratory occasion. The painting also features a tree, a hat, and a feather, adding to the rich detail of the historical setting.

This painting by Edmund Leighton depicts Lady Godiva, a historical figure known for her ride through Coventry. The scene shows her in a modest dress, with a red headscarf, as she walks alongside her husband, Leofric, Earl of Mercia. The background features Romanesque architecture, including a tympanum and window, suggesting the setting is a medieval church or town. The painting captures the historical and cultural significance of the Lady Godiva legend.

This landscape painting by Jacques Fouquières captures a serene natural scene featuring a river, trees, and open plains. The composition includes a winding watercourse, grassy fields, and a distant shoreline, with elements like a road, a house, and a man walking along the path. The sky is filled with clouds, and the daylight creates soft shadows, adding depth to the scene. The painting also includes details such as a hat, a basket, and a specular reflection in the water, enhancing the realism of the landscape.

This serene landscape painting by Jan Tilens captures a rural scene featuring a winding path through a wooded area. The composition includes a house in the distance, a man and woman walking with a walking stick, and a variety of natural elements such as trees, hills, and a sky filled with clouds. The artwork showcases the beauty of the countryside with attention to detail in the flora and fauna.

Lawrence Alma-Tadema's painting depicts the meeting of Mark Antony and Cleopatra, two prominent figures from ancient history. The scene is set in a grand, opulent environment with rich details that reflect the cultural and historical context of their time. The artwork captures the dramatic and romantic tension between the two characters, with Cleopatra portrayed in a regal and seductive manner, while Antony is depicted in military attire. The painting is notable for its intricate details and the use of symbolism, such as the diadem and other royal regalia, which emphasize the power and status of the characters.

The Death of Priam is an 1861 oil on canvas by Jules Lefebvre. He entered it for the Prix de Rome, which it won. It depicts Neoptolemus' murder of Priam as described in Virgil's Aeneid and is now in the collections of the Beaux-Arts de Paris, in Paris, with the catalogue number PRP 111.

Chalk Cliffs on Rügen is an oil painting of circa 1818 by German Romantic artist Caspar David Friedrich. The work depicts the dramatic chalk cliffs of Rügen, a Baltic Sea island, with a solitary figure in the foreground, emphasizing the sublime power of nature. The composition includes a tree, a man, and a woman, with elements like a top hat and a sailboat adding to the scene's atmospheric depth.

Watson and the Shark is an oil painting by the Anglo-American painter John Singleton Copley, depicting the rescue of the English boy Brook Watson from a shark attack in Havana, Cuba. The painting captures the dramatic moment of the rescue, showing Watson being pulled from the water by a group of men in a boat while a shark is seen circling nearby.

This painting by Cornelis Beelt depicts the Grote Markt in Haarlem during a festive celebration, likely commemorating the announcement of the Treaty of Munster in 1648. The scene captures a lively gathering with people, animals, and a prominent city hall, set against a vibrant sunset.

This 1667 painting by Jacob Esselens depicts the Amstel inlet known as 'De Omval' near Amsterdam. The scene captures the tranquil waters and surrounding landscape, featuring elements like a longboat, windmill, and trekschuit, along with figures of men and women engaged in daily activities.

This painting by Alfred Jacob Miller depicts a Crow Chief, showcasing traditional Indigenous attire. The artwork features intricate details of the chief's buckskin clothing, feathers, beads, and other adornments, highlighting the cultural significance of these elements within the Crow Nation. The scene is set against a natural backdrop, typical of Miller's landscape paintings, capturing the essence of the American frontier.

This painting depicts the Battle of Pavia, a significant conflict during the Italian Wars. It captures the chaos and intensity of the battle between French and Spanish forces, with soldiers engaged in combat, flags waving, and the aftermath of warfare. The artwork, attributed to an unknown Flemish artist, provides a vivid portrayal of 16th-century military history.

Between the Lines depicts a scene from the American Civil War, featuring soldiers from both the Confederate States Army and the Union Army. The painting captures the tension and humanity of wartime life, with elements such as a tree, stone, food, and playing cards suggesting moments of respite or reflection amidst the conflict.

This painting depicts Captain Arthur Blake, a British military officer, in a formal portrait by Joshua Reynolds. The subject is dressed in his uniform, featuring a helmet, sash, and shoulder belt, suggesting his rank and status. The background includes a tree, possibly symbolizing strength or a specific location associated with Blake. Created in 1769, the work is an example of Reynolds' portraiture style, capturing both the individual's dignity and the military context.

Holding the Line at All Hazards is a 1882 painting by William Gilbert Gaul depicting a scene from the American Civil War. The artwork showcases soldiers holding the line amidst the chaos of battle, with notable elements including the flags of the Confederate States of America and a young boy wrapped in a blanket.

Leaving Home is a 1907 painting by William Gilbert Gaul depicting a poignant scene of a family preparing to leave their home. The composition includes a variety of objects such as a rocking chair, carpet, and fireplace, suggesting a domestic setting. The presence of soldiers, rifles, and uniforms hints at a military context, possibly related to the American Civil War. The painting captures both the emotional weight of departure and the everyday items that symbolize home.

At the Old House is a painting by Laurits Andersen Ring, created in 1919. The artwork depicts a serene rural scene, featuring a man standing near an old house surrounded by trees. The composition captures the quiet atmosphere of a countryside setting, with the man appearing contemplative in the landscape.

The Capture of Major André depicts the dramatic moment when British Major John André was captured by American forces during the American Revolutionary War. The painting showcases the tense confrontation between André and American soldier Captain John Paulding, with André's distinctive coonskin cap and the letter he was carrying as central elements. Asher Brown Durand's detailed portrayal captures the historical significance of this event, set against a landscape that includes a rocky outcrop and trees.

The Forager is a painting by William Gilbert Gaul depicting a soldier in uniform during wartime. The scene includes elements such as a projectile weapon, a handkerchief, and a chicken, suggesting a moment of rest or reflection amidst military activity. The painting captures the essence of war through its detailed portrayal of military equipment and the soldier's personal belongings.

This painting by Claude-Louis Châtelet depicts a panoramic view of Catanzaro, showcasing the city's historic ruins and surrounding natural landscapes. The artwork captures the dramatic cliffs and canyons of the area, with elements of vegetation and architectural details that reflect the region's unique geography and cultural heritage.

This painting by Gustaf Cederström depicts the historical event of Ansgar preaching Christianity. The artwork is part of the proposed decoration for the Nationalmuseum's Upper Hall, showcasing a scene from early Christian history.

The Vision of St Francis of Assisi is a historical painting by Luis Tristán created in 1610. It depicts St. Francis of Assisi receiving a vision, likely of the stigmata, with elements such as a human skull, a Bible, and a Christian cross present in the scene.

This painting by Giovanni Antonio Canal, also known as Canaletto, depicts a panoramic view of Venice's Fondamenta Nuove, showcasing the islands of San Cristoforo, San Michele, and Murano. The scene captures the bustling Venetian Lagoon with intricate details of the architecture and the surrounding waters.

Arab City is a 1905 painting by Wassily Kandinsky. The work features a vibrant composition of geometric shapes and bold colors, depicting a cityscape with minarets, towers, and domes. Elements such as broad-leaved trees, walls, and a garden are included, creating a dynamic interplay between urban structures and natural forms. The painting reflects Kandinsky's early explorations into abstract art and his fascination with architectural forms.

Roman Charity is a 17th-century painting by Charles Mellin depicting the story of Roman Charity, also known as Phryne. The artwork shows a woman nursing her father, who is imprisoned, symbolizing filial piety and devotion. It is part of the Louvre Museum's collection.

The Embarkation of the Duchess of Angoulême at Pauillac is an 1818 history painting by the French artist Antoine-Jean Gros. Gros had made his reputation depicting scenes of Napoleon Bonaparte and the French Empire. By contrast, this work was created under the Restoration era and celebrated an iconic royalist moment of recent history. The painting depicts the Duchess of Angoulême boarding a barque at Pauillac, a town on the Gironde estuary. It features a crowd of onlookers, including notable figures such as Marie Thérèse of France and Mathieu de Montmorency, and includes elements like a feather and a bank.

The Oath of Brutus is a historical painting by Édouard Cabane, depicting the famous scene from Roman history where Marcus Junius Brutus and other senators swear an oath to assassinate Julius Caesar. The painting captures the intense emotions and dramatic moment of the conspirators' decision, with detailed portrayals of the figures and their expressions.

Phrosine and Mélidore is a historical painting by Édouard Joseph Dantan, created in 1878. The artwork is based on the mythological tale of Mélidore and Phrosine, depicting a scene from their story. It features elements of nudity, a corpse, and clothing, suggesting a narrative with themes of love, sacrifice, or tragedy. The painting is an afterwork of Pierre-Paul Prud'hon's original composition.

This painting by Edmond-Louis Dupain depicts the dramatic scene of the Death of Sauveur, a Breton hero. It captures the historical event of the rebellion in Brittany, highlighting the conflict between the local population and the authorities. The composition includes a crowd, a monumental cross, and elements of violence, reflecting the turbulent period in French history.

This painting depicts the healing of Saint Bonaventure by Saint Francis of Assisi. It showcases a religious scene with Saint Francis performing a miraculous act of healing on the young Saint Bonaventure, highlighting themes of faith and divine intervention.

This painting by François-André Vincent depicts the ancient Greek painter Zeuxis selecting models from the beautiful women of Croton. The scene captures the moment of selection, showcasing the subject's focus and the gathered women, reflecting the historical and artistic themes of the classical period.

This painting depicts Cornelia, the mother of the Gracchi brothers, presenting her children, Gaius and Tiberius Gracchus, and declaring, "Here are my treasures." The scene captures a moment of familial pride and historical significance, highlighting the importance of the Gracchi brothers in Roman history. The artwork by Joseph-Benoît Suvée is a historical painting that emphasizes the moral and political values associated with the family.

This painting by André Devambez depicts a scene from the Paris Commune of 1871, focusing on the barricades erected by revolutionaries in the streets of Paris. The artwork captures the tension and determination of the people involved in the uprising, with elements such as weapons, barricades, and the urban setting of Paris playing prominent roles.

Max Schmitt in a Single Scull is an 1871 oil-on-canvas painting by the American artist Thomas Eakins, Goodrich catalogue #44. It is in the permanent collection of the Metropolitan Museum of Art. Set on the Schuylkill River in Philadelphia, Pennsylvania, it celebrates Eakins's friend Max Schmitt's victory in the October 5, 1870, single sculls competition.

Charles I Receiving a Rose, originally exhibited under the title Subject taken from the life of Charles I, is an oil on canvas history painting by the French artist Eugène Lami, from 1829. The painting depicts King Charles I of England receiving a rose from a young girl as he is about to be taken prisoner to Carisbrooke Castle, where he will be condemned and executed. This scene captures a poignant moment from the English Civil War era, highlighting themes of sacrifice and martyrdom.

This painting depicts the Saint-Bartholomew's Day massacre, a pivotal event in French history where thousands of Huguenots were killed. It specifically portrays Marguerite de Valois, also known as Queen Margaret of Valois, protecting her husband, the future King Henri IV, during the violence. The scene captures the chaos and emotional turmoil of the massacre, highlighting the complex relationships and political tensions of the time.

Gustave Moreau's "Triumph of Alexander the Great" depicts the legendary victory of Alexander the Great over the Indian king Poros. The painting showcases a grand Roman triumph scene with Alexander seated on a chariot, surrounded by soldiers and captives, while a towering victory column symbolizes his conquests. The composition includes elements of Hindu and Buddhist iconography, reflecting the cultural exchanges of Alexander's campaign.

This painting by François-Auguste Biard depicts a dramatic scene from a naval battle, capturing the chaos and intensity of combat at sea. The composition focuses on the deck of a warship, where sailors are engaged in fierce action, with cannon fire and the turmoil of the ocean adding to the sense of urgency and danger.

This painting by François-Auguste Biard depicts a tenor's triumph in a musical morning scene. The composition showcases a lively musical performance with elements of sheet music and piano, capturing the essence of a vibrant musical atmosphere.

The Combat of the Giaour and Hassan is a 1826 painting by Eugène Delacroix depicting a dramatic battle scene between Arab warriors and a Giaour, a term used for non-Muslims. The painting showcases Delacroix's mastery of dynamic composition and vivid color, capturing the intensity of the conflict with swirling skies and galloping horses. It is currently housed at the Art Institute of Chicago.

Canaletto's "Piazza San Marco" is a detailed 18th-century Venetian landscape painting depicting the grand Piazza San Marco in Venice. The composition showcases the iconic St. Mark's Basilica, the Campanile, and the surrounding architecture, capturing the bustling urban scene with remarkable precision and atmospheric perspective.

This oil-on-canvas painting by Canaletto depicts the Bucentaur returning to the pier at the Doge's Palace in Venice, capturing the grandeur of the city's landmarks such as the Piazzetta San Marco, the Doge's Palace, and the San Marco basin. The scene is set during the Festa della Sensa, a significant Venetian festival, and showcases the intricate details of Venetian architecture and the bustling waterfront. The painting is part of a series that includes variations in various collections, including the Pushkin Museum in Moscow and the Royal Collection at Windsor Castle.

This painting depicts a panoramic view of Venice, focusing on the area around the Fondamenta Nuove, with a clear view of the island of Murano. The scene includes notable landmarks such as San Cristoforo della Pace and San Michele, showcasing the city's intricate canal system and architectural details. Created by the renowned Venetian artist Canaletto in 1725, it is part of the Royal Collection.

The Continence of Scipio is a historical painting by Niccolò dell'Abbate from around 1555. It depicts the legendary moment when Scipio Africanus, the Roman general, refused to take a concubine from Carthage, demonstrating his virtue and commitment to Rome. The artwork showcases the classical themes of moral integrity and the complexities of ancient Roman society.

This painting by José Ferraz de Almeida Júnior depicts a family picnic scene at the Itú Falls, showcasing a serene landscape along the Tietê River. The artwork captures the natural beauty of the surroundings and the joyful gathering of a family, including a man and child, in a peaceful outdoor setting.

Estudo para Partida da Monção or Departure for Monsoon is an oil painting on a canvas that was completed in 1897 by Brazilian painter José Ferraz de Almeida Júnior, a representation of Brazilian naturalism and realism. The painting depicts a scene of a departure, likely of a group of people, possibly Bandeirantes, setting off on an expedition. It includes elements such as a river, boat, and figures of men, women, children, and an infant, suggesting a family or group leaving on a journey. The inclusion of a priest indicates a religious or ceremonial aspect to the departure.

The Battle between Christians and Moors at El Sotillo is a historical painting by Francisco de Zurbarán, created in 1637. It depicts a dramatic scene of conflict between Christian and Moorish forces, capturing the intensity of the battle with detailed figures and dynamic composition.

The Abduction of the Sabine Women is a painting by Nicolas Poussin depicting the mythological scene where the Roman men abduct women from the Sabine tribe to secure their alliance. The composition is characterized by its dramatic use of light and shadow, and the figures are arranged with a sense of movement and tension. Created between 1634 and 1635, this work is considered one of Poussin's most significant historical paintings.

This 1810 oil painting by Louis-Léopold Boilly depicts a crowd of spectators at the Salon of 1808 at the Louvre in Paris examining Jacques-Louis David's 'The Coronation of Napoleon'. The scene shows viewers using catalogues to identify the various participants in the historical event, which portrays Napoleon's coronation and his first wife Josephine. Today, the painting is housed in the Metropolitan Museum of Art in New York, acquired in 2012.

This historical painting by Jean-François Montessuy depicts Pope Gregory XVI visiting the Church of San Benedetto at Subiaco. The scene captures the pope in a formal setting within the church, surrounded by clergy and devotees, highlighting the religious and historical significance of the visit.

This painting by William Trost Richards captures the majestic Franconia Notch in New Hampshire, showcasing the rugged beauty of the White Mountains. The scene includes a winding road leading through the notch, with a figure of a man visible in the distance, emphasizing the vastness of the landscape. The artwork highlights the dramatic cliffs and serene natural setting, typical of Richards' detailed landscape style.

The Last Kiss of Romeo and Juliet is an 1823 oil painting by the Italian romantic artist Francesco Hayez. It was inspired as much by the 1523 novella by Luigi Da Porto as English writer William Shakespeare's 1597 play Romeo and Juliet, and was a popular success. The work was commissioned by Giovanni Battista Sommariva. It was displayed at the annual exhibition of the Pinacoteca di Brera in Milan. Today it is in the collection of the Villa Carlotta on Lake Como. Hayez also produced an 1830 painting The Marriage of Romeo and Juliet taken from Da Porto's novella.

Ovid Among the Scythians is a historical painting by Eugène Delacroix, created in 1862. The artwork depicts a dramatic scene from the ancient Roman poet Ovid's exile, set among the Scythians, a nomadic people of Central Asia. The composition features a group of figures, including Ovid himself, surrounded by various animals such as horses, dogs, and a woman, capturing the tension and cultural clash of the moment.

This painting depicts a historical scene at Mount Vernon, the home of George Washington after the American Revolutionary War. It shows Washington and the Marquis de Lafayette, a French military officer who supported the American cause, standing together. The scene includes other notable figures such as Martha Washington, Eleanor Calvert, and George Washington Parke Custis, highlighting the social and political significance of the gathering.

Watson and the Shark is a historical painting by John Singleton Copley, depicting the dramatic moment when Brook Watson was attacked by a shark while swimming off the coast of Havana. The artwork captures the intense fear and peril of the situation, with Watson struggling in the water as the shark lunges at him. It is considered one of Copley's most famous works and is housed in the Metropolitan Museum of Art in New York City.

Place de Clichy is a painting by Paul Signac created in 1888. It depicts the bustling Place de Clichy in Paris, showcasing the vibrant urban scene with elements such as carriages, buildings, and the Monument to Maréchal Moncey. The artwork reflects the artist's pointillist technique, capturing the lively atmosphere of the city streets.

The Rape of Lucretia is a historical painting by the Master of Marradi, depicting the legendary moment when Lucretia, a Roman noblewoman, is raped by Sextus Tarquinius, the son of the tyrant King Tarquinius Superbus. The scene captures the intense emotional turmoil and dramatic tension of the event, with Lucretia's anguish and the surrounding figures reacting to the violation. This work is a prime example of the Master of Marradi's style, characterized by its detailed composition and emotional depth.

The Funeral of Lucretia is a historical painting by the Master of Marradi, depicting the funeral ceremony of Lucretia, a figure from Roman history. The artwork captures the solemnity and emotional weight of the event, with detailed portrayals of mourners and ceremonial elements.

This historical painting by Nicolai Abildgaard depicts Frederick II of Denmark constructing Kronborg Castle at Elsinore. The scene includes elements such as a dog, horse, cannon, and cannonball, suggesting a military or defensive context. It showcases the castle's construction during the 17th century, highlighting the architectural and historical significance of the site.

This painting depicts Adolf, Duke of Schleswig-Holstein, declining the offer to accede to the Danish throne. Created by Martinus Rørbye in 1826, it is a copy after the work of C. W. Eckersberg. The scene captures a historical moment with Adolf standing resolutely, holding a sword and a book, symbolizing his decision and the weight of the offer.

Frederiksborg Castle by Moonlight is a painting by Johan Christian Dahl created in 1817. The artwork depicts the Frederiksborg Palace under moonlight, showcasing the interplay of light and shadow on the castle's architecture. It is part of the architectural painting genre and is housed in the Statens Museum for Kunst in Denmark.

Leonora Christina Ulfeldt, a Danish noblewoman, is depicted in this historical painting by Kristian Zahrtmann. The artwork portrays her in a prison setting, emphasizing her isolation and the somber atmosphere of her confinement. The scene includes elements such as a bed, table, and chair, which suggest the austere conditions of her imprisonment. Created in 1870, the painting is part of the Statens Museum for Kunst collection.

This landscape mural by Robert S. Duncanson depicts a serene natural scene featuring a lake surrounded by hills and trees. The composition includes elements such as clouds, rocks, and a distant mountain range, with a man and sheep visible in the foreground. Ruins add a historical touch to the otherwise tranquil setting.

The Last Spike is a historical painting by Thomas Hill depicting the driving of the Golden Spike, a pivotal moment in the completion of the First Transcontinental Railroad. The scene captures the crowd gathered at Promontory, Utah, where the Central Pacific and Union Pacific Railroads joined their tracks. The painting includes notable figures such as Leland Stanford and other railroad executives, highlighting the significance of this event in American history.

This 19th-century painting by David Johnson captures the bustling scene at Bowling Green in New York City. The artwork features a variety of elements including trees, a flag, people, horses, and buildings, all set against a sky with clouds. It provides a glimpse into the urban landscape and daily life of the area during the mid-1800s.

This painting by Martinus Rørbye depicts a serene coastal scene near Sorrento, showcasing a picturesque view of the sea. The composition includes elements such as trees, a cross, a man, a houseplant, and the sky, creating a harmonious blend of natural and architectural features.

This painting by Étienne Bouhot depicts the bustling street scene of Saint-Germain de Charonne in Paris. The composition includes a variety of elements such as a horse, a flag of France, people walking on the sidewalk, a dog, a sentry box, a tree, and a clock face, capturing the lively atmosphere of the area in 1836.

This painting by Étienne Bouhot depicts the Place du Châtelet in Paris, showcasing the iconic fontaine du Palmier. The scene includes a mix of pedestrians, carriages, and horse-drawn carts, capturing the bustling atmosphere of the area. The artwork also features the Palais de Justice and the Pont au Change, highlighting the historical and architectural significance of the location.

Emigrants at Larsens Square is a 1890 painting by Edvard Petersen depicting a group of emigrants gathered around a horse-drawn wagon at Larsens Square. The scene includes a steamboat in the background, suggesting the departure of emigrants to a new country. The painting captures the emotional and physical aspects of the emigration process, with figures carrying baggage and suitcases, and a child holding an orange. A streetlight adds to the atmosphere of the urban setting.

Death of Dragut is an oil painting by the Maltese artist Giuseppe Calì, from 1867. It depicts the death of the Ottoman general Dragut during the Great Siege of Malta in 1565. The painting captures the dramatic moment of Dragut's demise, highlighting the historical significance of the event and the intense conflict of the Siege of Malta.

Camille Pissarro's painting depicts a serene rural scene in Louveciennes, showcasing a winding road flanked by trees and a horse-drawn wagon. The composition includes a man walking alongside the road, a small building in the distance, and a clear sky, capturing the peaceful atmosphere of the French countryside during the 19th century.

This watercolor by James Stuart depicts the Erechtheum, an ancient Greek temple in Athens. The scene includes detailed architectural elements such as the caryatids and the iconic columns of the temple, set against a sky with clouds. The painting also features a man in Ottoman clothing, possibly a historical figure or a subject of interest to Stuart, along with other elements like a dog and a horse, suggesting a richly detailed and historically informed composition.

This painting by Camille Pissarro depicts the Quai du Pothuis in Pontoise, a town in France. The scene captures the urban landscape with elements such as bridges, people, and the city environment.

Rue L´Hermitage is a painting by Camille Pissarro depicting a street scene in Paris. The work captures the urban landscape with a focus on the architecture and daily life, characteristic of Pissarro's Impressionist style. Created between 1866 and 1868, the painting showcases the bustling city streets and the interplay of light and shadow.

This painting by Camille Pissarro depicts a street scene in Pontoise, capturing the everyday life and architecture of the town. The artwork showcases the artist's impressionistic style, with vibrant colors and loose brushwork that emphasize the atmosphere and light of the scene.

This painting by Camille Pissarro depicts the Parc-aux-Charrettes in Pontoise, France. The scene captures the serene atmosphere of the park with elements such as a baby carriage, trees, and figures of women and men enjoying the surroundings.

This painting by Camille Pissarro depicts a bustling street scene in Pontoise, France, capturing the everyday life of the town in 1879. The artwork showcases the architectural details of the buildings, the cobblestone streets, and the presence of pedestrians and horse-drawn wagons.

Roman Charity is a 16th-century painting by Georg Pencz depicting the story of Roman Charity, a historical figure known for her act of filial piety. The artwork is housed in the National Museum in Warsaw, Poland. It showcases a poignant scene of a daughter nursing her elderly father, highlighting themes of compassion and familial duty. The painting's detailed composition and emotional depth reflect the Renaissance ideals of humanism and moral virtue.

This fantastical painting depicts a grand palace courtyard surrounded by intricate architectural elements, with a prominent Gothic church in the background. The scene includes a fountain and various figures of men and women, showcasing the artist's imaginative vision of idealized architecture.

Study for Le Pont de l'Europe is a painting by Gustave Caillebotte depicting a bridge in Paris. The artwork showcases the urban landscape of the Pont de l'Europe, highlighting the architectural details and the bustling city life around it.

This painting depicts the moment when Christopher Columbus first sets foot on American soil, capturing the historic event of his 1492 voyage. The scene shows Columbus standing on the deck of his ship, surrounded by his crew and the vast ocean stretching into the horizon. The artwork highlights the significance of this discovery, with detailed imagery of the ship, the crew, and the landscape of the newly discovered land.

The Continence of Scipio is a historical painting by Gerard Hoet created in 1714. It depicts the legendary moment when Scipio Africanus, the Roman general, refused to take a captured Carthaginian woman as a concubine, demonstrating his moral integrity and adherence to Roman values. The painting captures a dramatic and emotionally charged scene, highlighting the themes of virtue, discipline, and the complexities of war.

Scenes from the Massacre at Chios is the second major oil painting by the French artist Eugène Delacroix. The work is more than four meters tall, and shows some of the horror of the wartime destruction visited on the northern Aegean Sea island of Chios in the 1822 Chios massacre. A frieze-like display of suffering characters, military might, ornate and colourful costumes, terror, disease and death is shown in front of a scene of widespread desolation.

This painting by Francesco Albotto depicts a panoramic view of the Venetian Arsenal, showcasing the grandeur of the historic maritime complex. The scene includes a bustling square with architectural details, a prominent door leading into the Arsenal, and elements of the Venetian Lagoon in the background. Sailing ships and a clear sky add to the atmospheric quality of the landscape.

San Giuseppe di Castello is a landscape painting by Francesco Albotto created in 1745. The artwork depicts a serene coastal scene with a man standing by a church, surrounded by a sky filled with clouds.

This 18th-century landscape painting by Francesco Albotto depicts a serene view of Campo Santi Giovanni e Paolo, a historic square in Venice. The scene captures the tranquil atmosphere of the Venetian canals, with a gondola gliding through the water and figures of men and women enjoying the surroundings.