Soldiers in Art
Back to Themes
Art Theme
144 artworks

Soldiers in Art

Soldiers, depicted in 145 works, reflect the historical context of war, power, and social order.

About This Theme

Soldiers, depicted in 145 works, reflect the historical context of war, power, and social order.

Featured Artworks144

The Turkish Retreat at Lüleburgaz by Jaroslav Věšín, 1914

The Turkish Retreat at Lüleburgaz

Jaroslav Věšín
Lüleburgaz,Turkey
Unknown Movement

This historical painting by Jaroslav Věšín depicts the Turkish retreat during the Battle of Lüleburgaz in the First Balkan War. The scene captures soldiers and field artillery in a dramatic moment of military conflict, with elements like drums and horses adding to the historical atmosphere.

Independence or Death by Pedro Américo, 1888

Independence or Death

Pedro Américo
São Paulo,Brazil
Unknown Movement

The 1888 painting Independence or Death, also known as the Cry of Ipiranga, is an oil on canvas painting by Pedro Américo. It depicts the proclamation of Brazilian independence, capturing the moment of historical significance with a focus on the figure of Pedro I of Brazil. The artwork is renowned for its dramatic portrayal of the event, symbolizing the struggle for national sovereignty.

Anonymous - Soldat de la Révolution. by http://www.wikidata.org/.well-known/genid/45335325ce0d9e95de520337c9d6b156, 1801

Anonymous - Soldat de la Révolution.

http://www.wikidata.org/.well-known/genid/45335325ce0d9e95de520337c9d6b156
Paris,France
Unknown Movement

This painting depicts a soldier from the French Revolution, likely portraying a figure associated with the revolutionary era. It is housed in the Musée Carnavalet in Paris, France.

Le Pont de l'Archevêché gardé par les troupes, pendant la révolution de 1848 by http://www.wikidata.org/.well-known/genid/42a00f3730dbfa65a8928aafb348ae4b, 1848

Le Pont de l'Archevêché gardé par les troupes, pendant la révolution de 1848

http://www.wikidata.org/.well-known/genid/42a00f3730dbfa65a8928aafb348ae4b
Paris,France
Unknown Movement

This painting depicts the Pont de l'Archevêché during the French Revolution of 1848, showing soldiers guarding the bridge. It captures the historical moment of political upheaval in Paris, with the bridge serving as a symbolic location amidst the revolutionary fervor.

Sarrebruck après la bataille, le 5 août 1870 by http://www.wikidata.org/.well-known/genid/c500ecbdca34b845ee93b322aa22bade, 1870

Sarrebruck après la bataille, le 5 août 1870

http://www.wikidata.org/.well-known/genid/c500ecbdca34b845ee93b322aa22bade
Saarbrücken,Germany
Unknown Movement

This anonymous painting depicts the aftermath of the Battle of Saarbrücken, which took place on August 5, 1870. The scene captures the devastation and chaos of war, with soldiers and civilians in the foreground, and the ruins of the city in the background. The artwork is part of the Musée Carnavalet collection.

Scène de la guerre de 1870 , soldat mort sur un champ de bataille by Guillaume Urban Régamey, 1870

Scène de la guerre de 1870 , soldat mort sur un champ de bataille

Guillaume Urban Régamey
Paris,France
Unknown Movement

This painting by Guillaume Régamey depicts a scene from the Franco-Prussian War of 1870, showing a dead soldier on a battlefield. The work captures the somber atmosphere of war and the tragic loss of life, characteristic of historical painting.

Une ambulance en 1814, pendant la campagne de France by Pierre-Roch Vigneron, 1814

Une ambulance en 1814, pendant la campagne de France

Pierre-Roch Vigneron
Paris,France
Unknown Movement

This painting by Pierre-Roch Vigneron depicts an ambulance during the French campaign of 1814. It captures the aftermath of battle with wounded soldiers and a dog, offering a poignant glimpse into the chaos and humanity of war.

Incendie de l'Hôtel de Ville en 1871 by Édouard Toudouze, 1871

Incendie de l'Hôtel de Ville en 1871

Édouard Toudouze
Paris,France
Unknown Movement

This painting by Édouard Toudouze depicts the burning of the Paris City Hall (Hôtel de Ville) during the 1871 Paris Commune uprising. The scene captures the chaos of the conflagration, with figures of Pétroleuses (female arsonists) and soldiers present, highlighting the historical significance of the event.

Les Alliés by André Mare, 1930

Les Alliés

André Mare
Paris,France
Unknown Movement

Les Alliés is a historical painting by André-Charles Mare created in 1930. The artwork depicts scenes of World War I, focusing on the alliance between France and the United States of America, with references to the flags of both nations. It showcases soldiers from various allied countries, including Belgium and England, gathered at the Invalides in Paris, symbolizing international cooperation during the war.

Remise de décorations sur l'esplanade des Invalides par le président Poincaré, le 17 septembre 1915 by Joseph-Félix Bouchor, 1915

Remise de décorations sur l'esplanade des Invalides par le président Poincaré, le 17 septembre 1915

Joseph-Félix Bouchor
Paris,France
Unknown Movement

This historical painting by Joseph Félix Bouchor depicts the presentation of decorations on the esplanade of Les Invalides by President Raymond Poincaré on September 17, 1915. The scene captures a formal military ceremony, highlighting the significance of the event in French history.

Bringing Home the Body of King Karl XII of Sweden by Gustaf Cederström, 1884

Bringing Home the Body of King Karl XII of Sweden

Gustaf Cederström
Stockholm,Sweden
Unknown Movement

Bringing Home the Body of King Charles XII is a painting by Swedish artist Gustaf Cederström, painted in Paris in 1878, displayed at Gothenburg Museum of Art. The author painted a second version in 1884, which is now on display in the National Museum in Stockholm. The scene depicts the repatriation of the body of Charles XII of Sweden, who was killed in Norway during the Siege of Fredriksten.

Scène de bataille 01 by Pandolfo Reschi, 1700

Scène de bataille 01

Pandolfo Reschi
Florence,Italy
Unknown Movement

This painting by Pandolfo Reschi depicts a dramatic battle scene, featuring soldiers on horseback engaged in intense combat. The artwork captures the chaos and energy of warfare with detailed imagery of weaponry and movement.

Król Stanisław August opuszczający Warszawę by Jan Czesław Moniuszko, 1893

Król Stanisław August opuszczający Warszawę

Jan Czesław Moniuszko
Warsaw,Poland
Unknown Movement

This painting by Jan Czesław Moniuszko depicts King Stanisław August Poniatowski leaving Warsaw. The scene captures the historical moment of the monarch departing the city, likely during a significant event. The composition includes elements such as a barge on the Vistula River, oarsmen, and soldiers, reflecting the grandeur and importance of the occasion.

Le siège de Grenoble par les Alliés en 1815 by Alexandre Debelle, 1861

Le siège de Grenoble par les Alliés en 1815

Alexandre Debelle
Grenoble,France
Unknown Movement

This historical painting by Alexandre Debelle depicts the siege of Grenoble by the Allies in 1815. The artwork captures the intense battle scene with soldiers on horseback engaged in combat, showcasing the chaos and drama of the historical event.

Victory at Narva by Gustaf Cederström, 1905

Victory at Narva

Gustaf Cederström
Stockholm,Sweden
Unknown Movement

Victory at Narva is a historical painting by Gustaf Cederström depicting the Battle of Narva, a significant event in the Great Northern War. The artwork showcases Carl XII of Sweden leading his troops, with soldiers and horses prominently featured. It captures the dramatic and intense atmosphere of the battle, highlighting the Swedish victory in 1700.

Remnants of an Army by Elizabeth Thompson, 1879

Remnants of an Army

Elizabeth Thompson
London,United Kingdom
Unknown Movement

The painting depicts William Brydon, an assistant surgeon in the Bengal Army, arriving at the gates of Jalalabad in January 1842. It portrays the desolate aftermath of the 1842 retreat from Kabul, with the walls of Jalalabad looming over a barren plain and riders from the garrison galloping to reach Brydon, who brings the first news of the fate of the "Army of Afghanistan." The work captures the grim reality of military defeat and the resilience of individuals amidst chaos.

Conquest of Ager and Siege of Lleida by Sauveur Lecomte, 1690

Conquest of Ager and Siege of Lleida

Sauveur Lecomte
Lleida,Spain
Unknown Movement

This historical painting by Sauveur Lecomte depicts the conquest of Ager and the siege of Lleida, showcasing military scenes with soldiers, tents, drums, horses, rifles, and swords. The composition includes elements like a tree, chapel, and ramparts, reflecting the strategic and chaotic nature of the battle.

Étienne Dujardin-Beaumetz - La dernière faction by Henri-Charles-Etienne Dujardin-Beaumetz, 1878

Étienne Dujardin-Beaumetz - La dernière faction

Henri-Charles-Etienne Dujardin-Beaumetz
Paris,France
Unknown Movement

La dernière faction is a historical painting by Étienne Dujardin-Beaumetz depicting a dramatic scene from the French Revolution. The artwork features soldiers, a French flag, and elements suggesting a battlefield, with a corpse present in the composition.

Étienne Dujardin-Beaumetz - Le général Lapasset brûlant ses drapeaux by Henri-Charles-Etienne Dujardin-Beaumetz, 1876

Étienne Dujardin-Beaumetz - Le général Lapasset brûlant ses drapeaux

Henri-Charles-Etienne Dujardin-Beaumetz
Metz,France
Unknown Movement

This historical painting by Étienne Dujardin-Beaumetz depicts General Ferdinand-Auguste Lapasset burning his flags during the Siege of Metz in 1870. The scene captures the dramatic moment of surrender and the emotional weight of abandoning the French flag, set against a campfire illuminated backdrop. The artwork conveys the tension and sacrifice of military conflict through its vivid portrayal of a soldier's poignant act.

Ambush by Henri-Charles-Etienne Dujardin-Beaumetz, 1900

Ambush

Henri-Charles-Etienne Dujardin-Beaumetz
Paris,France
Unknown Movement

Ambush is a historical painting by Étienne Dujardin-Beaumetz depicting a dramatic scene of soldiers in a tense standoff. The artwork captures the intensity of a military ambush, with detailed portrayals of soldiers, a house, and a road suggesting a strategic location. Created in 1900, this piece is part of the historical genre and showcases the artist's skill in portraying conflict and tension.

Ordre de charger by Lucien-Pierre Sergent, 1897

Ordre de charger

Lucien-Pierre Sergent
Paris,France
Unknown Movement

Ordre de charger is a historical painting by Lucien-Pierre Sergent depicting a military scene from 1897. The artwork showcases soldiers on horseback, capturing the essence of cavalry maneuvers during a historical event.

The Third of May 1808 by Francisco Goya, 1814

The Third of May 1808

Francisco Goya
Madrid,Spain
Unknown Movement

The Third of May 1808 depicts the execution of Spanish civilians by French soldiers during the Peninsular War. The painting shows a group of civilians, including a man in the foreground with his hands raised, being shot by a firing squad. It is part of a pair with The Second of May 1808, both commissioned by Spain's provisional government to commemorate resistance against Napoleon's occupation. The work is now housed in the Museo del Prado in Madrid, Spain.

The Surrender of Breda by Diego Velázquez, 1634

The Surrender of Breda

Diego Velázquez
Madrid,Spain
Unknown Movement

La rendición de Breda is a painting by the Spanish Golden Age painter Diego Velázquez. He painted it during the years 1634 and 1635, inspired by his visit to Italy with Ambrogio Spinola, the Genoese-born Spanish general who conquered Breda on June 5, 1625. The painting depicts the exchange of the key of Breda from the Dutch to the Spanish.

Enrôlement des Volontaires by Auguste Vinchon, 1850

Enrôlement des Volontaires

Auguste Vinchon
Paris,France
Unknown Movement

Enrôlement des Volontaires is a historical painting by Auguste Vinchon, created in 1850. The artwork depicts a scene of military recruitment during the French Second Empire, showcasing the fervor and dedication of soldiers volunteering for service. The painting captures the emotional intensity of the moment, with soldiers eagerly signing up for the army, reflecting the societal context of the time.

The King, from Akershus fortress by Frits Thaulow, 1878

The King, from Akershus fortress

Frits Thaulow
Unknown City,Unknown Country
Unknown Movement

painting by Frits Thaulow (Lillehammer Kunstmuseum, LKM.Dep33)

Patrol konny w Alejach Ujazdowskich w 1905 r. by Stanisław Masłowski, 1909

Patrol konny w Alejach Ujazdowskich w 1905 r.

Stanisław Masłowski
Warsaw,Poland
Unknown Movement

This historical painting depicts a cavalry patrol on Ujazdów Avenue in 1905. The scene captures the presence of Cossacks and soldiers, likely during the Revolution in the Kingdom of Poland. The artwork showcases the military atmosphere and the historical context of the time.

Bitwa pod El-Teb. Kawaleria sudańska przełamuje czworokąt Anglików by Józef Chełmoński, 1884

Bitwa pod El-Teb. Kawaleria sudańska przełamuje czworokąt Anglików

Józef Chełmoński
Oxford,United Kingdom
Unknown Movement

This painting depicts the Battle of El Teb, showcasing the Polish cavalry breaking through the British square. Created by Józef Chełmoński in 1884, it captures the intensity and chaos of the conflict during the Sudanese campaign.

Kazimierz Pułaski pod Częstochową by Józef Chełmoński, 1875

Kazimierz Pułaski pod Częstochową

Józef Chełmoński
Częstochowa,Poland
Unknown Movement

This painting by Józef Chełmoński depicts Kazimierz Pułaski at the Jasna Góra Monastery during the Bar Confederation. It captures a historical moment in Polish history, showcasing Pułaski, a key figure in the Polish-Lithuanian Commonwealth, in a military setting. The artwork highlights the significance of the monastery as a symbol of resistance and national identity during the conflict.

The Prison of Copenhagen by Martinus Rørbye, 1831

The Prison of Copenhagen

Martinus Rørbye
Copenhagen,Denmark
Unknown Movement

The Prison of Copenhagen by Martinus Rørbye depicts a detailed architectural scene of the Copenhagen Court House, showcasing the building's grandeur and intricate design. The painting captures the essence of the structure with a focus on its historical significance and the surrounding elements, including a sentry box, ladder, and various figures such as soldiers and a group of humans. The composition highlights the architectural details and the atmosphere of the prison, reflecting Rørbye's skill in architectural painting.

The Death of Cleopatra by Jean-André Rixens, 1874

The Death of Cleopatra

Jean-André Rixens
Toulouse,France
Unknown Movement

The Death of Cleopatra depicts the moment of Cleopatra's suicide as she lies on a bed, surrounded by Egyptian symbols and a mourning figure. The painting captures the tragic end of the Egyptian queen, who chose to die by the bite of an asp rather than be captured by the Romans. Created in 1874 by French artist Jean-André Rixens, it was exhibited at the 1874 Salon and is currently housed in the Musée des Augustins in Toulouse, France.

Le Rêve by Édouard Detaille, 1888

Le Rêve

Édouard Detaille
Paris,France
Unknown Movement

The Dream is a painting by Édouard Detaille created in 1888. It won the gold medal at the Salon in 1888.

Napoleon I receives the Queen of Prussia in Tilsitt by Jean-Charles Tardieu, 1808

Napoleon I receives the Queen of Prussia in Tilsitt

Jean-Charles Tardieu
Tilsit,Russia
Unknown Movement

This historical painting by Jean-Charles Tardieu depicts Napoleon I receiving the Queen of Prussia, Louise of Mecklenburg-Strelitz, at the Treaty of Tilsit in 1807. The scene captures the diplomatic meeting between the French Emperor and the Prussian monarch, highlighting the political significance of the event.

The Roll Call by Elizabeth Thompson, 1876

The Roll Call

Elizabeth Thompson
London,United Kingdom
Unknown Movement

Calling the Roll After An Engagement, Crimea, better known as The Roll Call, is an 1874 oil-on-canvas painting by Elizabeth Thompson, Lady Butler. It became one of the most celebrated British paintings of the 19th century.

Charles II (1630-1685) stopping at the Estate of Wema on the Rotte on his Journey from Rotterdam to The Hague, 25 May 1660 by Johannes Lingelbach, 1662

Charles II (1630-1685) stopping at the Estate of Wema on the Rotte on his Journey from Rotterdam to The Hague, 25 May 1660

Johannes Lingelbach
The Hague,Netherlands
Unknown Movement

This historical painting by Johannes Lingelbach depicts King Charles II of England pausing during his journey from Rotterdam to The Hague on May 25, 1660. The scene captures the monarch stopping at the estate of Wema on the Rotte, showcasing the royal procession and the surrounding landscape. The artwork highlights the historical context of Charles II's travels and his eventual restoration to the throne.

The Siege and Capture of the City of Hulst from the Spaniards, November 5, 1645 by Hendrick de Meijer, 1645

The Siege and Capture of the City of Hulst from the Spaniards, November 5, 1645

Hendrick de Meijer
Hulst,Netherlands
Unknown Movement

This historical painting by Hendrick de Meijer depicts the siege and capture of Hulst from the Spaniards on November 5, 1645. The scene captures the intense battle and the aftermath of the city's fall, showcasing the chaos and determination of the defenders.

Prince Maurits, accompanied by Prince Frederik Hendrik, Frederick V of Bohemia and his wife Elizabeth Stuart, and others, on the Buitenhof, The Hague by Paulus van Hillegaert (I), 1621

Prince Maurits, accompanied by Prince Frederik Hendrik, Frederick V of Bohemia and his wife Elizabeth Stuart, and others, on the Buitenhof, The Hague

Paulus van Hillegaert (I)
The Hague,Netherlands
Unknown Movement

This painting depicts Prince Maurits, also known as Maurice of Nassau, accompanied by Prince Frederik Hendrik, Frederick V of Bohemia and his wife Elizabeth Stuart, along with other notable figures, on the Buitenhof in The Hague. Created by Paulus van Hillegaert in 1621, the work is a detailed landscape painting that captures the historical and political significance of the gathering.

Frolicking on a frozen canal in a town by Hendrick Avercamp, 1617

Frolicking on a frozen canal in a town

Hendrick Avercamp
Amsterdam,Netherlands
Unknown Movement

This painting depicts a lively scene of people and animals enjoying winter activities on a frozen canal in a Dutch town. Hendrick Avercamp's work captures the festive atmosphere of ice skating and sleigh rides, with details of boats, trees, and figures in the foreground.

The naval battle near Livorno, 14 March 1653: incident of the first Anglo-Dutch War by http://www.wikidata.org/.well-known/genid/e9817d5b6a3b9fcf15c6ee9fbe709bc4, 1656

The naval battle near Livorno, 14 March 1653: incident of the first Anglo-Dutch War

http://www.wikidata.org/.well-known/genid/e9817d5b6a3b9fcf15c6ee9fbe709bc4
Livorno,Italy
Unknown Movement

This anonymous painting depicts a naval battle near Livorno on March 14, 1653, during the First Anglo-Dutch War. The scene captures the chaos of combat at sea, featuring ships engaged in battle and soldiers on deck. The artwork is attributed to Johannes Lingelbach, who created it in 1660.

The battle between Bréauté and Leckerbeetje on the heath outside Vught, 5 Februari 1600 by Sebastiaen Vrancx, 1650

The battle between Bréauté and Leckerbeetje on the heath outside Vught, 5 Februari 1600

Sebastiaen Vrancx
Vught,Netherlands
Unknown Movement

This painting depicts a historical battle between two groups, Bréauté and Leckerbeetje, taking place on the heath outside the town of Vught on February 5, 1600. The scene captures the chaos and intensity of the conflict, with soldiers and horses engaged in combat. The artwork is notable for its detailed portrayal of the battlefield and the figures involved.

Frederik Hendrik at the surrender of Maastricht, 22 August 1632 by Pieter Wouwerman, 1650

Frederik Hendrik at the surrender of Maastricht, 22 August 1632

Pieter Wouwerman
The Hague,Netherlands
Unknown Movement

This historical painting by Pieter Wouwerman depicts the surrender of Maastricht to Frederick Henry on August 22, 1632. The scene captures the moment of the city's capture during the Eighty Years' War, showcasing military and political significance. The artwork includes elements of a horse and soldiers, reflecting the historical context of the event.

The Frederiksplein in Amsterdam during the arrival of Queen Wilhelmina, 5 September 1898 by Otto Erelman, 1899

The Frederiksplein in Amsterdam during the arrival of Queen Wilhelmina, 5 September 1898

Otto Erelman
Amsterdam,Netherlands
Unknown Movement

This historical painting by Otto Eerelman depicts the Frederiksplein in Amsterdam on the day of Queen Wilhelmina's arrival on September 5, 1898. The scene captures the bustling crowd and military procession, showcasing the city's vibrant atmosphere during a significant royal event.

Hussars by George Hendrik Breitner, 1885

Hussars

George Hendrik Breitner
Amsterdam,Netherlands
Unknown Movement

This painting by George Hendrik Breitner depicts a group of hussars, a type of light cavalry, in a bustling urban scene. The work, created in 1885, showcases Breitner's skill in capturing the energy and movement of military life, set against the backdrop of a vibrant cityscape. It is housed in the Rijksmuseum, Amsterdam.

Italian landscape with two Roman soldiers by Johannes Glauber, 1687

Italian landscape with two Roman soldiers

Johannes Glauber
Amsterdam,Netherlands
Unknown Movement

This painting depicts a serene Italian landscape featuring two Roman soldiers standing amidst ancient ruins. The scene includes a tall tree and a rocky outcrop, suggesting a historical or archaeological setting. The artwork showcases the collaborative style of Gerard de Lairesse and Johannes Glauber, blending detailed realism with atmospheric depth.

Italian landscape with soldiers by http://www.wikidata.org/.well-known/genid/82914cf44994829ff6c19177350968fc, 1670

Italian landscape with soldiers

http://www.wikidata.org/.well-known/genid/82914cf44994829ff6c19177350968fc
Amsterdam,Netherlands
Unknown Movement

This painting depicts an Italian landscape featuring soldiers and various elements of rural life. It includes scenes of ruins, men on horseback, soldiers in body armor, and animals such as hounds, goats, oxen, and donkeys. The artwork is a copy after the artist Karel Dujardin, showcasing a detailed and atmospheric portrayal of a historical setting.

Scene from the Ten Days' Campaign against the Belgian Revolt, August 1831 by Wouterus Verschuur, 1831

Scene from the Ten Days' Campaign against the Belgian Revolt, August 1831

Wouterus Verschuur
Amsterdam,Netherlands
Unknown Movement

This historical painting depicts a scene from the Ten Days' Campaign, a military conflict during the Belgian Revolt in August 1831. The artwork captures the chaos and intensity of battle, featuring soldiers on horseback engaged in combat. Created by Wouterus Verschuur, it provides a vivid portrayal of the historical events of that period.

Vercingetorix Throwing down His Weapons at the feet of Julius Caesar by Lionel Royer, 1899

Vercingetorix Throwing down His Weapons at the feet of Julius Caesar

Lionel Royer
Paris,France
Unknown Movement

This painting depicts the historical moment of Vercingetorix, the leader of the Gauls, surrendering to Julius Caesar after the Battle of Alesia. Created by Lionel Royer in 1899, it captures the dramatic scene of Vercingetorix throwing down his weapons at Caesar's feet, symbolizing the end of the Gallic resistance. The artwork is rich in historical detail, showcasing the military uniforms, weapons, and the symbolic elements of the conquest.

Death of Cleopatra by Alessandro Turchi, 1640

Death of Cleopatra

Alessandro Turchi
Madrid,Spain
Unknown Movement

Alessandro Turchi's painting depicts the dramatic moment of Cleopatra's suicide, showing her lying on a bed with a snake bite wound, surrounded by Roman soldiers and attendants. The composition captures the anguish and tragedy of her final moments, with detailed attention to the historical setting and the emotional expressions of the figures involved.

Lucrèce au travail by Willem de Poorter, 1633

Lucrèce au travail

Willem de Poorter
Amsterdam,Netherlands
Unknown Movement

This painting by Willem de Poorter depicts Lucretia, a historical figure from ancient Rome, engaged in embroidery in her bedroom. The scene captures her as a domestic worker, highlighting her role in a domestic setting. The inclusion of figures like Lucius Tarquinius Collatinus and a soldier suggests a narrative related to Roman history and the themes of honor and virtue.

Explore More Themes

Discover more curated art themes, each with unique stories and collections of artworks.