Soldiers in Art

This historical painting by Jaroslav Věšín depicts the Turkish retreat during the Battle of Lüleburgaz in the First Balkan War. The scene captures soldiers and field artillery in a dramatic moment of military conflict, with elements like drums and horses adding to the historical atmosphere.

The 1888 painting Independence or Death, also known as the Cry of Ipiranga, is an oil on canvas painting by Pedro Américo. It depicts the proclamation of Brazilian independence, capturing the moment of historical significance with a focus on the figure of Pedro I of Brazil. The artwork is renowned for its dramatic portrayal of the event, symbolizing the struggle for national sovereignty.

This painting depicts a soldier from the French Revolution, likely portraying a figure associated with the revolutionary era. It is housed in the Musée Carnavalet in Paris, France.

This painting depicts the Pont de l'Archevêché during the French Revolution of 1848, showing soldiers guarding the bridge. It captures the historical moment of political upheaval in Paris, with the bridge serving as a symbolic location amidst the revolutionary fervor.

This anonymous painting depicts the aftermath of the Battle of Saarbrücken, which took place on August 5, 1870. The scene captures the devastation and chaos of war, with soldiers and civilians in the foreground, and the ruins of the city in the background. The artwork is part of the Musée Carnavalet collection.

This painting by Guillaume Régamey depicts a scene from the Franco-Prussian War of 1870, showing a dead soldier on a battlefield. The work captures the somber atmosphere of war and the tragic loss of life, characteristic of historical painting.

This painting by Pierre-Roch Vigneron depicts an ambulance during the French campaign of 1814. It captures the aftermath of battle with wounded soldiers and a dog, offering a poignant glimpse into the chaos and humanity of war.

This painting by Édouard Toudouze depicts the burning of the Paris City Hall (Hôtel de Ville) during the 1871 Paris Commune uprising. The scene captures the chaos of the conflagration, with figures of Pétroleuses (female arsonists) and soldiers present, highlighting the historical significance of the event.

Les Alliés is a historical painting by André-Charles Mare created in 1930. The artwork depicts scenes of World War I, focusing on the alliance between France and the United States of America, with references to the flags of both nations. It showcases soldiers from various allied countries, including Belgium and England, gathered at the Invalides in Paris, symbolizing international cooperation during the war.

This historical painting by Joseph Félix Bouchor depicts the presentation of decorations on the esplanade of Les Invalides by President Raymond Poincaré on September 17, 1915. The scene captures a formal military ceremony, highlighting the significance of the event in French history.

Bringing Home the Body of King Charles XII is a painting by Swedish artist Gustaf Cederström, painted in Paris in 1878, displayed at Gothenburg Museum of Art. The author painted a second version in 1884, which is now on display in the National Museum in Stockholm. The scene depicts the repatriation of the body of Charles XII of Sweden, who was killed in Norway during the Siege of Fredriksten.

This painting by Pandolfo Reschi depicts a dramatic battle scene, featuring soldiers on horseback engaged in intense combat. The artwork captures the chaos and energy of warfare with detailed imagery of weaponry and movement.

This painting by Jan Czesław Moniuszko depicts King Stanisław August Poniatowski leaving Warsaw. The scene captures the historical moment of the monarch departing the city, likely during a significant event. The composition includes elements such as a barge on the Vistula River, oarsmen, and soldiers, reflecting the grandeur and importance of the occasion.

This historical painting by Alexandre Debelle depicts the siege of Grenoble by the Allies in 1815. The artwork captures the intense battle scene with soldiers on horseback engaged in combat, showcasing the chaos and drama of the historical event.

Victory at Narva is a historical painting by Gustaf Cederström depicting the Battle of Narva, a significant event in the Great Northern War. The artwork showcases Carl XII of Sweden leading his troops, with soldiers and horses prominently featured. It captures the dramatic and intense atmosphere of the battle, highlighting the Swedish victory in 1700.

The painting depicts William Brydon, an assistant surgeon in the Bengal Army, arriving at the gates of Jalalabad in January 1842. It portrays the desolate aftermath of the 1842 retreat from Kabul, with the walls of Jalalabad looming over a barren plain and riders from the garrison galloping to reach Brydon, who brings the first news of the fate of the "Army of Afghanistan." The work captures the grim reality of military defeat and the resilience of individuals amidst chaos.

This historical painting by Sauveur Lecomte depicts the conquest of Ager and the siege of Lleida, showcasing military scenes with soldiers, tents, drums, horses, rifles, and swords. The composition includes elements like a tree, chapel, and ramparts, reflecting the strategic and chaotic nature of the battle.

La dernière faction is a historical painting by Étienne Dujardin-Beaumetz depicting a dramatic scene from the French Revolution. The artwork features soldiers, a French flag, and elements suggesting a battlefield, with a corpse present in the composition.

This historical painting by Étienne Dujardin-Beaumetz depicts General Ferdinand-Auguste Lapasset burning his flags during the Siege of Metz in 1870. The scene captures the dramatic moment of surrender and the emotional weight of abandoning the French flag, set against a campfire illuminated backdrop. The artwork conveys the tension and sacrifice of military conflict through its vivid portrayal of a soldier's poignant act.

Ambush is a historical painting by Étienne Dujardin-Beaumetz depicting a dramatic scene of soldiers in a tense standoff. The artwork captures the intensity of a military ambush, with detailed portrayals of soldiers, a house, and a road suggesting a strategic location. Created in 1900, this piece is part of the historical genre and showcases the artist's skill in portraying conflict and tension.

Ordre de charger is a historical painting by Lucien-Pierre Sergent depicting a military scene from 1897. The artwork showcases soldiers on horseback, capturing the essence of cavalry maneuvers during a historical event.

The Third of May 1808 depicts the execution of Spanish civilians by French soldiers during the Peninsular War. The painting shows a group of civilians, including a man in the foreground with his hands raised, being shot by a firing squad. It is part of a pair with The Second of May 1808, both commissioned by Spain's provisional government to commemorate resistance against Napoleon's occupation. The work is now housed in the Museo del Prado in Madrid, Spain.

La rendición de Breda is a painting by the Spanish Golden Age painter Diego Velázquez. He painted it during the years 1634 and 1635, inspired by his visit to Italy with Ambrogio Spinola, the Genoese-born Spanish general who conquered Breda on June 5, 1625. The painting depicts the exchange of the key of Breda from the Dutch to the Spanish.

Enrôlement des Volontaires is a historical painting by Auguste Vinchon, created in 1850. The artwork depicts a scene of military recruitment during the French Second Empire, showcasing the fervor and dedication of soldiers volunteering for service. The painting captures the emotional intensity of the moment, with soldiers eagerly signing up for the army, reflecting the societal context of the time.

painting by Frits Thaulow (Lillehammer Kunstmuseum, LKM.Dep33)

This historical painting depicts a cavalry patrol on Ujazdów Avenue in 1905. The scene captures the presence of Cossacks and soldiers, likely during the Revolution in the Kingdom of Poland. The artwork showcases the military atmosphere and the historical context of the time.

This painting depicts the Battle of El Teb, showcasing the Polish cavalry breaking through the British square. Created by Józef Chełmoński in 1884, it captures the intensity and chaos of the conflict during the Sudanese campaign.

This painting by Józef Chełmoński depicts Kazimierz Pułaski at the Jasna Góra Monastery during the Bar Confederation. It captures a historical moment in Polish history, showcasing Pułaski, a key figure in the Polish-Lithuanian Commonwealth, in a military setting. The artwork highlights the significance of the monastery as a symbol of resistance and national identity during the conflict.

The Prison of Copenhagen by Martinus Rørbye depicts a detailed architectural scene of the Copenhagen Court House, showcasing the building's grandeur and intricate design. The painting captures the essence of the structure with a focus on its historical significance and the surrounding elements, including a sentry box, ladder, and various figures such as soldiers and a group of humans. The composition highlights the architectural details and the atmosphere of the prison, reflecting Rørbye's skill in architectural painting.

The Death of Cleopatra depicts the moment of Cleopatra's suicide as she lies on a bed, surrounded by Egyptian symbols and a mourning figure. The painting captures the tragic end of the Egyptian queen, who chose to die by the bite of an asp rather than be captured by the Romans. Created in 1874 by French artist Jean-André Rixens, it was exhibited at the 1874 Salon and is currently housed in the Musée des Augustins in Toulouse, France.

The Dream is a painting by Édouard Detaille created in 1888. It won the gold medal at the Salon in 1888.

This historical painting by Jean-Charles Tardieu depicts Napoleon I receiving the Queen of Prussia, Louise of Mecklenburg-Strelitz, at the Treaty of Tilsit in 1807. The scene captures the diplomatic meeting between the French Emperor and the Prussian monarch, highlighting the political significance of the event.

Calling the Roll After An Engagement, Crimea, better known as The Roll Call, is an 1874 oil-on-canvas painting by Elizabeth Thompson, Lady Butler. It became one of the most celebrated British paintings of the 19th century.

This historical painting by Johannes Lingelbach depicts King Charles II of England pausing during his journey from Rotterdam to The Hague on May 25, 1660. The scene captures the monarch stopping at the estate of Wema on the Rotte, showcasing the royal procession and the surrounding landscape. The artwork highlights the historical context of Charles II's travels and his eventual restoration to the throne.

This historical painting by Hendrick de Meijer depicts the siege and capture of Hulst from the Spaniards on November 5, 1645. The scene captures the intense battle and the aftermath of the city's fall, showcasing the chaos and determination of the defenders.

This painting depicts Prince Maurits, also known as Maurice of Nassau, accompanied by Prince Frederik Hendrik, Frederick V of Bohemia and his wife Elizabeth Stuart, along with other notable figures, on the Buitenhof in The Hague. Created by Paulus van Hillegaert in 1621, the work is a detailed landscape painting that captures the historical and political significance of the gathering.

This painting depicts a lively scene of people and animals enjoying winter activities on a frozen canal in a Dutch town. Hendrick Avercamp's work captures the festive atmosphere of ice skating and sleigh rides, with details of boats, trees, and figures in the foreground.

This anonymous painting depicts a naval battle near Livorno on March 14, 1653, during the First Anglo-Dutch War. The scene captures the chaos of combat at sea, featuring ships engaged in battle and soldiers on deck. The artwork is attributed to Johannes Lingelbach, who created it in 1660.

This painting depicts a historical battle between two groups, Bréauté and Leckerbeetje, taking place on the heath outside the town of Vught on February 5, 1600. The scene captures the chaos and intensity of the conflict, with soldiers and horses engaged in combat. The artwork is notable for its detailed portrayal of the battlefield and the figures involved.

This historical painting by Pieter Wouwerman depicts the surrender of Maastricht to Frederick Henry on August 22, 1632. The scene captures the moment of the city's capture during the Eighty Years' War, showcasing military and political significance. The artwork includes elements of a horse and soldiers, reflecting the historical context of the event.

This historical painting by Otto Eerelman depicts the Frederiksplein in Amsterdam on the day of Queen Wilhelmina's arrival on September 5, 1898. The scene captures the bustling crowd and military procession, showcasing the city's vibrant atmosphere during a significant royal event.

This painting by George Hendrik Breitner depicts a group of hussars, a type of light cavalry, in a bustling urban scene. The work, created in 1885, showcases Breitner's skill in capturing the energy and movement of military life, set against the backdrop of a vibrant cityscape. It is housed in the Rijksmuseum, Amsterdam.

This painting depicts a serene Italian landscape featuring two Roman soldiers standing amidst ancient ruins. The scene includes a tall tree and a rocky outcrop, suggesting a historical or archaeological setting. The artwork showcases the collaborative style of Gerard de Lairesse and Johannes Glauber, blending detailed realism with atmospheric depth.

This painting depicts an Italian landscape featuring soldiers and various elements of rural life. It includes scenes of ruins, men on horseback, soldiers in body armor, and animals such as hounds, goats, oxen, and donkeys. The artwork is a copy after the artist Karel Dujardin, showcasing a detailed and atmospheric portrayal of a historical setting.

This historical painting depicts a scene from the Ten Days' Campaign, a military conflict during the Belgian Revolt in August 1831. The artwork captures the chaos and intensity of battle, featuring soldiers on horseback engaged in combat. Created by Wouterus Verschuur, it provides a vivid portrayal of the historical events of that period.

This painting depicts the historical moment of Vercingetorix, the leader of the Gauls, surrendering to Julius Caesar after the Battle of Alesia. Created by Lionel Royer in 1899, it captures the dramatic scene of Vercingetorix throwing down his weapons at Caesar's feet, symbolizing the end of the Gallic resistance. The artwork is rich in historical detail, showcasing the military uniforms, weapons, and the symbolic elements of the conquest.

Alessandro Turchi's painting depicts the dramatic moment of Cleopatra's suicide, showing her lying on a bed with a snake bite wound, surrounded by Roman soldiers and attendants. The composition captures the anguish and tragedy of her final moments, with detailed attention to the historical setting and the emotional expressions of the figures involved.

This painting by Willem de Poorter depicts Lucretia, a historical figure from ancient Rome, engaged in embroidery in her bedroom. The scene captures her as a domestic worker, highlighting her role in a domestic setting. The inclusion of figures like Lucius Tarquinius Collatinus and a soldier suggests a narrative related to Roman history and the themes of honor and virtue.

The Death of Priam is an 1861 oil on canvas by Jules Lefebvre. He entered it for the Prix de Rome, which it won. It depicts Neoptolemus' murder of Priam as described in Virgil's Aeneid and is now in the collections of the Beaux-Arts de Paris, in Paris, with the catalogue number PRP 111.

Glorious Fighting depicts a scene from the American Civil War, showcasing Confederate soldiers and their equipment. The painting features a drum, flags of the Confederate States of America, a horse, and a wagon, set against a backdrop of a tree. It captures the intensity and chaos of battle, highlighting the bravery and determination of the soldiers.

Leaving Home is a 1907 painting by William Gilbert Gaul depicting a poignant scene of a family preparing to leave their home. The composition includes a variety of objects such as a rocking chair, carpet, and fireplace, suggesting a domestic setting. The presence of soldiers, rifles, and uniforms hints at a military context, possibly related to the American Civil War. The painting captures both the emotional weight of departure and the everyday items that symbolize home.

The Decisive Attack of Micheletto Attendolo at San Romano is a painting by Paolo Uccello depicting a pivotal moment in the Battle of San Romano. The artwork captures the intense action of a medieval battle, showcasing soldiers in armor, horses, and the use of weapons such as spears and shields. It is housed in the Louvre Museum in Paris.

Nearing the End is a 1905 painting by William Gilbert Gaul depicting a scene of war. The artwork features a soldier in the midst of conflict, surrounded by elements such as a cup with stem, a rock, a hat, and a tree. The inclusion of a projectile weapon and fire suggests a battlefield setting, while the presence of a shaving item and a sleeping figure adds layers of personal detail and human experience to the narrative.

The Coronation of the Doge is a painting by Francesco Guardi, created in 1775. It depicts the ceremonial coronation of the Doge of Venice, showcasing the grandeur of the event with a crowd of people, soldiers, and the opulent setting of a Venetian palace. The scene is filled with intricate details, capturing the bustling atmosphere of the courtyard and the architectural elements of the palace.

This painting by Elias Martin depicts a panoramic view of Stockholm Palace, one of the most iconic landmarks in Sweden. The scene includes elements such as trees, boats, houses, and soldiers, suggesting a bustling urban environment. The composition captures the grandeur of the palace and its surroundings, offering a glimpse into the city's historical landscape.

The Forager is a painting by William Gilbert Gaul depicting a soldier in uniform during wartime. The scene includes elements such as a projectile weapon, a handkerchief, and a chicken, suggesting a moment of rest or reflection amidst military activity. The painting captures the essence of war through its detailed portrayal of military equipment and the soldier's personal belongings.

This painting by Georg von Rosen depicts the historical event of Sten Sture the Elder's entry into Stockholm. It showcases a scene of military procession with soldiers and horses, capturing the significance of this moment in Swedish history.

This painting depicts a scene from the Russian War of 1789, featuring King Gustav III of Sweden alongside a soldier. The artwork captures a moment in the historical conflict, highlighting the presence of the monarch and a military figure. Created by Pehr Hilleström d.ä., it is a historical painting that provides insight into the events of the Russian War.

This painting by Hugo Birger depicts a study of a scene outside a restaurant located in the Bois de Boulogne, a large public park in Paris. The artwork captures the atmosphere of the area, possibly including elements such as trees, soldiers, and the surrounding urban landscape.

This painting depicts the historical event of the Battle of Le Bourget on October 30, 1870, during the Franco-Prussian War. It showcases the aftermath of the battle with soldiers, cannons, and the ruins of a church building, capturing the chaos and devastation of war.

This painting by Charles Meynier depicts a scene from ancient history, showcasing Alexander the Great presenting Campaspe to the painter Apelles. The artwork is a historical painting that explores themes of art, patronage, and the relationship between power and creativity.

The Decapitation of Saint George is a historical painting by Bernat Martorell, depicting the martyrdom of Saint George. The scene shows Saint George being beheaded, with a soldier and a horse in the background. Lightning is present in the sky, adding dramatic effect to the moment of his execution. The painting is part of the Louvre's collection.

This painting depicts the historical event of the retaking of Paris from the English in 13 April 1436. It showcases the battle scenes and the involvement of soldiers, with elements such as helmets and weapons present. The artwork is attributed to Jean Simon Berthélemy, a French painter known for his historical works.

This painting depicts King Henri IV entering Paris with supplies during a time of famine, showcasing the historical event where the king distributed food to the starving citizens. The scene captures the solemnity and urgency of the moment, with soldiers and civilians present, highlighting the king's role in alleviating the crisis.

This painting depicts the Saint-Bartholomew's Day massacre, a pivotal event in French history where thousands of Huguenots were killed. It specifically portrays Marguerite de Valois, also known as Queen Margaret of Valois, protecting her husband, the future King Henri IV, during the violence. The scene captures the chaos and emotional turmoil of the massacre, highlighting the complex relationships and political tensions of the time.

This painting by Wojciech Kossak depicts a dramatic cavalry charge during the Battle of Stoczek. The scene captures Polish cavalry soldiers on horseback charging at Russian artillery batteries, with soldiers equipped with bayonets and cannons in the background. The artwork showcases the intensity and chaos of a battlefield, highlighting the bravery and valor of the soldiers involved.

The Execution of Emperor Maximilian is a series of paintings by Édouard Manet from 1867 to 1869, depicting the execution by firing squad of Emperor Maximilian I of the short-lived Second Mexican Empire. Manet produced three large oil paintings, a smaller oil sketch and a lithograph of the same subject. All five works were brought together for an exhibition in London and Mannheim in 1992–1993 and at the Museum of Modern Art in New York in 2006.

The Bard is an 1817 historical landscape painting by the British artist John Martin. Inspired by the 1757 poem The Bard by Thomas Gray, it depicts a scene during the Conquest of Wales by Edward I. A Welsh bard shouts defiance at the army of Edward from a rock over the River Conwy before throwing himself to his death. Conwy Castle can be seen in the distance.

This painting depicts the historic surrender of Confederate General Robert E. Lee to Union General Ulysses S. Grant at Appomattox Court House in 1865, marking the end of the American Civil War. Created by Alonzo Chappel in 1870, it captures the solemnity of the moment with detailed portrayals of the soldiers and the setting.

This historical painting depicts the momentous event of the cession of New Orleans in 1803. It captures the ceremonial raising of the American flag, symbolizing the transfer of control from France to the United States of America. The scene includes military personnel in uniform, flags of both nations, and the iconic cityscape of New Orleans.

This painting by Niels Simonsen depicts the retreat from Dannevirke during the Second Schleswig War in February 1864. It captures the historical event with soldiers, cannons, and the snowy landscape, reflecting the dramatic and somber atmosphere of the conflict.

The Picture clock with Alster panorama, also known as the Coffeeparty on the Alster with view over Lombard Bridge to the city, is a picture clock or music box painting (Spieluhr-Gemälde) – an oil painting of a landscape scene with integrated mechanical clock, automata and music box – that is in the collection of the Museum for Hamburg History. 74 cm x 89 cm in size, it was made between 1827 and 1830 by an unknown group of artists and craftsmen. It was restored in 2012 by the museum and watchmaker Helmut Tüxen.

This painting by Louis de Caullery depicts the ancient Colosseum in Rome, showcasing its weathered stones and grand arches. The scene captures the essence of historical ruins, with elements like statues and soldiers suggesting a once-thriving Roman arena. The artwork blends realism with a sense of timelessness, emphasizing the architectural grandeur and the passage of time.

Scenes from the Massacre at Chios is the second major oil painting by the French artist Eugène Delacroix. The work is more than four meters tall, and shows some of the horror of the wartime destruction visited on the northern Aegean Sea island of Chios in the 1822 Chios massacre. A frieze-like display of suffering characters, military might, ornate and colourful costumes, terror, disease and death is shown in front of a scene of widespread desolation.

This historical painting by Józef Simmler depicts Catherine Jagiellon and her son Sigismund III Vasa during their imprisonment in Gripsholm Castle. The scene captures the emotional weight of their captivity, with elements such as a rosary and crucifix suggesting religious devotion amidst hardship.

Assault on Saragossa is a history painting of 1845 by the Polish artist January Suchodolski. It depicts the Siege of Zaragoza of 1808 during the Peninsular War, part of the wider Napoleonic Wars. French troops are shown assaulting a breach in the wall of the Spanish city. Spanish fighters crowd the windows above them, firing muskets at the French soldiers. The siege ended in a Spanish victory, inspiring the Guerrilla War against the French occupiers and encouraging military intervention from the British Army based in Portugal. Nonetheless, later in the year the French returned and captured the city. Suchodolski had been a student of the French artist Horace Vernet, and visually the work reflects the style of Vernet. Today the painting is in the National Museum in Warsaw.

The Death of Cyprian Godebski at Raszyn is a 1855 history painting by the Polish artist January Suchodolski. It depicts the Battle of Raszyn on 19 April 1809 during the Napoleonic Wars, specifically the death of the Polish writer and soldier Cyprian Godebski. At the outbreak of the War of the Fifth Coalition, Austria launched an invasion of the French-backed Grand Duchy of Warsaw. Polish forces of the Grand Duchy led by Józef Poniatowski rallied against them at Raszyn. Although this did not prevent Austria from occupying Warsaw they were able to take the offensive again as Napoleon invaded Austria and took Vienna.

This painting depicts the return of Polish army squads from Wierzbno, capturing the historical event of the November Uprising. Created by Marcin Zaleski in 1831, it showcases a group of soldiers on horseback, highlighting the military and patriotic themes of the era.

The Judgement of Solomon is an oil on canvas painting depicting the biblical story of King Solomon judging two women who both claim a child. Created in 1649 by French artist Nicolas Poussin during his stay in Rome, the work is now housed in the Louvre Museum in Paris. The painting measures 101 by 150 cm and is celebrated as one of Poussin's masterpieces, representing the French School of the 17th century. It features a dramatic composition with Solomon seated on a throne, surrounded by figures including women, soldiers, and an infant, conveying themes of justice and fear.

The Barrière de Clichy. Defence of Paris, 30 March 1814 is an oil-on-canvas painting by Horace Vernet from 1820. It depicts the battle against Russian cossacks at the barrière de Clichy, highlighting the soldiers present but not engaged in fighting. Vernet's participation in this battle marked his only experience in active combat, which influenced his choice of subject matter for the remainder of his career.

The painting depicts the Battle of Raszyn, a significant event during the Polish-Soviet War. It showcases soldiers in action, with detailed portrayals of horses and military equipment such as snare drums and bayonets. The artwork captures the intensity and chaos of the battlefield, highlighting the bravery and determination of the soldiers.

Wojciech Kossak's painting depicts the Battle of Olszynka Grochowska, a significant event in the Polish-Soviet War. The artwork captures the intense combat scene with soldiers in the forest, featuring elements like bayonets and snare drums, highlighting the chaos and determination of the soldiers during the battle.

This painting by Stanisław Masłowski depicts a scene from the Revolution in the Kingdom of Poland, likely showing Cossacks on horseback along Ujazdów Avenue. The artwork captures the historical atmosphere of the event, featuring soldiers and a man in the foreground, suggesting a moment of tension or celebration during this period of political upheaval.

The Battle of Somah is a painting by Horace Vernet depicting a dramatic scene from the French conquest of Algeria. The artwork captures the chaos and intensity of a battlefield, featuring soldiers from the French army and Arab forces engaged in combat. It showcases the use of firearms and the aftermath of major trauma, with infantry and cavalry units locked in a fierce struggle. The painting provides a vivid visual account of the historical conflict and its human cost.

Belisarius Begging for Alms is a large-format history painting in oil on canvas by the French artist Jacques-Louis David. It depicts the Byzantine general Belisarius, who heroically defeated the Vandals in North Africa in AD 533–534 on behalf of Justinian I, and was later blinded by the emperor and reduced to begging for alms on the street. David exhibited the work at the Salon of 1781 after returning from Italy and it proved a great success.

This painting by Joseph Ferdinand Boissard de Boisdenier depicts a dramatic scene from the Retreat from Russia, capturing the harsh winter conditions and the suffering of soldiers. The artwork includes elements such as soldiers, corpses, horses, and cannons, emphasizing the chaos and devastation of the historical event. The cold, snowy landscape and the presence of Moscow in the tags suggest a setting in Russia during the Napoleonic Wars.

This painting depicts the historical event of Alexander the Great entering Babylon, a significant moment in ancient history. Created by Charles Le Brun, it showcases the grandeur of the occasion with detailed imagery of soldiers, chariots, and the iconic Hanging Gardens of Babylon. The artwork captures the majesty of Alexander's conquest and the cultural richness of Babylon.

This historical painting by Johann Heinrich Schönfeld depicts a scene from ancient times, showcasing Sarmatians gathered around the tomb of the Roman poet Ovid. The composition highlights the cultural and historical significance of the tomb, with figures dressed in traditional attire and engaged in ceremonial activities. The artwork captures the grandeur of the setting and the solemnity of the occasion.

This painting by Victor Henri Juglar depicts a scene from the War in the Vendée, focusing on a spy during the Chouannerie uprising. It captures the tension and historical context of the conflict, with elements such as a château, courtyard, and military figures like soldiers and a drum.

This painting depicts a young boy dressed in elaborate armor, likely a historical or military figure. The detailed craftsmanship of the armor and the boy's pose suggest a focus on the subject's dignity and strength. The artwork, created by J.C. Loth and W. Drost, captures a moment that may represent a historical event or a symbolic portrayal of youth and valor.

This painting depicts the capture of Abd El-Kader's encampment at Taguin on 16 May 1843, showcasing the Duc d'Aumale's military victory. It portrays a dramatic scene of a cavalry charge against a fortified camp, with elements of warfare, tents, and soldiers in action. The artwork, created in 1844, was commissioned by Louis-Philippe I and later displayed at Paris salons before being housed in the Musée de l'histoire de France in Versailles.

This watercolor by Thomas Gainsborough depicts an open landscape featuring horsemen and a covered cart. The scene captures a serene rural setting with elements such as trees, mountains, and a sense of movement through the presence of the horsemen. The painting showcases Gainsborough's skill in capturing natural scenery with delicate brushwork and attention to detail.

This painting depicts the Battle of Vienna, a significant historical event where the Ottoman Empire was defeated by the Holy League, a coalition of European powers. The scene captures the chaos and intensity of the battle, with soldiers on horseback engaged in combat, tents in the background, and the city of Vienna in the distance. The artwork provides a vivid portrayal of the military conflict and its strategic importance.

This painting by Antoni Zaleski depicts a scene from the Second Northern War, showcasing soldiers crossing a river. The composition includes elements such as a windmill, quiver, lance, and horse, suggesting a military campaign. The artwork captures the dynamic movement and historical context of the conflict.

The painting depicts the conclusion of the Battle of Austerlitz, where French General Jean Rapp presents captured Russian Prince Repnin to Napoleon Bonaparte, symbolizing French victory over Russia and Austria. It highlights the bravery of the French guard and the modesty of its leader. One of three commissioned by Napoleon, it is displayed in the Gallery of the Battles at the Palace of Versailles.

The Battle of Bouvines is an 1827 history painting by the French artist Horace Vernet. It depicts Philip II of France shortly before the Battle of Bouvines in 1214. A victory for Philip, the subsequent Truce of Chinon ended the Anglo-French War.

This painting by Charles-Philippe Larivière depicts the Battle of Mons-en-Puelle, a significant historical event that took place on August 18, 1304. The artwork captures the chaos and intensity of the battlefield, featuring soldiers in armor, flags, and various elements of medieval warfare.

The Battle of Taillebourg, 21 July 1242 is an 1837 painting by Eugène Delacroix depicting the Battle of Taillebourg. It is one of 33 large-scale works commissioned by Louis-Philippe I for the Gallery of Battles at the Palace of Versailles, which was inaugurated in 1837. The painting still hangs in the gallery between Horace Vernet's The Battle of Bouvines and Charles-Philippe Larivière's The Battle of Mons-en-Pévèle. Delacroix's work is unique in the gallery as it is his only contribution.

This painting depicts the Second Battle of Zurich, which took place on September 25, 1799. It showcases a dramatic scene of military conflict with elements such as cavalry, infantry, and soldiers in uniform. The battlefield includes a lake and river, adding to the strategic complexity of the engagement. The painting captures the intensity of the battle and the chaos of war.

This painting depicts a dramatic scene of soldiers engaged in a fierce battle during the Kościuszko Uprising. The composition focuses on a river crossing, with cavalry units fighting over a footbridge while the background shows a church building and the surrounding landscape. The artwork captures the intensity of the conflict and the strategic importance of controlling the river crossing.

The Consignment of the Regency is a historical painting by Peter Paul Rubens, created in 1623. It depicts a scene of ceremonial significance, likely related to the transfer of power or authority, with elements such as a balustrade, flag, and soldiers suggesting a formal event. The presence of Marie de' Medici, a prominent figure in French history, indicates the painting's connection to political or royal occasions.

This painting depicts the entry of the Crusaders into Constantinople, a pivotal moment in history. It showcases the chaos and turmoil of the event, with a large crowd of people, soldiers, and horses. The artwork captures the grandeur and intensity of the scene, highlighting the historical significance of the Crusades. It is currently housed in the Louvre Museum in Paris.

The Rape of the Sabine Women is a painting by Nicolas Poussin depicting the mythological event where the founders of Rome, led by Romulus, abducted women from the Sabine tribe to ensure the growth of their city. The scene captures the dramatic moment of the abduction, with figures engaged in conflict and emotional turmoil. It is housed in the Louvre Museum in Paris, France.

The Prussian Homage is an oil on canvas painting by Polish painter Jan Matejko painted between 1879 and 1882 in Kraków. The painting depicts the "Prussian Homage", a significant political event from the time of the Renaissance in Poland in which Albrecht of Hohenzollern, the Duke of Prussia paid tribute and swore allegiance to King Sigismund I the Old in Kraków's market square on 10 April 1525. Matejko depicted over thirty important figures of the Polish Renaissance period, taking the liberty of including several who were not actually present at the event.

The Battle of Nancy is an 1831 painting by the French artist Eugène Delacroix, showing the 1477 Battle of Nancy and the death of Charles the Bold. It is now in the Musée des Beaux-Arts de Nancy. Nancy's 'société royale des sciences, lettres et arts' suggested three possible subjects – the battle itself, Lorraine's victory over the Burgundians or the discovery of Charles the Bold's body. Delacroix chose the first of these, but did not go to Nancy in person, instead basing the work on several preparatory sketches of medieval weapons and costumes, of scenes from literature such as Walter Scott's Anne of Geierstein and of topographical maps provided by Baron Schwiter.

The Distribution of the Eagle Standards is an 1810 oil painting by Jacques-Louis David depicting a military ceremony in 1804 that was arranged by Napoleon after his assumption of power as Emperor of the French. In the ceremony, Napoleon sought to revive the military ethos of the Roman Empire.

The Massacre of the Innocents is a 1625-1632 painting by Nicolas Poussin depicting the biblical event where Herod orders the killing of infants in Bethlehem to eliminate the potential threat posed by the newborn Jesus. The painting showcases a dramatic scene of violence and suffering, with soldiers and civilians caught in the chaos of the massacre. It is now housed in the Musée Condé in Chantilly, France.

This historical painting by Jean-Victor Schnetz depicts Count Eudes defending Paris during a critical moment in history. The scene captures the intensity of the defense, with Eudes portrayed in full armor, mounted on a horse, and surrounded by soldiers and fortifications. The inclusion of elements like a crown and helmet emphasizes the noble and heroic aspects of the subject.

This painting depicts Napoleon I presenting the Legion of Honor cross to a Russian soldier during the Treaty of Tilsitt in 1807. Created by Jean-Baptiste Debret in 1808, it captures a significant moment in Napoleonic history, highlighting the diplomatic and military relationship between France and Russia at the time.

The Expulsion of the Duke of Athens is a 14th-century painting by the Italian artist Orcagna. It depicts a dramatic scene from Florentine history, illustrating the expulsion of a tyrannical Duke from the city of Florence. The artwork is notable for its historical significance and vivid portrayal of the conflict between the people and the ruling class.

Cavalhadas em Campinas, 1846 is a historical painting by Benedito Calixto depicting a scene from 1846 in Campinas. The artwork showcases a cavalry charge, highlighting the military aspects of the era. It is part of the Museu Paulista da USP collection.

Washington Crossing the Delaware is a 1851 oil-on-canvas painting by the German-American artist Emanuel Leutze depicting General George Washington's crossing of the Delaware River with the Continental Army on the night of December 25–26, 1776, during the American Revolutionary War. The painting captures Washington's covert crossing the Delaware River that night, which was the first of several moves leading to a surprise attack and victory against Hessian forces at the Battle of Trenton in New Jersey on the morning of December 26.

A Street in Arras is a historical painting by John Singer Sargent depicting a street scene in the French city of Arras during World War I. The artwork captures the aftermath of war, showing ruined buildings, soldiers in uniform, and the remnants of conflict. Sargent's detailed brushwork and realistic portrayal convey the somber atmosphere of the battlefield.

This painting depicts the moment when the order of expulsion was read to the Acadians in the parish church at Grand-Pré in 1755. Created by Charles William Jefferys in 1923, it captures the historical event of the Acadian deportation, showing the emotional impact on the gathered crowd.

This painting depicts the historic moment of General Louis-Joseph de Montcalm leading his troops during the Battle of the Plains of Abraham in 1759. The artwork captures the intensity of the battle with detailed portrayals of soldiers, horses, and the dramatic landscape. Created by Charles William Jefferys in 1908, it is a notable example of historical painting.

This historical painting by Jean Simon Berthélemy depicts the dramatic scene of Titus Manlius Imperiosus Torquatus, a Roman general, condemning his son to death. The composition highlights the tension of the moment, with the father standing on a dais, surrounded by soldiers, banners, and military equipment such as shields and weapons. The painting captures the gravity of capital punishment in ancient Rome, emphasizing the strict discipline and moral complexities of Roman military life.

This painting by Adam Frans van der Meulen depicts the Siege of Courtrai during the War of Devolution in 1667. The scene captures the chaos and intensity of the battle, with soldiers and horses engaged in combat amidst a stormy landscape. The inclusion of a dog adds a poignant touch to the historical event, highlighting the human and animal elements of war.

This painting depicts the historical moment when Alexander the Great cuts the Gordian Knot, a symbol of solving complex problems with decisive action. Created by Jean-Simon Berthélemy in 1767, it captures the dramatic scene of Alexander, portrayed as a young soldier, using a chariot to sever the knot, with a dog nearby. The artwork is an example of historical painting, highlighting the legendary story of Alexander's conquests.

This historical painting by Charles Meynier depicts a significant moment in military history, showing Marshal Ney presenting recovered flags to the soldiers of the 76th Line Regiment on November 7, 1805. The scene captures the solemnity and pride of the soldiers as they receive their flags, symbolizing honor and continuity within the regiment.

This historical painting by Pierre-Nolasque Bergeret depicts a significant moment in European history when Alexander I of Russia presented the Kalmyks, Cossacks, and Baskirs to Napoleon I on July 9, 1807. The scene captures the formal exchange of these military groups, highlighting the complex political and military relationships between Russia and France during the Napoleonic Wars.

Napoleon Accepting the Surrender of Madrid is an 1810 history painting by the French artist Antoine-Jean Gros. It depicts Napoleon, Emperor of France, accepting the capitulation of Madrid, on 4 December 1808, during the Peninsular War. Napoleon is shown with his general staff receiving a delegation from the city.

This painting depicts the Battle of Castalla, a significant engagement during the Peninsular War in 1812. It captures the intense clash between French and Spanish forces, showcasing the chaos of war with soldiers, cavalry, and cannons in action. The scene is set in the village of Castalla, emphasizing the historical context of the conflict.

This painting depicts the opening session of the Estates-General on May 5, 1789, a pivotal moment in French history. It captures the assembly of representatives from the three estates—clergy, nobility, and the Third Estate—gathered in the Hall of Mirrors at Versailles. The scene includes notable figures such as Louis XVI, Marie Antoinette, and key political leaders, highlighting the tension and significance of the event leading to the French Revolution.

This historical painting by Gottfried Menken depicts the Battle of Bremen in 1813, focusing on the attack at the Ostertor gate. The scene captures the chaos of war with soldiers engaged in combat, a burning windmill, and the destruction of the city's bridge. The artwork conveys the intensity of the conflict and its impact on the urban landscape.

Washington Rallying the Troops at Monmouth is a historical painting by Emanuel Leutze depicting George Washington leading his Continental Army during the Battle of Monmouth in the American Revolutionary War. The artwork captures the intense moment of the battle, featuring soldiers, horses, and military equipment such as muskets and swords. It is an iconic representation of leadership and perseverance during the war.

This historical painting by Conrad Wise Chapman & John Gadsby Chapman depicts the entrance to Fort Sumter, a significant Civil War-era fort located in Charleston Harbor, South Carolina. The artwork captures the military architecture and strategic importance of the fort during the American Civil War.

This historical painting by Conrad Wise Chapman depicts the Gun Gallery at Fort Sumter on December 8, 1863. The scene captures the military atmosphere of the Civil War-era fort, showcasing cannons and soldiers in their defensive positions.

The painting depicts the execution of Louis Antoine, Duke of Enghien, a French nobleman and military officer, in 1804. It portrays the dramatic scene of his death by firing squad at the Château de Vincennes, with a focus on the emotional intensity of the moment. The artwork captures the historical significance of the event, which was a pivotal moment in French history.

This painting by Alphonse-Marie-Adolphe de Neuville depicts a historical battle taking place at a railway embankment. The scene captures the intensity of combat with soldiers engaged in infantry action, set against the backdrop of the Loire region. The artwork is notable for its detailed portrayal of military conflict and the strategic importance of railway infrastructure during the 19th century.

The Entry of Napoleon into Berlin is an 1810 painting by the French artist Charles Meynier. It depicts the entry of the French Emperor Napoleon into the Prussian capital Berlin on 27 October 1806, following his victory at the Battle of Jena. The Fall of Berlin marked a high point in the success of Napoleon and he issued the Berlin Decree from the city, implementing the Continental System aimed at strangling European trade with the United Kingdom.

This oil on canvas portrait by Pierre-Narcisse Guérin depicts Henri de la Rochejaquelein, a French military leader known for his role in the War in the Vendée. The painting captures his commanding presence, with elements suggesting his military background, including a pistol and flag, and portrays him in a moment of significant historical importance.

La Naissance d'Henri IV by Eugène Devéria depicts the baptism of Henry IV of France. The painting shows the infant Henry IV being baptized by Jeanne d'Albret, the Queen Mother, with clergy and nobles present. It includes elements such as a dog, a parrot, and a spaniel, reflecting the historical and ceremonial significance of the event.

This historical painting by Henri Gervex depicts the education of the children of Louis XVI of France. The scene shows young royal heirs being taught by a tutor, with a carriage in the background and soldiers present, suggesting a formal and disciplined setting. The artwork is set in the Plaine des Sablons, a location associated with the French royal family's activities.

This painting depicts the storming of the Bastille on 14 July 1789, a pivotal event during the French Revolution. Created by Charles Thévenin in 1793, it captures the chaos and intensity of the battle, showcasing soldiers and civilians engaged in the struggle for liberty.

This painting by Gustaf Cederström depicts the aftermath of the Battle of Poltava in 1709, showcasing King Carl XII of Sweden and Hetman Ivan Mazepa. The scene captures the historical moment following the decisive battle between the Swedish and Russian forces, highlighting the figures of the two key leaders amidst the ruins and remnants of the battlefield.

This historical painting by Léon Comerre depicts a dramatic scene from ancient Greek history, likely illustrating the story of Timophanes and Timoleon. The composition features soldiers in armor, a frieze-like arrangement, and elements suggesting a wall or architectural structure, with a focus on themes of conflict and human emotion.

This painting depicts the historical battle of the defeat of Porus by Alexander the Great, a subject popular in 19th-century art. It showcases a dramatic scene with soldiers, elephants, and cavalry on a hillside near a watercourse, capturing the chaos and grandeur of the ancient conflict.

This painting by François-Louis-Joseph Watteau depicts the Siege of Lille in 1792, a significant event during the French Revolutionary Wars. The scene captures the chaos and tension of the battlefield, with soldiers and civilians caught in the conflict. The artwork includes elements such as military colours, weapons like sabers and pistols, and various forms of headgear, reflecting the historical context of the time.

The Death of Marcellus is a historical painting by Jacques-Louis David depicting the death of the Roman general Marcellus. The scene shows Marcellus lying on a battlefield, surrounded by his fallen soldiers and the goddess Minerva, symbolizing wisdom and strategy. The painting captures the dramatic moment of his demise, emphasizing themes of heroism and sacrifice.

Scotland Forever! is an 1881 oil painting by Elizabeth Butler depicting the start of the charge of the Royal Scots Greys, a British heavy cavalry regiment that charged with other British heavy cavalry at the Battle of Waterloo in 1815. The painting has been reproduced many times and is considered an iconic representation of the battle itself, and of heroism more generally.

The 28th Regiment at Quatre Bras depicts a scene from the Battle of Quatre Bras during the Napoleonic Wars. The painting captures British infantry forming a square to repel French cavalry, a common tactic in 19th-century warfare. Created in 1875 by Elizabeth Thompson, later known as Lady Butler, it showcases her detailed portrayal of military life and historical events.

The Sortie Made by the Garrison of Gibraltar is a 1789 oil-on-canvas painting by American artist John Trumbull. The painting depicts a pivotal moment in Gibraltar's history during the Great Siege of Gibraltar, when the Spanish attempted to capture the British-held fortress in November 1781. It shows Spanish officer Don Jose de Barboza being honored as he lies dying, despite being left behind by his retreating troops. He valiantly but unsuccessfully attacks the British troops with chivalry.

This painting by Marcin Zaleski depicts the Capture of the Warsaw Arsenal during the November Uprising, a significant event in Polish history. It showcases the dramatic scene of soldiers taking control of the arsenal, highlighting the tension and historical significance of the moment.

The Abduction of Helen depicts the mythological scene from Greek mythology where Paris, a Trojan prince, abducts Helen, the wife of King Menelaus of Sparta. The painting captures the dramatic moment of the abduction, featuring Helen, Paris, and other figures amidst a landscape that includes a temple and horse. Created during the Italian Renaissance, this work by Girolamo Genga showcases the artist's skill in portraying mythological narratives with emotional intensity and intricate detail.